#482: Versers Engage

This is mark Joseph “young” blog entry #482, on the subject of Versers Engage.

With permission of Valdron Inc I have previously completed publishing my first nine Multiverser novels,

  1. Verse Three, Chapter One:  The First Multiverser Novel,
  2. Old Verses New,
  3. For Better or Verse,
  4. Spy Verses,
  5. Garden of Versers,
  6. Versers Versus Versers,
  7. Re Verse All,
  8. In Verse Proportion, and
  9. Con Verse Lea,

in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the tenth, In Version,  written in collaboration with Eric R. Ashley, I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

This is the fourth post for this novel, covering chapters 37 through 48.  Previous posts were:

  1. #476:  Versers Deduce, covering chapters 1 through 12;
  2. #478:  Character Conflicts, covering 13 through 24; and
  3. #480:  Versers Think, 25 through 36.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

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Quick links to discussions in this page:
Chapter 37, Slade 223
Chapter 38, Brown 253
Chapter 39, Beam 170
Chapter 40, Brown 254
Chapter 41, Kondor 231
Chapter 42, Beam 171
Chapter 43, Slade 224
Chapter 44, Brown 255
Chapter 45, Slade 225
Chapter 46, Beam 172
Chapter 47, Kondor 232
Chapter 48, Brown 256

Chapter 37, Slade 223

I made this a Slade chapter because I needed to continue the aftermath of the confrontation with the foreign ambassador.  I cut it short, and invited Eric to expand it, which he did.

The material with the drink and bread, and the entire dream sequence, was Eric’s, with minor editing.

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Chapter 38, Brown 253

Eric wrote this, again with minor editing, to advance the expectations of combat.

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Chapter 39, Beam 170

I said that I wanted to move to a place where Beam managed to persuade Sophia and Ashleigh to share the larger bed in the other room with him.  Eric ran with that, as Sophia uses it as a bargaining chip to force him to destroy and remove the zombies from the basement.  Unfortunately, I couldn’t think of a way to do that, but after some discussion it was agreed that Beam would challenge Sophie to come up with a way, and shoot down all the obvious suggestions.  That leaves the problem standing for future resolution.

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Chapter 40, Brown 254

We discussed this quite a bit, and had a rough sketch of what happens in the next few steps of this story.  The first step was to have the aliens communicate with Derek, whom they think is one of them, and confirm their intent to attack.

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Chapter 41, Kondor 231

Having written the preceding Brown chapter, I plowed on into this one, and then felt like it needed to break.  It could have gone to Slade and continued with the meeting, but I wasn’t sure it shouldn’t go to Beam.

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Chapter 42, Beam 171

The animosity between Sophia and Ashleigh seems a significant theme, and the facts that Beam both can’t fix the basement zombie problem and doesn’t actually care lead to something else.  I suggested that Beam force the issue by simply moving into the other bedroom and inviting them to join him, and Eric that Sophie play some games to show her displeasure before capitulating.

I wrote the discussion between Beam and Ashleigh, and left it hanging with Beam thinking it was a bad idea.  Eric picked up the chapter and wrote the rest.  He invented the notion that the zombie parasites could be drowned at this point, which was accepted because there didn’t seem to be many alternatives.

There were a lot of little problems with this chapter, and several more chapters were drafted by one or the other of us; at this point work was suspended as my wife was hospitalized with cardiac issues and I was spending much of my time in the hospital with her.  The problems were resolved a week later when things returned to operable.

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Chapter 43, Slade 224

We had already agreed that this meeting would happen, and that during the battle Slade would be standing on the green (what I want to call the Quad after a similar space on my own college campus, but have refrained from doing so), and that Derek would take the ship into the stratosphere to protect it.  I wanted to write this chapter because there were a few minor points I wanted to include, such as that it would be Joe who suggested taking the ship to the stratosphere, and that the houses were at risk so their possessions should be packed and moved.  Eric had suggested that the defenders on the ground were going to shoot at the attacking ships, but I realized that bullets weren’t going to be significant against the hulls of spaceships designed for surface to orbit use, and thus suggested that there had to be weak points, and that the kinetic emitters would be the obvious ones.

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Chapter 44, Brown 255

Eric wrote most of this, with only a few minor edits from me.  It does give the feeling that it happened quickly, but hopefully that will be mitigated by a future chapter in which one of the other characters sees the ship launch.

