#487: A World in Space

This is mark Joseph “young” blog entry #487, on the subject of A World in Space.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the sixth post for this novel, covering chapters 61 through 72.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24;
  3. #480:  Versers Think, 25 through 36
  4. #482:  Versers Engage, 37 through 48.
  5. #484:  Characters Maneuver, 49 through 60.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

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Quick links to discussions in this page:
Chapter 61, Beam 176
Chapter 62, Slade 229
Chapter 63, Kondor 236
Chapter 64, Brown 260
Chapter 65, Beam 177
Chapter 66, Slade 230
Chapter 67, Brown 261
Chapter 68, Kondor 237
Chapter 69, Slade 231
Chapter 70, Brown 262
Chapter 71, Slade 232
Chapter 72, Brown 263

Chapter 61, Beam 176

Although I drafted this chapter, Eric had contributed some of the ideas for it in discussion.  We were considering the bears as an ironic exit from this world.  Eric kept using the word “chimera” in a sense unfamiliar to me, but which apparently suggested some genetic manipulation of some sort, so I stopped with the appearance of the bears and suggested Eric revise it as desired.

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Chapter 62, Slade 229

Eric drafted this originally as chapter 60, but I inserted two chapters mostly to give a credible feeling that they had prepared for it.  At the end, Eric had the ships separating for two separate landing sites, but my previous descriptions of the ship suggested that launch bays were near the bottom and the bridge and simulator near the top and elevators in the center, so it made the most sense for them to use the same bay even if there were more than one, and do at least part of the journey together.

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Chapter 63, Kondor 236

Eric drafted this, and it went with only minor editing.

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Chapter 64, Brown 260

Eric drafted this.  We had discussed such issues as whether they would find a vehicle of some sort, and Eric wanted to have a lot of combat aboard the ship; even so I was surprised that they disembarked directly into a firefight.

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Chapter 65, Beam 177

I chose not to start this chapter because I thought Eric had some ideas about the bear(s).  Eric eventually wrote the attack.

At this point, we were both fairly certain that at least two and possibly all four of our viewpoint characters would be versing out within the next few chapters.  Our biggest problem was that we were quite uncertain where to send any of them.

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Chapter 66, Slade 230

I was waiting to see what Eric would do with Beam’s bear “chimera”, but I decided to jump ahead on the Slade and Brown threads.  One reason I jumped into that was that I realized that the robot had been an animal capture bot, and could probably appear to be so if it were carrying them, which would let them be insignificant in a different way.

The cliffhanger was intended to set up the next Brown chapter with Slade killing an alien.  I envisioned it as an alien with a clipboard, recalling his first kill in the first book.

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Chapter 67, Brown 261

Having set up the fight, I came back and wrote it, mostly because I liked the image of Slade being ignored by the alien until the attack fell.  This delivered Derek to the right floor and sent Slade into his big combat.

I had Derek learn the Insignificancy spell without any notion of when or whether he would use it.

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Chapter 68, Kondor 237

Eric wrote this mostly to let the reader know that we hadn’t forgotten Kondor.  He included seeing a flash in space, but I removed that because first I thought it too soon and second I didn’t think Slade could produce any explosion large enough to be seen from the ground without somehow destroying the ship.

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Chapter 69, Slade 231

Eric wrote this, in which there was a great deal of combat and Slade was barely hanging on to life from the sound of it.  I thought it too long, and so at the point where the former captain robot produces blades I decided it was time to catch up with Derek, and broke the chapter into two.

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Chapter 70, Brown 262

I inserted this chapter to break the extended Slade battle and catch up with what Derek was doing taking over the ship.

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Chapter 71, Slade 232

This was the end of Eric’s original Slade 231, which I pushed by inserting the Brown chapter.

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Chapter 72, Brown 263

I wrote this as the endgame for Seeker’s attack on the parakeets.

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This has been the sixth behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

#486: Bernice Wurst: Impressions of an Impressionist

This is mark Joseph “young” blog entry #486, on the subject of Bernice Wurst:  Impressions of an Impressionist.

This is about a twentieth century impressionist painter who lived in, of all places, Scotch Plains, New Jersey.  I am surprised that she does not have a page on Wikipedia, particularly since I do (or at least at one point did; I don’t generally check on such things), and I somehow suspect that more people own or have owned her paintings than my books.  I, however, am not the person to create that page.  I knew her, but only in the way children know the friends of their parents.  Still, I will share a few recollections here, in case someone decides to create that page.

Mrs. Wurst–for so I was taught to call her–lived around the corner from our Brookside Drive house, on the corner of Seward Drive right where it terminates (or perhaps begins) at Golf Street.  My mother would sometimes walk down there with the four of us in tow to visit her and her husband Frank.  More often she would come to our house to have coffee with my mother, and they were one of the couples who came to my parents’ bridge parties when I was in elementary school.  When we left Scotch Plains in 1967 my parents stayed in touch, but I saw much less of them; I believe they came to my wedding in 1976, but that reception of over a hundred people was something of a blur, and honestly greeting old acquaintances was not in the forefront of my mind.  I suspect her hair must have been blond when I was younger; I remember it as white.  She was a few years older than my mother, but then, my mother always looked young for her age and now in her nineties still does.

