All posts by M.J.

#39: Character Futures

This is mark Joseph “young” blog entry #39, on the subject of Character Futures.

This is about the creation of my book Verse Three, Chapter One:  The First Multiverser Novel, now being posted to the web site in serialized form.  This “behind the writings” look definitely contains spoilers, so you might want to read the referenced chapters before reading this look at them.  That link will take you to the table of contents for the book; links below (the section headings) will take you to the specific individual chapters, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.  There were also numerous similar previous mark Joseph “young” web log posts:

  1. #18:  A Novel Comic Milestone (which provided this kind of insight into the first six chapters),
  2. #20:  Becoming Novel (covering chapters seven through twelve),
  3. #22:  Getting Into Characters (for chapters thirteen through eighteen),
  4. #25:  Novel Changes (chapters 19 through 24),
  5. #27:  Novel Continuation (chapters 25 through 30),
  6. #30:  Novel Directions (chapters 31 through 36),
  7. #33:  Novel Struggles (chapters 37 through 42),
  8. #35:  Quiet on the Novel Front (chapters 43 through 48)., and
  9. #37:  Character Diversity (chapters 49 through 56).

This picks up from there.  Our three characters are each in various ways preparing for something in the future in these chapters.

img0039Sherwood

There is some essential background to the book as a whole in that first post, which I will not repeat here.


Chapter 55, Slade 18

I had begun seriously toying with the idea that Slade might marry Shella, but at this point I was also seriously planning the end of my book, and Shella did not fit where I was headed.  Still, it seemed natural to draw them closer together.

The notion of Torrence becoming Lord of Slade Manor had developed gradually, and was well-formed when I had the letter sent at the end of the previous chapter.  Shella’s place was still nebulous.

I wanted to bring across the idea that having control over your own destiny is a very modern concept, that even for the sons of noblemen in the past everyone fell into his assigned place in the world and did what his parents left him to do.  Torelle can’t see it any other way.

As Slade begins talking to Torrence, he wants to say that Torelle ought to have mentioned this earlier but is too stubborn in his conception of life to have done so, but he doesn’t want to offend Torelle in the process, so he looks for a reason why it falls to him, now, to do so.


Chapter 56, Hastings 20

I needed a lunar eclipse, because the concepts of the werewolf I was using included that they were nearly invulnerable under that condition.  In play, if I recall correctly, Ed simply rolled the dice and announced that there was such an eclipse coming up on a particular date.  I could have done something similar, but I wanted a bit more of a connection to reality—besides, I had played this in about 1993 and was writing in 1997, so just as he had put me a few years in my future I put Lauren a few years in hers, and had her already past the date of the eclipse from the game.  So I checked an almanac.  There was an eclipse coming on October 17th, which in story terms was very short, as I had been tracking dates and trying to keep consistent with the seasons in the climate and could not easily shift everything (not impossible for Lauren to wear a parka in September, but not at all reasonable in August).  It happened that the eclipse would not be total in Philadelphia, but I figured that to be a very small change, and noticed that it would be quite a few years before there would be another eclipse at all, and I could not stretch Lauren’s story that far.  I also felt that the rush gave it a sense of realism, because when you are trying to align actions with astronomical events you sometimes find yourself under pressure.

In play, some of the ideas put forward in the book by Father James came from the player behind his character, Tim Pangburn’s Father Holer, including the banquet, radio jammers, and the tampering with fire boxes and false alarms.  I had conceived of the Mission On the Move (it was the State Street Mission in game, I think, but I liked St. George better, and was not at all certain how much Ed had plagiarized), but I didn’t use it until the third raid, the destruction of a theatre called The Presemium.  I had already decided that Lauren’s story had run long enough, and I was going to eliminate everything I did after that point, in part because some of it was very much off the central story and involved another player character, and in part because I had still been in that world when Ed stopped running the game, and I thought the confrontation with Horta would be a good way to end it.

I also conceived the notion of blessing water in the pumper trucks, but that, too, was done at the Presemium raid; I liked the idea too much to abandon it, so I brought it into the story here.

