#319: Quiet Worlds

This is mark Joseph “young” blog entry #319, on the subject of Quiet Worlds.

With permission of Valdron Inc I have previously completed publishing my first five novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, Spy Verses, and Garden of Versers, in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I have posted the sixth, Versers Versus Versers,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

Readers might also take a look at web log post #318:  Toward a Seventh Multiverser Novel, which invites reader input regarding which characters ought to be continued immediately and which can be put on hold for later.

This is the first mark Joseph “young” web log post covering this book, covering chapters 1 through 11.  History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Chapter 1, Hastings 173

I started writing the sixth novel as we were still editing the fifth.  I had set up a conflict between Beam’s team and the rest of the versers within the context of a war between the Caliph of the Twin River Valley and whoever it is to his east who was, in my mind, secretly supporting the bandit raids quelled by Slade and company.

There was a problem concerning where to begin this task.  A good book begins with something to grab the reader’s attention, usually an action scene of some sort.  However, most of my viewpoint characters–Joe Kondor, Lauren Hastings, Bob Slade, and Derek Brown–were gathered in a safe haven at the end of the previous book, and although the suggestion had been advanced that they would be involved in some serious conflict, there was much to do before that would happen.

That left the new character from the fifth book, James Beam.  However, these were being published in serialized form online, and consistently with each chapter the “viewpoint character” whose story is being told had changed.  Beam was the character, by force of story, whose chapter finished the fifth book, and I couldn’t see him opening the sixth because that would be the first time we had the same viewpoint character for two consecutive chapters.  It also felt to me as if any action scene for him would have at that point felt contrived.

Another alternative was to introduce a sixth viewpoint character on a separate adventure in another world.  This would make the book a bit heavy, particularly as I was already expecting that Derek would be killed fairly early in the story and move with his new wife Vashti to a different story.  On the other hand, part of the point of introducing Beam was to start Kyler writing a parallel set of books, and I thought he should have at least three characters to do this, and launching the second now would make sense.  Still, I didn’t want to open the book with a new character; every book after the first began with a known character, and in the third and fourth with the character who had sat out the previous book.  No character sat out the fifth book, but it made sense to introduce the sixth with a known character in an action scene.

My solution was to set up an intense sparring session between Lauren, Derek, and the princesses, although it was just a sketch of an idea at that point, and I wasn’t even entirely certain of two questions.  One was whether this was perceived from Lauren’s or Derek’s perspective (Lauren was preferred), the other whether it was Lauren and Derek against the girls or Lauren against Derek and the girls.  The former had problems, notably that Sch’hery would not be present and that Lauren was an incredible fighter; the latter that Derek was also a good fighter.  The answer turned out to be that Derek is the referee.

Chapter 2, Beam 42

I discussed this chapter at length with Kyler before writing it, and when it was done he was very pleased with it.  Beam is still, in my mind, his character, and I still hope he will run with it once this book is complete.

Chapter 3, Takano 1

I had reached the end of the book, with just a few chapters in my head that had to make it to paper, when I realized that I really did need this other character.

When I began doing the insertions, I had a dozen Takano chapters and seventy-four chapters of the main story, so I recognized that I should be inserting one of these roughly every sixth chapter.  I also did not want it to be the last chapter of the book, and I didn’t want to do the insertions mechanically, so I gave some thought to where to put each chapter.  Ultimately I decided that this was a good place to introduce the new character, as the opening of the book was a bit slow and it would introduce something different.

This character was probably the most difficult to set up to this point.  I had wanted a genuine modern Japanese teenaged girl, but could not really find the resources to do that, so I went with an American girl of Japanese extraction.  I consulted two friend/acquaintances, both of whom were helpful.  The one, Shun Takano, I had met in seventh or eighth grade, a fellow classmate and immigrant from Japan.  He suggested Tomiko/Tommy as the girl’s given name, with Tomio as the masculine cognate for her grandfather, and we both thought that the best choice; he also gave permission when I asked for me to use his surname, as I thought the alliteration of the name had a good sound and it was a genuine but not overly common Japanese name.  The other advisor was Thomas J. Mead, friend and peer of my sons who is a martial arts master immersed in Japanese culture, although I don’t know that he’s ever been to Japan.  He helped me with things like the dates and other bits.  My thanks go to both of them; Tommy would not have been possible without their aid.

