All posts by M.J.

#489: Battle Worlds

This is mark Joseph “young” blog entry #489, on the subject of Battle Worlds.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the seventh post for this novel, covering chapters 73 through 84.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24;
  3. #480:  Versers Think, 25 through 36
  4. #482:  Versers Engage, 37 through 48.
  5. #484:  Characters Maneuver, 49 through 60.
  6. #487:  A World in Space, 61 through 72.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

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Quick links to discussions in this page:
Chapter 73, Beam 178
Chapter 74, Kondor 238
Chapter 75, Brown 264
Chapter 76, Slade 233
Chapter 77, Beam 179
Chapter 78, Kondor 239
Chapter 79, Brown 265
Chapter 80, Slade 234
Chapter 81, Beam 180
Chapter 82, Kondor 240
Chapter 83, Brown 266
Chapter 84, Beam 181

Chapter 73, Beam 178

Eric had expressed concern that there be continuity to the story after we versed people out, and I proposed that just as Derek is crashing the ship into the ocean Beam would arrive.  I put him on the observation deck so he would understand where he was and to some degree what was happening.  It was then only a matter of figuring out what he would see.

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Chapter 74, Kondor 238

I decided that having Joe and Zeke see the descent of the ship would help move the story forward; also, at this point I figured that Derek would have left the ship, but since Beam was on it Kondor would detect the scriff sense of a verser and not know it wasn’t Derek.

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Chapter 75, Brown 264

We discussed this transition extensively before Eric put it together in this chapter.  The idea was to bring them to a place similar enough to the university they left behind that it would make sense that they could arrive there on a botch, and to build a future universe parallel to the one they left but with the two races and several others living in some kind of harmony in an interstellar empire.

Eric provided information concerning several of the races included in this book.

In this chapter Derek meets Kelp 1942, which becomes a significant character as the book continues.  Of the Kelp, Eric says those who go a-wandering and leave the great seas live in apartments filled with water.  This gives them space to move about.  However, if they want to be in public, they have to curl up and get in a floating diamondpane floater ball aquarium.  They are curious.  They also look for advantages in betting.

He also sees the Bilitate, which Eric describes as the Blue aliens from his earlier Multiverser book Beach with Dinosaurs.  They 1. Have no long bones, only vertebrae and joints.  2. In order to stand, they have to continually stress their muscles so they are considerably stronger than they look.  3.  They have airholes on the sides of their chests.  4.  They can only see Blue and Black.  They can see many more separate colors of blue than other races.  A piece of paper to them would look just blue to us, but they could read the Shade 124 Blue letters on the Shade 256 Blue paper background.  5. They are low grade empathic with each other.  6, They will be seen in groups of four or multiples thereof. 7, Their reflexes are considerably slower than human, so much so that a fast moving human might appear to teleport to them. 8, In this setting, they are definitely one of the non-warrior races.

He also sees a Parakeet and a little green man, finally given the name Chlorophyte by me, both described earlier in this book and previous books in the series.

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Chapter 76, Slade 233

Eric carried this forward, gathering or creating four of the seven races–Parakeet (from my Verse Three, Chapter One), Chlorophyte (little green men from The Wanderer, in my Versers Versus Versers), Bilitate (from Eric’s previous Multiverser book Beach with Dinosaurs), Kelp, Dvander, and Dracorex–and then discussing the seventh with me, which led to the “second best at everything” race, which he named the Anders, pulling the name from the Greek.  More detail is given about each race in the chapters in which they first appear.

Eric also wanted to introduce the gladiator games theme for Slade.

In this chapter Slade sees a Volungas balloon, which Eric describes as intelligent, indeed very highly so.  But they rest, absorb sunlight, and at night lay on dirt to absorb minerals.  Because of their vast size, they think very deep, very slow thoughts with massive memories.  Most of them are older than the empire.  If you have a week to talk to one, you can get some very great knowledge.  Each of the hundred thousand of them is under the personal protection of the Emperor.  They have only a passing presence in this book.

There is also a confrontation with a Dvander, for which Eric offered information:  1. Claws at ends of fingertips.  2. Very good at counterpunching.  3. Faster than human reflexes.  4. Let’s go with muscular.  5. Fan-like ears make it hard to sneak up on them, and they can hear heartbeats so once they understand their foe, they can predict moves by hearing heartbeats.  6. The ears have talons to defend themselves automatically.  7. Most Dvandar have a technological ear guard which keeps them from being sonically overwhelmed.  8. Ears also serve as cooling fans as a Dvandar can overheat. 9. Dvandar sometimes strike before they think, that is the reflexive bit.  10. 5 feet tall, say.  11. Thin skin.  12. Amphibians, sure.  That adds interest.  [Amphibian–frogs, newts?]

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Chapter 77, Beam 179

This was by way of orienting Beam to his new world and making it clear to the reader where he was.  Although at some point he was going to encounter the little green men whom we were elsewhere calling Chlorophytes, I didn’t want too much to happen all at once, and was still contemplating whether when the Chlorophytes recognized these as the same creatures as the versers they would capture them or surrender to them.