I suspect my mother must have several of her paintings; she has on display artwork by a number of friends and relatives, and I never learned who created what.  However, we have two.  The first was a wedding present, and I wrote a bit about it and posted a photo of it to the web in an article entitled Game Ideas Unlimited:  My North Wall, about stimulating creative ideas from ordinary surroundings, back in 2000.  That site has since vanished, but the article was republished with the image as RPG-ology #39:  My North Wall by the Christian Gamers Guild, and preserved in print in the book RPG-ology Volume I:  The First Five Years, with the photo of the painting featured on the back cover.  It is a still life, flowers in a vase or pot, although the article mentions something we saw in it which might not have been intended by the artist.

The other, pictured here, was a graduation present when I earned my doctorate.  I’m told that she was going to give me a different still life, but my mother suggested, undoubtedly correctly, that I would prefer this landscape.  I know nothing else about either picture.  I had always assumed they were oils, but I am not a painter and comments on E-bay suggest that she preferred to work in acrylics.

I remember one Halloween in what must have been the mid sixties when I had returned from trick-or-treating and was manning the door.  Someone I took to be a teenaged boy, oriental (I would not have been able to distinguish Japanese at the time, but I suspect that was the garb), was at the door.  He did not want candy, and he kept saying to go get my mother, although he spoke as if there were something impeding his speech.  I reluctantly summoned her, and she somewhat impatiently came to the door and asked him what he wanted–at which point he revealed that he was Mrs. Wurst in disguise.  I don’t feel bad about not having recognized her–my mother laughed in astonishment and I believe invited her in, although that’s as much as my young memory retains all these decades later.  She seemed a light, fun-loving, perhaps playful sort of person in my perhaps limited experience.

I wish I could tell you more; I must have encountered her more than a hundred times over the years, but most of those would have been her drinking coffee with my mother at the kitchen table as I was passing through.  It’s funny how we can know significant people and not recognize their significance.  I knew she painted pictures; I did not know she was one of the state’s recognized artists.

Rest in peace, Mrs. Wurst, and thank you for the paintings.

#485: The Song “Where Did I Go Wrong?”

This is mark Joseph “young” blog entry #485, on the subject of The Song “Where Did I Go Wrong?”.

Last month I gave you a song that had never been performed, a recording of a choral arrangement with midi vocals and a midi piano, along with lyrics and an image of the hymn setting for it.  This month again the recording is midi instruments and midi vocals, with a lyric sheet–but this time the song isn’t finished.  I have not managed to write the lyrics for the bridge.  It’s also very different, a progressive or new wave rock sound.

I told you I was scraping they bottom of the barrel.  I hope to be able to record a few more songs in the months ahead, because indeed there are more songs, I just need to be able to record them.

People ask what you write first, the words or the music, and the answer is not only no, it’s more complicated than that.  The music has at least two parts, and the lyrics similarly have at least two parts.  For the music, there is the musical progression–chords, baselines, rhythms, everything that goes in the background–and the melody; sometimes, as in this song, there are two melodies, or more than two if it turns out contrapuntal.  Then the lyrics involve figuring out the subject, working out the rhyme scheme, and fitting words to the music that tell the subject and fit the rhyme and meter scheme.

If I remember aright, this song began with the background, which I pieced together on a midi program which for a while Scorio provided free online.  This included the intro, verses, and bridge, and the tag at the end.  Once I had the background I wrote the melodies–two parts, but no words.  I then must have started on the words–I know this because I have a document containing the words that first contains a lot of scraps of possible lyrics some of which were used, or modified, or discarded.  Eventually I carefully constructed two verses with a rhyme and meter scheme that fit the melody, and used one of the lines as the tag line after the bridge.

But I never came up with lyrics for the bridge.  Obviously I had a meter pattern and line length, because I’d written the melodies.  I couldn’t figure out what the words should be, even quite exactly what they should express.  I tossed it at a couple people with whom I had collaborated in the past, but they indicated no interest in helping this time.  I come back to it a few times each year and try to figure out what to do with it, but it seems unlikely that I’m going to come up with anything any time soon.

Feel free to suggest something if you’ve got any ideas.

This is the original midi recording.  It is again very different from anything else I remember writing, and I regret that it is not a song I can perform.  Markings on the page tell me that I had envisioned Collision performing this when Sara joined us but before Kyle left, which puts it in the early months of 2013.  I think I had actually set it up for two bass guitars, but changed one of them to a keyboard because I had Jonathan on keys and didn’t have a second bass at that time.

Where Did I Go Wrong?.

So here are the lyrics.

Where did I go,
Where did I go,
Where did I go wrong, to reach such misery?
Why’d it take so long for me to see?
Oh that someone strong would come along and rescue me!

How can I be,
How can I be,
How can I be spared from this calamity?
I was unprepared for what would be!
Oh that someone cared and dared to come and rescue me!

(Bridge lyrics not written)

La-di-da-da-lah-di-da-da-lah-di-da-da-lah;
La-di-da-da-lah-di-da-da-lah-di-da-da-lah;

La-di-da-da-lah-di-da-da-lah-di-da-da-lah;
La-di-da-da-lah-di-da-da-lah-di-da-da-lah;

Oh that someone cared and dared to come and rescue me!

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust” | #481:  The Song “To the Philadelphians” | #483:  The Song “Give Me a Vision” |

Next song: The Songs of “Christmas Quick”