Chapter 4, Slade 155

One of the tough parts of writing a series of books is bringing in new readers who don’t know what has already happened.  Thus while during this chapter Slade ostensibly tells a story the long-time readers already know, the function of the chapter is to give a basic introduction to the main characters.

It actually took me three, maybe four, sittings to draft this short paragraph, because I kept hitting places where I was unsure what to say next or how to resolve it.

This was originally chapter 3 before the Takano chapters were inserted.

Chapter 5, Kondor 155

I’m still attempting to introduce all the main characters, and it struck me that Kondor’s struggle over supernaturalism would be a significant factor in this world, and he has been trying to ignore it.

This was originally chapter 4 before the Takano chapters were inserted.

Chapter 6, Brown 179

I sat on this chapter for several days without deciding on a heading.  It was obvious that Derek was the one character I had not engaged in the story yet (although he was part of the first chapter, that was Lauren’s viewpoint).  However, serious consideration was being given to launching another new character in another world (which had not yet been decided when I reached this point).

It was complicated.  A significant part of the impetus for launching the James Beam character was that I had long hoped Kyler would pick up the pen and write Multiverser stories independent of my own.  It was thought that a character would be launched in one of my books who would be his character, and then would split into a separate set of stories with other characters.  One thing that went “wrong” with that was that Garden of Versers was a great introduction of the character which brought him to a place where he would be an adversary for the other versers in this book, so we committed to continuing his story within that context.  That at least opened the opportunity to create one more character for Kyler to use when he spun off his own story arc–but Kyler was reluctant to attempt such an undertaking, and did not think he could do it despite my observation that he was probably the most creative member of the family (myself not excluded).  Although a new character would help break the story, now that all five viewpoint characters were confined to the same world, it might also burden the book now that we had so many viewpoint characters.  If Kyler was not going to split Beam and the new character into another book, I was going to be overburdened with viewpoint characters and probably going to find myself putting characters “on the bench” a lot more frequently to keep the books from becoming too heavy with multiple plots.

It was further complicated by the fact that I would want the character to be different.  I was thinking a girl, probably teens or maybe twenties, because Lauren was the only female viewpoint character I had–but I had Shella traveling with Slade, and had just added Vashti to Derek, so I had some female character development to do there; and Beam was accompanied by Sophia, and although her character is extremely flat there was also Dawn, and I knew that we had already set up Miralla as a future independent verser (although Kyler and I seemed uncertain whether she would become a viewpoint character or enter the world as more of a non-player-character verser).  Kyler also had a wonderful world that revolved around a young girl named Lilith that I was sure would eventually come into play probably in the Beam stories, and the Beam character sketch included the expectation that he was going to wind up married to a second wife, so there were already female characters in play and more anticipated–they just weren’t viewpoint characters.

In the end I decided that the decision could be delayed.  I had woven Beam into Garden of Versers after the book was a good quarter or so written, and if we decided to create another character after all, I could shift all the chapters here to make room for her, as we ultimately did.

The early chapters present the challenge of bringing new readers up to speed without boring previous readers with too much repeat information.  Derek got married at the end of the previous book, and this chapter hopefully gives us the feeling of his honeymoon and the changes in his life from being married, while communicating some of that to the reader.

This was chapter 5 before the Takano chapters were integrated.

Chapter 7, Beam 43

My problem with the Beam story at this point was I knew where it was headed in the intermediate term, but I needed the short-term story.  I was feeling my way with this.

I decided that I needed to contrast the poorer Amirate against the more prosperous Caliphate to the east, without belaboring it.

This was chapter 6 before the Takano chapters were integrated.

Chapter 8, Hastings 174

It was at this point that my mind started recognizing the challenges ahead.  I needed to create preliminary story, something interesting on both stages, and on the Caliphate stage something that would draw all my characters into itself.  This would delay a first minor confrontation between the two groups, which would have to come before the midpoint of the book, maybe a third of the way into it.  In that encounter I expected to verse out Derek and Vashti, and begin them in another world at this point completely unclear to me; I had the scenes related to that verse-out clearly mapped in my mind, in which Dawn tracks the tiny distant Morach doing recon and manages to put a bullet in him, and he tumbles toward the ground, trying to guide himself as close as possible to the rest of the party, and decides to transform into Derek before crashing so he won’t verse out as a sprite or gargoyle.  After that there would be the major confrontation, possibly in two parts (I recently read that a good tension builder in a story requires that the hero fail twice and then succeed), and I’ll take everyone out of the world.