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Chapter 78, Kondor 239

Eric suggested that Turbirb’durpa would be able to find Kondor’s mind and communicate with him; I agreed that while this would be irregular, because Turb hears all thoughts around him and Kondor’s telepathic efforts to find Derek would be like shouting, it could be done.  I also suggested the discussion about why Turb doesn’t teach Beam telepathy.

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Chapter 79, Brown 265

Eric constructed this chapter both to provide resources for the versers and to bring them into the challenge fight.  We had to go back to clarify that “factory seconds” was a unit of currency based on the standard output of a factory per second, and that it did not refer to defective merchandise.

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Chapter 80, Slade 234

I decided that the opponent should be a Dvandar, not their best fighter but one of the top choices.  Part of that was that I thought the Kelp wouldn’t have the influence to risk the life of a Dracorex, and although the Anders were the obvious second choice they were too like humans to make for an interesting fight.  A quick chat with Eric brought us to agreement on a lot of the details of the appearance and abilities, although I took the amphibian aspect combined with the muscular physique to suggest the ability to make long fast jumps.

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Chapter 81, Beam 180

I suggested that we have Beam camp, and was uncertain whether it would get as far as them being discovered; it apparently didn’t.  I also suggested that there should be a Kondor chapter and then Derek should watch Slade’s fight.

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Chapter 82, Kondor 240

I was writing, but it was Eric’s suggestion that Kondor head to the coast to help with disaster relief.  Since the world only recently got telegraphs and even trains were relatively new, it seemed this would be the first such disaster relief effort, although it was unclear what obstacles they might face.

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Chapter 83, Brown 266

I wanted to show this combat from Derek’s viewpoint, and it worked fairly well that way.  It was a quick battle, but it was important to show Slade’s superiority.

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Chapter 84, Beam 181

It was obvious that Beam’s story wouldn’t really move forward until he was interacting with the aliens, but just as obvious that those same aliens had no reason to look for him, and particularly none to look for him in what was essentially a wilderness preserve.  Thus the best option I could see was a chance encounter, and I had to find a way to create one.  The notion of an alien coming to the lake before dawn to fish made sense, and the fact that both Beam and Dawn have white hair would be significant.

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This has been the seventh behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

#488: The Songs of “Christmas Quick”

This is mark Joseph “young” blog entry #488, on the subject of The Songs of “Christmas Quick”.

I suppose I have officially run out of recordings of my own compositions; hopefully I will find a way to record a few more songs for the new year.  However, as I realized I had reached December, I remembered that maybe a decade or so ago I arranged ten Christmas songs as midi recordings–technically nine songs, because I liked the first arrangement so much I redid it in a different instrumentation as the last.  It came to within a few seconds of twenty minutes worth of music, and I gave a CD to our pastor, Don Chroniger.

Unfortunately, I don’t have a way to string them together for you here, so you’ll have to listen to each one individually.

The entire project was inspired when I realized that with the change of just one note, the setting of Away in a Manger that I had learned as a boy could become a three-part round.  Using the midi program I then had, I selected midi human voices (“doo”) and sketched the three parts.  I called it Around a Manger, and it’s under two minutes long.

I remember being introduced to Carol of the Bells in high school chorus, and we sang it every year, and I generally appreciated its arrangement.  At some point years ago I arranged it for two guitars, and my wife managed to play it with me a few times, so I wrote out those two parts and added a bass guitar to flesh it out.  I was very surprised that it came in under one and a half minutes.

Also in high school chorus I encountered Shepherd’s Carol, and although I’ve heard quite a few versions of it since then, this one tracks closely to the arrangement we sang.  I decided it would sound good with recorders; it is under two minutes

Slower and longer than most here, O Come, O Come Emanuel is over two and a half minutes.  It is another guitars and bass arrangement.

I’ve always loved the haunting sound of Michael Praetorius’ Lo, How a Rose Ere Blooming, and although I’ve always done it in four parts, I thought that three parts on recorders would work well.  It did.  I did two verses partly to extend it to just under two minutes, but partly because I wanted to drop the melody an octave and push the bass below for the second verse.  I again used the midi vocals.

I had actually been working on playing Silent Night on a guitar, and had composed both guitar parts.  I knew the song had been originally written for guitar accompaniment, so it seemed approprate.  I had fun creating the bass part, and the three verses run about two and a half minutes.

I don’t know when I first heard O Little Town of Bethlehem, but I love all three verses, and thus I broke one of my rules.  For all the others except Around a Manger I made every verse different; for this one, in order to get a good sound on so complex a song I needed all three guitars all the way through–and I wanted three verses so that when I listened to it I could mentally or vocally go through all the lyrics.  It is thus over two minutes long.

Sometime probably in the late 70s or early 80s my wife and I had a pair of recorders, so I did an arrangement of Glorious Things of Thee Are Spoken for us to play together.  That is preserved in the first verse, and in those lines throughout.  Humorously, we played it for our gamer friend Bob Schretzman, who was flattered that we’d learned to play Deutschland Uber Alles for him.  Still, I took the original arrangement, added a tenor recorder to the second verse and a bass recorder to the third, and got a decent arrangement running about two minutes.

I had taught myself to play the guitar part that covers the melody, including the two-part chorus, of Angels We Have Heard On High, so I coded it into the midi program, and then worked on adding a second guitar and a bass guitar.  I was rather pleased with it; it runs just over two minutes.