One aspect of this is that the readers know the versers make a point of having their possessions near them if there is a significant danger that they will verse out.  Thus having them pack creates a level of expectation that this might happen, and raises the tension some.

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Chapter 45, Slade 225

Eric drafted this chapter as well; I added the part where Derek was observed launching, but otherwise just tweaked a few minor points.

Joe damaging one of the drive engines with his rifle was probably an important part of the story, as it meant that the birds wouldn’t need better than the gatling guns to damage the ships.

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Chapter 46, Beam 172

I drafted this; the notion of using the robotic cart was an abrupt realization, as was the recollection that Ashleigh had a grappling hook.  Ideas for a few upcoming chapters were sketched briefly at this point.

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Chapter 47, Kondor 232

I put Kondor’s name on this chapter, and made some preliminary suggestions concerning what it should contain.  Then I returned and drafted it, moving the destruction of Kondor’s nest here because I didn’t think it was something they could have seen from the dorms.

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Chapter 48, Brown 256

Eric drafted this, creating the objects in response to my suggestion that there might be something interesting there.

The antigravity grenade would appear several times in this book and in the next, and so proved more important than it seemed in this scene.

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This has been the fourth behind-the-writings look at In Version.  If there is interest and continued support from readers we will endeavor to continue with more behind-the-writings posts and another novel.

481: The Song “To the Philadelphians”

This is mark Joseph “young” blog entry #481, on the subject of The Song “To the Philadelphians”.

One of the challenges I faced when I was recording songs using the software program was remembering them all, and this is one I did not remember.  However, it is connected to memories.

I was at Gordon College, and I was attending services at The Pigeon Cove Chapel in Rockport, Massachusetts.  That meant I must have had a car, and must have been living in Rockport with my wife, which puts it sometime after November 1976 but before May 1978.  The pastor there, whose name I don’t recall five decades later, began a sermon series on the letters to the churches in Revelation.  I went home and read them all, and was inspired by the third, the one written to the church in Philadelphia (which is of course in modern-day Turkey, not in Pennsylvania).  I made a few changes to the words and then caught up with him to sing it for him.  He did not see the word changes as significant, and I believe I must have sung it for the congregation the week he got to that letter–although oddly I remember singing it for him, and his enthusiastic response, but not for anyone else.

I rarely sang it, partly because it was around this time that I noticed my propensity to write songs in C when I was working on a piano and partly because I tended thereafter to perform with an acoustic guitar so I didn’t do many of the piano songs.  However, I made this live recording a few years ago at the Silverlake church.  It is difficult to hear the lyrics over the piano, but the performance worked and it’s the only recording of this song I’m aware of having.

To the Philadelphians.

So here are the lyrics.

He Who is holy and He Who is true,
Who has the key of David,
He Who opens what no man can close
And shuts what no one opens did say this.

I know your deeds; behold, I set before you
An open door which no man shall ever close,
Because you’re weak, but you try to keep my message,
And when you speak, you have not denied my name.

Behold, I’ll cause the people of Satan,
Who say they are of Me, but they lie,
I’ll cause them all to bow down before you,
And know that I have loved you.

Because you keep the word of my endurance
I’ll keep you from the hour of testing.
The hour which is coming to the earth.

I’m coming soon–don’t you know I’m coming quickly
To take you home, so hold fast to what you have.
You have a place in the temple of My Father,
So don’t let anybody rob you of your crown.

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  The Song “My Life to You” | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You” | #404:  The Song “Love’s the Only Command” | #408:  The Song “Given You My Name” | #412:  The Song “When I Think” | #414:  The Song “You Should Have Thanked Me” | #428:  The Song “To the Victor” | #433:  The Song “From Job” | #436:  The Song “Trust Him Again” | #438:  The Song “Even You” | #441:  The Song “Fork in the Road” | #442:  The Song “Call to Worship” | #445:  The Song “How Many Times” | #447:  The Song “When I Was Lonely” | #450:  The Song “Rainy Days” | #453:  The Song “Never Alone” | #455:  The Song “King of Glory” | #457:  The Song “Greater Love” | #458:  The Song “All I Need” | #462:  The Song “John Three” | #464:  The Song “The Secret” | #466:  The Song “In a Mirror Dimly” | #468:  The Song “Present Your Bodies” | #471:  The Song “Walkin'” | #473:  The Song “In the Light of His Love” | #477:  The Song “Step by Step” | #479:  The Song “They That Trust”

Next Song: Give Me a Vision