It occurs to me that somewhere in there a battle between Slade and Dawn might be exciting.  I’ll also have to consider whether Lauren faces Dicalus, and who takes out Beam.  Kyler suggested a meeting, some sort of neutral ground conference, with a preliminary bit of sparring, but he thought that would follow after Derek was shot, and I thought it would have to be before that.

I decided that Lauren hadn’t yet assessed the world, and I needed to get that written here.

This was chapter 7 before the Takano chapters were integrated.

Chapter 9, Slade 156

I was caught between the need to establish the setting and characters for any readers who began with this book, the need to keep it interesting and moving for readers who came from previous books, and the need to build toward a story that was still coalescing in my mind.  Talking about talking about the old stories helped accomplish some of that.

This was chapter 8 before the Takano chapters were integrated.

Chapter 10, Takano 2

I didn’t know where this story was going, but I did figure that a sylvan forest would have overtones of Narnia, and I would play on those for the present and see where it took me.

I thought it would be best to separate the Slade and Kondor chapters, so the story would seem more like it was moving.

Chapter 11, Kondor 156

Zeke’s interest in magic was bound to bring him to Lauren eventually.  The interaction about him being a Methodist had actually been written while I was writing the previous novel, and stuck in the notes until I got here.  It fit in the greater context of whether magic is real.

This was chapter 9 before the Takano chapters were integrated.

This has been the first behind the writings look at Versers Versus Versers.  If there is interest and continued support from readers we will endeavor to continue with more behind the writings posts for it.

#318: Toward a Seventh Multiverser Novel

This is mark Joseph “young” blog entry #318, on the subject of Toward a Seventh Multiverser Novel.

I have mentioned this to my Patreon patrons, so if you’ve been following me there you already know something of what I am about to ask–and I am asking, seeking the opinion of my readers, which you can express here, by Patreon, on Facebook, or through any of the other social media connections I maintain (Twitter, Pinterest, Goodreads, LinkedIn).  Please don’t e-mail me–I have given up on e-mail, and your correspondence will bounce.

If you are reading this, odds are a lot better than even that you are at least aware that I have been writing novels and publishing them free through the Internet, several short chapters each week.  Six books have now been written, and the fifth has been published and the sixth started.  If you’ve somehow missed these, you can catch up:

  1. Verse Three, Chapter One:  The First Multiverser Novel
  2. Old Verses New
  3. For Better or Verse
  4. Spy Verses
  5. Garden of Versers
  6. Versers Versus Versers

Obviously at this moment the last of those is not yet fully published.  That makes this difficult, because I have to ask you something that requires you consider what you know and extrapolate what you don’t know.  Worse, I wanted to do this without giving spoilers, but on reflection it seems that I am going to have to give you at least the flavor of the situation of each of the characters at the end of the sixth book, and that’s going to be spoilers.  I will warn you where to stop reading to avoid the spoilers which pertain to the material not yet published; if you haven’t read any of the novels, or even if you haven’t kept up with everything published to date, there will be spoilers, and that can’t be helped.  Either go read the books or live with the spoilers.

In the first of those I introduced three main characters, what I’ll be calling “viewpoint” characters because they’re the characters through whom the story is seen and presented.  Each is followed individually, and they join together toward the end of the book.  In the second book, one of those characters took a break and we added a new one, again bringing the three characters together toward the end of the book, and in the third and fourth we shuffled which three characters were involved in the story and which took a break.

In the fifth book, a fifth viewpoint character was introduced, and all five were involved in stories.  Those five come together, sort of, in the sixth book, and a sixth character is introduced on her own storyline.