I was sort of running out of ideas for Christmas songs I could arrange quickly, and I realized that I really liked the opening song but the three parts tended to blend into each other.  So I decided to do a second version of the song, using two guitars and a bass, each in its own octave, and so we have Around a Manger, reprised in a guitar version to close the set.

I offer no lyrics for this set; the songs are all out there somewhere, and the length of the lyrics for nine songs would be daunting.  I hope you know enough of them to enjoy the collection.  Perhaps these will give some of you ideas for your own arrangements.  Or you can burn these to a CD or save them on a thumb drive and play them for pre-service music at an upcoming nativity celebration.

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust” | #481:  The Song “To the Philadelphians” | #483:  The Song “Give Me a Vision” | #485:  The Song “Where Did I Go Wrong?”

#487: A World in Space

This is mark Joseph “young” blog entry #487, on the subject of A World in Space.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the sixth post for this novel, covering chapters 61 through 72.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24;
  3. #480:  Versers Think, 25 through 36
  4. #482:  Versers Engage, 37 through 48.
  5. #484:  Characters Maneuver, 49 through 60.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Return to Top

Quick links to discussions in this page:
Chapter 61, Beam 176
Chapter 62, Slade 229
Chapter 63, Kondor 236
Chapter 64, Brown 260
Chapter 65, Beam 177
Chapter 66, Slade 230
Chapter 67, Brown 261
Chapter 68, Kondor 237
Chapter 69, Slade 231
Chapter 70, Brown 262
Chapter 71, Slade 232
Chapter 72, Brown 263

Chapter 61, Beam 176

Although I drafted this chapter, Eric had contributed some of the ideas for it in discussion.  We were considering the bears as an ironic exit from this world.  Eric kept using the word “chimera” in a sense unfamiliar to me, but which apparently suggested some genetic manipulation of some sort, so I stopped with the appearance of the bears and suggested Eric revise it as desired.

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Chapter 62, Slade 229

Eric drafted this originally as chapter 60, but I inserted two chapters mostly to give a credible feeling that they had prepared for it.  At the end, Eric had the ships separating for two separate landing sites, but my previous descriptions of the ship suggested that launch bays were near the bottom and the bridge and simulator near the top and elevators in the center, so it made the most sense for them to use the same bay even if there were more than one, and do at least part of the journey together.

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Chapter 63, Kondor 236

Eric drafted this, and it went with only minor editing.

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Chapter 64, Brown 260

Eric drafted this.  We had discussed such issues as whether they would find a vehicle of some sort, and Eric wanted to have a lot of combat aboard the ship; even so I was surprised that they disembarked directly into a firefight.

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Chapter 65, Beam 177

I chose not to start this chapter because I thought Eric had some ideas about the bear(s).  Eric eventually wrote the attack.

At this point, we were both fairly certain that at least two and possibly all four of our viewpoint characters would be versing out within the next few chapters.  Our biggest problem was that we were quite uncertain where to send any of them.

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Chapter 66, Slade 230

I was waiting to see what Eric would do with Beam’s bear “chimera”, but I decided to jump ahead on the Slade and Brown threads.  One reason I jumped into that was that I realized that the robot had been an animal capture bot, and could probably appear to be so if it were carrying them, which would let them be insignificant in a different way.

The cliffhanger was intended to set up the next Brown chapter with Slade killing an alien.  I envisioned it as an alien with a clipboard, recalling his first kill in the first book.

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Chapter 67, Brown 261

Having set up the fight, I came back and wrote it, mostly because I liked the image of Slade being ignored by the alien until the attack fell.  This delivered Derek to the right floor and sent Slade into his big combat.

I had Derek learn the Insignificancy spell without any notion of when or whether he would use it.

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Chapter 68, Kondor 237

Eric wrote this mostly to let the reader know that we hadn’t forgotten Kondor.  He included seeing a flash in space, but I removed that because first I thought it too soon and second I didn’t think Slade could produce any explosion large enough to be seen from the ground without somehow destroying the ship.

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Chapter 69, Slade 231

Eric wrote this, in which there was a great deal of combat and Slade was barely hanging on to life from the sound of it.  I thought it too long, and so at the point where the former captain robot produces blades I decided it was time to catch up with Derek, and broke the chapter into two.

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Chapter 70, Brown 262

I inserted this chapter to break the extended Slade battle and catch up with what Derek was doing taking over the ship.

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Chapter 71, Slade 232

This was the end of Eric’s original Slade 231, which I pushed by inserting the Brown chapter.

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Chapter 72, Brown 263

I wrote this as the endgame for Seeker’s attack on the parakeets.

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This has been the sixth behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

#486: Bernice Wurst: Impressions of an Impressionist

This is mark Joseph “young” blog entry #486, on the subject of Bernice Wurst:  Impressions of an Impressionist.

This is about a twentieth century impressionist painter who lived in, of all places, Scotch Plains, New Jersey.  I am surprised that she does not have a page on Wikipedia, particularly since I do (or at least at one point did; I don’t generally check on such things), and I somehow suspect that more people own or have owned her paintings than my books.  I, however, am not the person to create that page.  I knew her, but only in the way children know the friends of their parents.  Still, I will share a few recollections here, in case someone decides to create that page.