Right from the beginning–before the first book was completed–I had a notion that I was going to share this effort with someone else, that at some point we together would create some new characters and then we would spin them off into a separate series which he would write.  The introduction of the fifth character was in my mind the beginning of that, but that expectation faded during the writing of that book and even more as the sixth character was introduced.  At this point I’m fairly certain it is not going to happen–but I have six active viewpoint characters, and that was manageable in the sixth book when most of them were in the same universe most of the time, but to continue that way would make all the stories too thin in the seventh book.  I am thus faced with which characters to include in the next book and which ones to set aside for a hopefully likely future story–and I’ve decided that at least part of that decision will be based on what you, the readers, want, which characters you would like to follow.  So let me present to you the options, and you can give me your opinion.

Two options should be mentioned up front.  The first is you can choose not to respond at all.  If I get little or no response I will give serious consideration to dropping the novels, as although they are enjoyable in the main, they do take time, and I don’t think many of my patrons are supporting me primarily for those.  The second is like it:  you can tell me that you consider the novels to be a waste of my time, and that I should be putting that time into something else–the time travel movies, more Bible pages, more politics and law, that second edition of Multiverser that has long been back-burnered, whatever you think should be my focus.  I’m not saying it’s a democracy, but I am saying that your opinion matters.  Even if your advice doesn’t cause me to drop the novels, it might cause me to do more in whatever area you hope to see (and the more so if you are one of my Patrons).

Otherwise, tell me which characters you’d most like to see in the seventh novel, perhaps why, perhaps what hopes you have for their futures.  I’m going to tell you a little about each of them here, some of it on the edge of spoilers, to help.  To borrow a line from the credits of an old Blackadder episode, the characters are being listed in something like The Order of Disappearance.  I don’t want to tell you what happens in the end of Garden of Versers, but I will tell you this much, that only one viewpoint character is still in the world in which he or she begins when the book ends, and in the spoilers section toward the end you’ll probably be able to figure out which one.  If you already have one or more favorite characters whose story you would prefer to follow, you can stop reading here and express your opinion through one of those avenues (here, Patreon, Facebook, Twitter, Pinterest, Goodreads, LinkedIn).  For what it’s worth, I have already drafted a “next chapter” for five of them, so I’ve got a good solid start whichever way it goes.

Derek Jacob Brown was not in the first novel at all.  He was introduced in the second, which was in a sense very much about him, about dealing with his fears.  He has been in every novel since, but in the second he comes in as the sprite Theian Toreinu Morach then learns how to transition from one “person” to the other, with the creation of his middle form Ferris Hoffman incidental to that.  He trains as a secret agent and goes on a number of missions in book four, and in book five after proving himself an invaluable hero he gets married.  Book six begins the story of his married life.  There is a solid argument that since he has been in the last five consecutive books he is a prime candidate for omission from the next.

Robert Elvis Slade, often called by a considerably longer titled name but just as often simply by “Bob”, was in some sense the main character of the first book.  There he goes from an ordinary guy with delusions of greatness to the hero of the story–and because of this, I instinctively omitted him from the second book.  (He appears as a supporting character in some of Lauren’s early chapters, but is never the viewpoint character in that book.)  He returned in the third, because the first had left some loose ends and I had decided to bring Shella back into his life, whom he married while they were on a mission.  Then they assisted Lauren, worked with Joe in book four, and came to the main world of book five (at the end book four).  Slade fancies himself a Warrior of Odin, and is always ready for a battle, at which he is very good.  He assumes that wherever he is he is there to hone his skills for Ragnorak.  Meanwhile, he’s also in some ways the most fun character, just a bit of a clown in everything, and I know he has fans who like the way he lightens the stories.

Joseph Wade Kondor, or Joe, who has adopted the rank of Captain and earned the title Doctor, was omitted from the third book partly because I decided it was his turn, but largely because the third book would complete Lauren’s major story of confrontations with vampires, and his persistent atheism would have been a complication in that story that I didn’t particularly want either for the story or for the character.  That atheism is a defining feature, as he attempts to make sense of a reality around him by finding perfectly natural scientific explanations for abilities and phenomonema his friends believe to be magic.  He also deals with the conflict that he is against killing but frequently finds it necessary.  At the end of the fourth book he accidentally picked up a companion, Ezekiel “Zeke” Smith, who is also a soldier and something of a skeptic of Kondor’s skepticism.

Lauren Elizabeth Meyers Hastings finished a major story of a battle against vampires across time with the end of the third book, and so sat out the fourth.  She returned in the fifth in a story that attempted to challenge her reality, as a patient in a mental hospital, but then joined the others at the end of book five to become part of the team in book six.  She is something of a superhero in the stories, as good as or better than any of the others at just about everything, but constantly teaching and training them to be better.  The major obstacle in her stories is finding an interesting adversary that actually challenges her abilities without turning it into an ongoing battle.

James Donald Beam came into the story in the fifth book as something of an antihero.  He is curmudgeonly and always self-serving, although he has managed to gather something like an adventuring party around himself by making their interests correspond with his own.  The team includes Turbirb’durpa, nicknamed “Bob”, an alien with significant psychic abilities but not much else going for him; Dawn Project Prototype Unit Number X Dash Zero Zero, or “Dawn” for short, a child-like humanoid killing machine who follows orders quite strictly; Bron, burly blacksmith with whom he apprenticed and part-time fighter and wizard; and the witch Sophia, his almost accidental wife.  It’s also clear that he is not heroic, and not likely to be the star of a heroic tale, except in the accident that it proves to be in his own best interests to do something that incidentally helps others.

Finally, Tomiko Takano appears beginning in book six, so you have just met her.  She is a modern Japanese-American teenager not particularly interested in her Japanese culture who has not yet figured out what’s happening to her.  She goes through a couple worlds that challenge her conceptions of reality.  The best argument for including her is that she is so unknown, a fresh face in the stories.  She may also be hardest to write, but then, if I didn’t like a challenge I wouldn’t have created her.

So the question, once again, is whose stories would you, as a reader, like to see continued in book seven?  At the moment there is no clear plotline, not so much as a working title–but those things will arise once we have characters beginning a story.  It’s not an election, and your opinions are non-binding, you’re welcome to vote for all of them if you like (although that will reduce the influence of your vote, because I’m pretty determined that they won’t all be in the next book).  Characters not chosen for this book are expected to return in the future.

Now for the spoilers.  If you don’t want to know what is going to happen, you can certainly express your opinion based on your knowledge of the characters without reading further, through the aforementioned means (here, Patreon, Facebook, Twitter, Pinterest, Goodreads, LinkedIn).

Derek has already started a new story in another universe, a familiar “lost colony spaceship” trope with some twists, and his is also a story already rolling–I have both a “next chapter” and a “later chapter” drafted for him.  It is a promising start for a story, but will probably be rather cerebral for the foreseeable future.  Thematically it’s probably about the value of human beings.  He is at something of a cerebral cliffhanger, and I can see readers wanting to know what happens next–which plays strongly against the point that his story has been running for five consecutive books and he should take a break.

Slade has landed in a world which has potential for some interesting ideas, but not a lot of obvious action.  It’s one of those worlds that a referee launches because he thinks it might have interesting possibilities but he has no idea what they are.  It is a nineteenth century industrial revolution setting, but in an alien world to which he has a previous connection.  I have written the next three chapters of his story, and I know where it’s going but not quite how it gets there.

Joe has reached a place where there is some immediate action, a definite cliffhanger, but beyond that it’s not at all clear what he would be doing.  He is in a sense reaching the climax of the story of book five, an impending battle which should lead to a denoument, but I don’t know what will happen after that.  So I suppose it’s an immediate cliffhanger but promising a quick resolution and not much beyond that.  His next three chapters are written, but I don’t know what happens after that.

Lauren is the most open, as she has just left a universe and not yet arrived in another, so she could be anywhere.  On the other hand, events leading to her most recent death will have given her something to consider, and I’m contemplating putting her somewhere with someone with whom she can discuss these events.  I am undecided.  It would be good to have her discuss these issues with Merlin/Omigger, but I don’t have a clear picture of a good world for that.  The problem is that I don’t have another character I can reasonably bring into her story whom she would treat as an advisor on such topics, so it won’t be easy to transition to that kind of story for her.  I’ve been given some fan advice on possible challenges for her, but nothing has coalesced yet.  I am also giving serious thought to dropping her into a Dungeons & Dragons-type world, different from Bob’s opening dungeon crawl because she would be meeting a group of adventurers already on a mission.