Mrs. Wurst–for so I was taught to call her–lived around the corner from our Brookside Drive house, on the corner of Seward Drive right where it terminates (or perhaps begins) at Golf Street.  My mother would sometimes walk down there with the four of us in tow to visit her and her husband Frank.  More often she would come to our house to have coffee with my mother, and they were one of the couples who came to my parents’ bridge parties when I was in elementary school.  When we left Scotch Plains in 1967 my parents stayed in touch, but I saw much less of them; I believe they came to my wedding in 1976, but that reception of over a hundred people was something of a blur, and honestly greeting old acquaintances was not in the forefront of my mind.  I suspect her hair must have been blond when I was younger; I remember it as white.  She was a few years older than my mother, but then, my mother always looked young for her age and now in her nineties still does.

I suspect my mother must have several of her paintings; she has on display artwork by a number of friends and relatives, and I never learned who created what.  However, we have two.  The first was a wedding present, and I wrote a bit about it and posted a photo of it to the web in an article entitled Game Ideas Unlimited:  My North Wall, about stimulating creative ideas from ordinary surroundings, back in 2000.  That site has since vanished, but the article was republished with the image as RPG-ology #39:  My North Wall by the Christian Gamers Guild, and preserved in print in the book RPG-ology Volume I:  The First Five Years, with the photo of the painting featured on the back cover.  It is a still life, flowers in a vase or pot, although the article mentions something we saw in it which might not have been intended by the artist.

The other, pictured here, was a graduation present when I earned my doctorate.  I’m told that she was going to give me a different still life, but my mother suggested, undoubtedly correctly, that I would prefer this landscape.  I know nothing else about either picture.  I had always assumed they were oils, but I am not a painter and comments on E-bay suggest that she preferred to work in acrylics.

I remember one Halloween in what must have been the mid sixties when I had returned from trick-or-treating and was manning the door.  Someone I took to be a teenaged boy, oriental (I would not have been able to distinguish Japanese at the time, but I suspect that was the garb), was at the door.  He did not want candy, and he kept saying to go get my mother, although he spoke as if there were something impeding his speech.  I reluctantly summoned her, and she somewhat impatiently came to the door and asked him what he wanted–at which point he revealed that he was Mrs. Wurst in disguise.  I don’t feel bad about not having recognized her–my mother laughed in astonishment and I believe invited her in, although that’s as much as my young memory retains all these decades later.  She seemed a light, fun-loving, perhaps playful sort of person in my perhaps limited experience.

I wish I could tell you more; I must have encountered her more than a hundred times over the years, but most of those would have been her drinking coffee with my mother at the kitchen table as I was passing through.  It’s funny how we can know significant people and not recognize their significance.  I knew she painted pictures; I did not know she was one of the state’s recognized artists.

Rest in peace, Mrs. Wurst, and thank you for the paintings.

#485: The Song “Where Did I Go Wrong?”

This is mark Joseph “young” blog entry #485, on the subject of The Song “Where Did I Go Wrong?”.

Last month I gave you a song that had never been performed, a recording of a choral arrangement with midi vocals and a midi piano, along with lyrics and an image of the hymn setting for it.  This month again the recording is midi instruments and midi vocals, with a lyric sheet–but this time the song isn’t finished.  I have not managed to write the lyrics for the bridge.  It’s also very different, a progressive or new wave rock sound.

I told you I was scraping they bottom of the barrel.  I hope to be able to record a few more songs in the months ahead, because indeed there are more songs, I just need to be able to record them.

People ask what you write first, the words or the music, and the answer is not only no, it’s more complicated than that.  The music has at least two parts, and the lyrics similarly have at least two parts.  For the music, there is the musical progression–chords, baselines, rhythms, everything that goes in the background–and the melody; sometimes, as in this song, there are two melodies, or more than two if it turns out contrapuntal.  Then the lyrics involve figuring out the subject, working out the rhyme scheme, and fitting words to the music that tell the subject and fit the rhyme and meter scheme.

If I remember aright, this song began with the background, which I pieced together on a midi program which for a while Scorio provided free online.  This included the intro, verses, and bridge, and the tag at the end.  Once I had the background I wrote the melodies–two parts, but no words.  I then must have started on the words–I know this because I have a document containing the words that first contains a lot of scraps of possible lyrics some of which were used, or modified, or discarded.  Eventually I carefully constructed two verses with a rhyme and meter scheme that fit the melody, and used one of the lines as the tag line after the bridge.

But I never came up with lyrics for the bridge.  Obviously I had a meter pattern and line length, because I’d written the melodies.  I couldn’t figure out what the words should be, even quite exactly what they should express.  I tossed it at a couple people with whom I had collaborated in the past, but they indicated no interest in helping this time.  I come back to it a few times each year and try to figure out what to do with it, but it seems unlikely that I’m going to come up with anything any time soon.

Feel free to suggest something if you’ve got any ideas.

This is the original midi recording.  It is again very different from anything else I remember writing, and I regret that it is not a song I can perform.  Markings on the page tell me that I had envisioned Collision performing this when Sara joined us but before Kyle left, which puts it in the early months of 2013.  I think I had actually set it up for two bass guitars, but changed one of them to a keyboard because I had Jonathan on keys and didn’t have a second bass at that time.

Where Did I Go Wrong?.

So here are the lyrics.

Where did I go,
Where did I go,
Where did I go wrong, to reach such misery?
Why’d it take so long for me to see?
Oh that someone strong would come along and rescue me!

How can I be,
How can I be,
How can I be spared from this calamity?
I was unprepared for what would be!
Oh that someone cared and dared to come and rescue me!

(Bridge lyrics not written)

La-di-da-da-lah-di-da-da-lah-di-da-da-lah;
La-di-da-da-lah-di-da-da-lah-di-da-da-lah;

La-di-da-da-lah-di-da-da-lah-di-da-da-lah;
La-di-da-da-lah-di-da-da-lah-di-da-da-lah;

Oh that someone cared and dared to come and rescue me!

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust” | #481:  The Song “To the Philadelphians” | #483:  The Song “Give Me a Vision” |

Next song: The Songs of “Christmas Quick”

#484: Characters Maneuver

This is mark Joseph “young” blog entry #484, on the subject of Characters Maneuver.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the fifth post for this novel, covering chapters 49 through 60.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24;
  3. #480:  Versers Think, 25 through 36; and
  4. #482:  Versers Engage, 37 through 48.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Return to Top

Quick links to discussions in this page:
Chapter 49, Beam 173
Chapter 50, Slade 226
Chapter 51, Kondor 233
Chapter 52, Beam 174
Chapter 53, Brown 257
Chapter 54, Slade 227
Chapter 55, Kondor 234
Chapter 56, Beam 175
Chapter 57, Slade 228
Chapter 58, Brown 258
Chapter 59, Kondor 235
Chapter 60, Brown 259

Chapter 49, Beam 173

The idea that Beam would move to the master bedroom and Ashleigh would join him while Sophia vented her anger may have been one reason I delayed the completion of the body removal until the next day–although in truth it was too big a job to be completed at one go.  Having her light up the night with fire spells seemed an appropriate way for her to vent, and also would give a reason why in the short-term future more zombies would arrive.

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Chapter 50, Slade 226

I had a lot of problems with Eric’s original draft of this, including that he had Slade smashing a delicate advanced electronic device with a hammer on the excuse that part of it was broken, and that he wanted Derek to fly the saucer to a distant location to bring back just parts essentially broken off another saucer.  I felt that Kondor would want to preserve everything salvageable, including any undamaged circuits in the engine.  That impacted the upcoming battle.  Also, Eric had originally made Slade the divine spokesperson who had to communicate to the world via shortwave, and had the others teasing him about being a god, which didn’t really work because Slade almost thinks himself one and wouldn’t be upset by it, and Kondor would find the idea so offensive he wouldn’t even tease about it.  Besides, Slade is the one verser who actually whistles the Parakeet language, everyone else singing it, so he would not be entirely recognizable as an alien voice on the radio.  So Eric managed to reverse it.

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Chapter 51, Kondor 233

Some of the problems with Eric’s first draft stemmed from the idea that Derek and Slade would be gone and would have left Vashti and Shella behind, and I had nixed the flight largely because Derek’s saucer would immediately be a target if he overflew parakeet defenses any distance at all from the university.  Also, I thought the hangar at least a quarter of a mile from the houses and Eric thought it was fairly close.  That led to the suggestion that the battle be split, that there be a second attacking force over by the hangar repelled by Derek and Slade.  After I made a bunch of suggestions, Eric did substantial rewriting to make it work.

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Chapter 52, Beam 174

After we had moved the bodies to the yard–and we never contemplated moving them anywhere other than the yard, it was just a long debate about how to do that–I realized that Sophia probably wouldn’t be less unhappy with a pile of corpses in the back yard than she was with them in the basement, but there really wasn’t another option.  Further, it satisfied her requirement, so she was going to have to acquiesce to joining Beam and Ashleigh in the same bed.

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Chapter 53, Brown 257

Eric surprised me with the funeral, but it was well done and was kept with only minor style and grammar fixes.

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Chapter 54, Slade 227

Again Eric surprised with this.  I had a few objections and changes, but in the main it went as written.  We had some discussion of how many people were on campus after it was evacuated, and so had to reduce the number of casualties some.

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Chapter 55, Kondor 234

Eric started this, with the rest up through the suggestion that the rain was making it possible to move the saucer from the train to the hangar.  I then took over, suggesting what repairs and adjustments had to be made, and that Joe would be needed for some of that.  Then I interrupted, and in essence drafted a suggested section in which Derek prays for Joe to be healed, and it works.  Eric agreed that it worked, but pointed out that I had accidentally changed the location, so that had to be shifted to make it work.

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Chapter 56, Beam 175

I put this together.  Several of the ideas had been discussed previously, and it was time to do something with Beam and more living zombies.  Although the chapter could easily have continued to cover more, it seemed a good place to break and go back to the others.

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Chapter 57, Slade 228

I drafted this mostly to move forward on getting the spaceships flight ready.  I wrote enough to give the impression that everything was being done, and decided to sleep on whatever else might happen next.