I debated where to send Beam, and kept thinking of the same universe.  He is now there.  There is probably a broad outline of a storyline ahead based on the fact that the player who is the primary inspiration for his character was in this world and did quite a few things while there, but nothing is particularly compelling at the moment.  Problematically, his situation shares enough in common with Derek (despite being entirely different) that there’s a good argument for not continuing both of them in the same book.  They are both post-civilization worlds, post-apocalyptics without the apocalypse, but that Derek is in space and Beam is underground (The Industrial Complex from The Second Book of Worlds).  So there are strong arguments for continuing the Beam story, including that it would be only his third book, and he is very different from the other viewpoint characters, but not if Derek’s story is going to be included.  I have also written three chapters for him, but he is only just settling into this world and I haven’t figured out how to move him forward.

Tomiko oddly managed to arrive in a rather dull and ordinary world just in time for something dramatic and extraordinary to happen and sweep her into it.  She has in that sense begun a new story for which I have the next three chapters drafted and some sketchy immediate notions but no clear long-term plotline.  It doesn’t promise an exciting story, but you never can be sure.

Let me know your thoughts (here, Patreon, Facebook, Twitter, Pinterest, Goodreads, LinkedIn).

Thanks for your input, support, and encouragement.

#317: The Song “That’s When I’ll Believe”

This is mark Joseph “young” blog entry #317, on the subject of The Song “That’s When I’ll Believe”.

That’s When I’ll Believe.

As far as favorite songs go, this was only number twelve of my top choices, and tied for thirteenth of Tristan’s; but it ranked number two in quality of recording and performance.  (See previous web log posts, linked below, for more about the ranking system.)  I have some quibbles–I missed a vocal frill I never miss, Baxter didn’t get all the guitar frills and chord positions the way I would have done them, and I forgot that there was brass at the climax of the last verse so I didn’t record it–but overall it’s an excellent recording, and the one that appears on the EP Collision Of Worlds.  You’ll find it here.

In the studio, I had Kyle Baxter record the acoustic guitar for the first verse alone in the booth.  He hesitated on the last chord and apologized to me for it saying he could do it again, but I said it would work fine that way.  We then had everyone in the booth to record the body of the song, with my singing and Nick Rhoades’ gentle cymbals over that first verse before everyone came in (Jonathan Maness on keyboards, me on bass) for the rest.  In concert we had two keyboards, and Jonathan was supposed to put the brass in, but there was only one in the studio so we went back and I overdubbed the brass on the keyboard.  I hadn’t practiced it, and was doing it from my recollection of a midi recording I’d made a decade earlier, but it worked.

Because the song was recorded by Collision and previously done by Cardiac Output, there are already pages on the Web which discuss it, most notably here, telling the story of its origin.

Some people try to tell me my way’s no good,
That I’ve got to take another path.
If there’s a God in heaven I really should
Turn around and so escape His wrath.
If there’s a God in heaven, then what is death?
The Grim Reaper leaves us all bereaved!
So when I hear of someone calling back his breath,
That’s when I’ll believe.
That’s when I’ll believe.

They say there was a man who conquered the grave–
Yes, they say He rose up from the dead.
High on a cross He suffered and died to save
With a crown of thorns upon His head.
I’ll have to see the nail prints in Jesus’ hand,
And the side the soldier’s sword has cleaved,
And when I’m satisfied and sure I understand,
That’s when I’ll believe,
That’s when I’ll believe.

They say He’ll come again in power–
Then He will take His people home.
Although nobody knows the hour,
Still they are sure that He will come.
When I see Him in the clouds–
When His people start to leave–
When the trumpet sounds aloud–
That’s when I’ll believe.

They say that Christ will judge the good and the bad:
Everyone will get what he deserved.
Those who have followed Him will no more be sad.
For the rest, the fire’s been reserved.
So when I’m in the fire that never dies,
When I have no hope to be relieved,
I will remember doubting, and I’ll wonder why.
That’s when I’ll believe,
That’s when I’ll believe,
That’s when I’ll believe,
That’s when I’ll believe.

I can only hope you benefit from the song in some way.  I will continue with additional songs in the future.


Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods”

Next song:  Free