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Chapter 58, Brown 258

This was Eric’s work, although I had suggested there would be another Gatling gun, probably a prototype, in engineering, and so Eric was figuring out where to put it.

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Chapter 59, Kondor 235

More of Eric’s work, setting up for a ground battle.

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Chapter 60, Brown 259

Eric had gone directly into Slade 229 with the launching of the shuttles, but I thought it vital that there be a place where Shella teaches Derek the teleport spell, and probably important that there be something about Derek teaching Bob and Shella to fly the ship, so I inserted this chapter, and then the next Beam chapter to shift the focus.

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This has been the fifth behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

#483: The Song “Give Me a Vision”

This is mark Joseph “young” blog entry #483, on the subject of The Song “Give Me a Vision”.

And now for something completely different.

One spring in the early to mid teens Pastor Don Chroniger of the Seventh Day Baptist Church in Shiloh asked if I could write a song for him.  He had read a book about vision (not visions), and was loosely planning a sermon series on the subject and wanted a song–something that the choir could sing, but which could also be used as a chorus by the congregation.

I produced this, and made a midi recording, midi piano and midi vocals, to show how the choral version would sound.  I also produced a printable choral sheet music for the choir to use, and a chorus version in the easier key of D for the congregation.  I also did a hymn setting, shown in the image here.  After I had delivered all this, one of those political events happened–I think the church was chosen to host a denominational meeting that fall–and the sermon series was scrubbed, the song put on perpetual hold.  It was never performed; I don’t think copies of the music ever reached the choir, possibly never reached the pianist.  I searched for another chorus or choir to sing it, but my contacts are extremely limited in that area and nothing ever became of it.

However, I still have the music, the words, and this midi recording, and I personally think it’s a powerful song looking for someone to debut it.  It is the nearest I have ever gotten to writing something similar to the works of my favorite twentieth century composer, Randall Thompson, and it sometimes moves me near to tears.  Pastor Don having retired, I don’t expect the sermon series will ever be realized, so their choir probably won’t ever sing this.

Give Me a Vision.

So here are the lyrics.

Give me a vision, let me clearly see
Your perfect plan and what you ask of me.
Your will be done, Lord; let me know my part.
Give me a vision; put it on my heart.

People are dying, lost in the night,
Alone and afraid, and needing your light.
Lord, let your light shine through,
Because the world needs you.

Give me a vision, let me clearly see
Your perfect plan and what you ask of me.
Your will be done, Lord; let me know my part.
Give me a vision; put it on my heart.

Christians are fighting, caught in our pride,
United in Christ, we choose to divide.
Lord, let your love break through,
Because the church needs you.

Give me a vision, let me clearly see
Your perfect plan and what you ask of me.
Your will be done, Lord; let me know my part.
Give me a vision; put it on my heart.

I am a sinner, not knowing why.
To enter your kingdom I need to die.
Please let your life come through,
Because, Lord, I need you.

Give me a vision, let me clearly see
Your perfect plan and what you ask of me.
Your will be done, Lord; let me know my part.
Give me a vision; put it on my heart.

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust” | #481:  The Song “To the Philadelphians”

Next song: Where Did I Go Wrong?

#482: Versers Engage

This is mark Joseph “young” blog entry #482, on the subject of Versers Engage.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the fourth post for this novel, covering chapters 37 through 48.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24; and
  3. #480:  Versers Think, 25 through 36.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Return to Top

Quick links to discussions in this page:
Chapter 37, Slade 223
Chapter 38, Brown 253
Chapter 39, Beam 170
Chapter 40, Brown 254
Chapter 41, Kondor 231
Chapter 42, Beam 171
Chapter 43, Slade 224
Chapter 44, Brown 255
Chapter 45, Slade 225
Chapter 46, Beam 172
Chapter 47, Kondor 232
Chapter 48, Brown 256

Chapter 37, Slade 223

I made this a Slade chapter because I needed to continue the aftermath of the confrontation with the foreign ambassador.  I cut it short, and invited Eric to expand it, which he did.

The material with the drink and bread, and the entire dream sequence, was Eric’s, with minor editing.

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Chapter 38, Brown 253

Eric wrote this, again with minor editing, to advance the expectations of combat.

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Chapter 39, Beam 170

I said that I wanted to move to a place where Beam managed to persuade Sophia and Ashleigh to share the larger bed in the other room with him.  Eric ran with that, as Sophia uses it as a bargaining chip to force him to destroy and remove the zombies from the basement.  Unfortunately, I couldn’t think of a way to do that, but after some discussion it was agreed that Beam would challenge Sophie to come up with a way, and shoot down all the obvious suggestions.  That leaves the problem standing for future resolution.

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Chapter 40, Brown 254

We discussed this quite a bit, and had a rough sketch of what happens in the next few steps of this story.  The first step was to have the aliens communicate with Derek, whom they think is one of them, and confirm their intent to attack.

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Chapter 41, Kondor 231

Having written the preceding Brown chapter, I plowed on into this one, and then felt like it needed to break.  It could have gone to Slade and continued with the meeting, but I wasn’t sure it shouldn’t go to Beam.

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Chapter 42, Beam 171

The animosity between Sophia and Ashleigh seems a significant theme, and the facts that Beam both can’t fix the basement zombie problem and doesn’t actually care lead to something else.  I suggested that Beam force the issue by simply moving into the other bedroom and inviting them to join him, and Eric that Sophie play some games to show her displeasure before capitulating.

I wrote the discussion between Beam and Ashleigh, and left it hanging with Beam thinking it was a bad idea.  Eric picked up the chapter and wrote the rest.  He invented the notion that the zombie parasites could be drowned at this point, which was accepted because there didn’t seem to be many alternatives.

There were a lot of little problems with this chapter, and several more chapters were drafted by one or the other of us; at this point work was suspended as my wife was hospitalized with cardiac issues and I was spending much of my time in the hospital with her.  The problems were resolved a week later when things returned to operable.

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Chapter 43, Slade 224

We had already agreed that this meeting would happen, and that during the battle Slade would be standing on the green (what I want to call the Quad after a similar space on my own college campus, but have refrained from doing so), and that Derek would take the ship into the stratosphere to protect it.  I wanted to write this chapter because there were a few minor points I wanted to include, such as that it would be Joe who suggested taking the ship to the stratosphere, and that the houses were at risk so their possessions should be packed and moved.  Eric had suggested that the defenders on the ground were going to shoot at the attacking ships, but I realized that bullets weren’t going to be significant against the hulls of spaceships designed for surface to orbit use, and thus suggested that there had to be weak points, and that the kinetic emitters would be the obvious ones.

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Chapter 44, Brown 255

Eric wrote most of this, with only a few minor edits from me.  It does give the feeling that it happened quickly, but hopefully that will be mitigated by a future chapter in which one of the other characters sees the ship launch.

One aspect of this is that the readers know the versers make a point of having their possessions near them if there is a significant danger that they will verse out.  Thus having them pack creates a level of expectation that this might happen, and raises the tension some.

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Chapter 45, Slade 225

Eric drafted this chapter as well; I added the part where Derek was observed launching, but otherwise just tweaked a few minor points.

Joe damaging one of the drive engines with his rifle was probably an important part of the story, as it meant that the birds wouldn’t need better than the gatling guns to damage the ships.

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Chapter 46, Beam 172

I drafted this; the notion of using the robotic cart was an abrupt realization, as was the recollection that Ashleigh had a grappling hook.  Ideas for a few upcoming chapters were sketched briefly at this point.

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Chapter 47, Kondor 232

I put Kondor’s name on this chapter, and made some preliminary suggestions concerning what it should contain.  Then I returned and drafted it, moving the destruction of Kondor’s nest here because I didn’t think it was something they could have seen from the dorms.

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Chapter 48, Brown 256

Eric drafted this, creating the objects in response to my suggestion that there might be something interesting there.

The antigravity grenade would appear several times in this book and in the next, and so proved more important than it seemed in this scene.

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This has been the fourth behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

481: The Song “To the Philadelphians”

This is mark Joseph “young” blog entry #481, on the subject of The Song “To the Philadelphians”.

One of the challenges I faced when I was recording songs using the software program was remembering them all, and this is one I did not remember.  However, it is connected to memories.

I was at Gordon College, and I was attending services at The Pigeon Cove Chapel in Rockport, Massachusetts.  That meant I must have had a car, and must have been living in Rockport with my wife, which puts it sometime after November 1976 but before May 1978.  The pastor there, whose name I don’t recall five decades later, began a sermon series on the letters to the churches in Revelation.  I went home and read them all, and was inspired by the third, the one written to the church in Philadelphia (which is of course in modern-day Turkey, not in Pennsylvania).  I made a few changes to the words and then caught up with him to sing it for him.  He did not see the word changes as significant, and I believe I must have sung it for the congregation the week he got to that letter–although oddly I remember singing it for him, and his enthusiastic response, but not for anyone else.

I rarely sang it, partly because it was around this time that I noticed my propensity to write songs in C when I was working on a piano and partly because I tended thereafter to perform with an acoustic guitar so I didn’t do many of the piano songs.  However, I made this live recording a few years ago at the Silverlake church.  It is difficult to hear the lyrics over the piano, but the performance worked and it’s the only recording of this song I’m aware of having.

To the Philadelphians.

So here are the lyrics.

He Who is holy and He Who is true,
Who has the key of David,
He Who opens what no man can close
And shuts what no one opens did say this.

I know your deeds; behold, I set before you
An open door which no man shall ever close,
Because you’re weak, but you try to keep my message,
And when you speak, you have not denied my name.

Behold, I’ll cause the people of Satan,
Who say they are of Me, but they lie,
I’ll cause them all to bow down before you,
And know that I have loved you.

Because you keep the word of my endurance
I’ll keep you from the hour of testing.
The hour which is coming to the earth.

I’m coming soon–don’t you know I’m coming quickly
To take you home, so hold fast to what you have.
You have a place in the temple of My Father,
So don’t let anybody rob you of your crown.

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust”

Next Song: Give Me a Vision

#480: Versers Think

This is mark Joseph “young” blog entry #480, on the subject of Versers Think.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the third post for this novel, covering chapters 25 through 36.  The first post, #476:  Versers Deduce, covered chapters 1 through 12, and the second, #478:  Character Conflicts, covered 13 through 24.  There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Return to Top

Quick links to discussions in this page:
Chapter 25, Kondor 227
Chapter 26, Brown 251
Chapter 27, Slade 220
Chapter 28, Beam 167
Chapter 29, Kondor 228
Chapter 30, Beam 168
Chapter 31, Slade 221
Chapter 32, Brown 252
Chapter 33, Kondor 229
Chapter 34, Beam 169
Chapter 35, Slade 222
Chapter 36, Kondor 230

Chapter 25, Kondor 227

MJ opened this chapter putting forward the notion that Joe was going to question the spy, and the suggestion that Zeke would do the language link/mind reading combination to tell whether the bird was telling the truth.

Eric made some suggestions which made sense.  MJ decided that the prisoners would be locked in cages in the on-campus zoo that had been mentioned in the previous book, as the easiest place to secure them.

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Chapter 26, Brown 251

This chapter may have gone through a dozen rewrites, because we couldn’t make sense of Derek cracking the language.  Eric headed in the direction of building a database of words used by the aliens, and trying to make sense of their communications based on matching words to the movements of the ship.  MJ, meanwhile, thought this didn’t really fit the known facts, that the ship had departed from the same original location as The Wanderer from which Derek and his spaceship and robot had just come–the languages would have been the same then, and any change would be strictly in pronunciation.  That, though, proved the key:  the computer would still be spelling everything the same way, but as with English the pronunciation would have changed, and that meant that Derek’s computer could communicate with the visitors’ computers because they would be sending encoded text messages to each other, and generational changes in pronunciation wouldn’t matter.

Eric came up with the idea for the EMP, but used it to give Derek more vocabulary.  MJ adapted it to identify the coordinates of the university on the visitors’ grid, and so begin to put together the latitude/longitude system being used by the visitors.

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Chapter 27, Slade 220

This surprise came from Eric, and we probably don’t know where it’s going.  After all, all his current opponents are either avians or little green men, so he would be guessing concerning where their nerve junctions are.  However, there’s a reasonable chance this will come to something in the future.

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Chapter 28, Beam 167

MJ realized that Sophia was going to be very uncomfortable trying to sleep with the knowledge of those monsters in the basement, and so would want to sleep with Beam; he then realized that the opportunistic Beam would use this to get both wives in the same bed with him.

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Chapter 29, Kondor 228

Eric’s original vision of this Wheel of Trade was that he was reading about the world of Mary Piper Alpha, the primitive sailing vessel, and he made it a religious object with the suggestion of some kind of god of commerce.  The big problem MJ observed was that although Kondor had that tablet when he arrived at that world, that world didn’t have any computers so he couldn’t have gotten a data version of the history, and any history of that world he did have he would have written himself.  The passage was recast to suggest that this was in Mary Piper Beta, and the religious aspects blunted since there is no hint of religion in the original world descriptions or Kondor’s visits there.

We hit a minor snag, because although Zeke has had some training with primitive weapons and is a below average amateur, he doesn’t actually own any such weapons.  A bit of rewrite arranged for him to borrow swords from others.

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Chapter 30, Beam 168

Eric had suggested that Beam would fight another batch of zombies, but MJ actually finds it difficult to write interesting combat scenes and thought it more interesting to have them arrive and eat their own dead.

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Chapter 31, Slade 221

At this point MJ outlined a plan for the next four chapters which would bring the parakeet world story to a turning point.  It was important as a first step that we create the feeling of a bit of time passing.

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Chapter 32, Brown 252

This chapter was intended to cover a lot more, but it was getting cumbersome so MJ ended it at a point at which it made some sense to switch to Kondor; the cliffhanger at the end of the next chapter was supposed to be the end of this one.  Then the outline called for Beam and then Kondor, but that Kondor chapter was really about observing Derek’s communication with the aliens, so it was simple enough to change it to Slade.

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Chapter 33, Kondor 229

This was the second half of what was going to be in the previous Brown chapter, expanded a bit.  As mentioned, the cliffhanger message was supposed to end the Brown chapter, but MJ needed to make it two chapters to prevent the feeling that it was rushed.

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Chapter 34, Beam 169

This was a joint effort.  MJ suggested that Bob would levitate a cow over and drop it, and that Sophia, the fire mage, might have some spells to cook it and to preserve it.  Eric wrote the first draft of the chapter and created most of the detail, although MJ edited some of it out and made a few minor changes.

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Chapter 35, Slade 222

We had discussed this and considered it for quite a while before we reached this point, and so had been working toward it, but it was pretty much a last minute decision to make it a Slade chapter, mostly because we hadn’t had one for a while.  MJ thought that contact from someone claiming to be an officer of a sister ship would at least stall the visitors, but as this was written we had not figured out what would happen next.

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Chapter 36, Kondor 230

Eric had suggested a confrontation with an ambassador upset about the versers revealing the location of some secret facility, and MJ had said if it was going to happen it had to be here.  Over the course of a day that went from MJ recommending an outline to expanding it to a chapter that spilled over into the next chapter.

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This has been the third behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.