I was toying with the notion that Horta might be an antediluvian (pre-flood) vampire at this point, and put the notion forward with Annuda.  Werewolves are not so long lived, perhaps comparable to humans, and their history is all oral tradition, so it wasn’t etched in stone just because she said it might be so.  Since Lauren killed Horta, and I was planning to take her to earlier points in the history of this world, I realized while writing the next book that I was going to need someone more powerful than Horta who was going to have to be the villain in the final encounter in the third book.  Thus the destruction of Horta led to the conclusion that Tubrok, not Horta, was the antediluvian.


Chapter 57, Kondor 19

When I run Sherwood as a game, Richard does not return unless the player finds a way to return him; the novel more closely follows the history, in which the merchants ransom their king.  John really did not have the money—Richard and their father had heavily taxed the land to pay for their wars, leaving little in the royal coffers.  It is also the case that upon his safe return, Richard reneged on the deal he had made with France to remove the impediment to his leadership of the Crusade, and crossed the channel to do battle over the ownership of Normandy, Brittany, and D’Anjou.

The connection between the Prince John who ruled as surrogate for Richard and the King John who was forced to sign the Magna Carta is not generally made.  I had never made it until I researched the history for this world, and even now I cannot put a year on it beyond that it was near the end of the first decade of the twelve hundreds.  I figured Kondor wouldn’t know, either.


Chapter 58, Slade 19

Quite frankly, I had no idea that Slade would eventually marry Shella.  It was one of those things, that I thought they were attracted to each other but that he would always consider it impossible and she would never push the issue, and so he would verse out and leave her behind.  So I was playing with their mutual attraction while keeping the boundaries clear.

The communications spell was one of those things I thought might be useful at some point in the future, but was done more to give the impression that Slade was learning magic, at least a bit.

I also found myself building a friendship between Slade and Filp.  It, too, was expected to end when Slade left, but I found that much of it lingered with Slade as he visited other worlds.

When I began Slade’s dungeon crawl I thought he would probably be killed somewhere early in the game; I had not anticipated making him a lord and keeping him there for decades.  I realized that I had painted myself into a corner, as there weren’t too many ways to remove him that would be consistent with his character, but I also saw some advantage in having the story go this way, so I wasn’t too worried.


Chapter 59, Hastings 21

My editor was not a religious man, and he found Lauren’s affront at the competing religion to be irrational.  I had to do some extensive rewriting here to make it clear why the religion Gavin espoused was dangerous.

Throwing a “spanner in the works” is probably a distinctly British version of that concept; I had always heard it as a “monkey wrench”.  The latter is a vernacular name for a pipe wrench, which I assume the former also is; I got it from a Doctor Who episode long ago and liked the word at least for that expression.

“We Shall Overcome” has long struck me as a peculiar song.  I learned it at church camp, and it comes across as one of those contemporary Christian songs of the early sixties, like Kumbaya or They’ll Know We Are Christians By Our Love, but it lacks any specifically Christian thematic elements.  Thus I thought it would work for a religion that was imitating Christian ritual.

Lauren’s speech and actions are calculated to incorporate as much supernaturalism as possible into what should come across as very natural and ordinary, as if magic and vampires were things everyone encountered on a daily basis.  It was part of the psychological attack on their faithlessness.


Chapter 60, Kondor 20

Kondor’s uncertainty concerning what to do next reflected my own.  I was not eager to attempt to create a tour of early thirteenth century England, and I really had done most of what I could do with Kondor as founder of modern medicine.  I was also faced with the problem of how to remove him from the present world, since if arrested he would logically face a trial, a rather drawn out and not terribly interesting part of the story.  So I looked for a shortcut, and managed to find one.

Sir Guy’s accent is different, of course, because he is high-born Norman, whereas all the commoners and recruits of the shire reeve are Saxon.

I have often wondered whether to return Kondor to a future version of the world he formed here.  I do that with players in this world, particularly if they kill or otherwise depose Prince John and so prevent the signing of Magna Carta.  Joe took no interest in politics here, ultimately (despite his initial interest), so he did not change that—but he did change their medical science drastically.  I chose to bring him back to a future version of his next world, though, and if I ever do it with this world it will be far enough removed from the present to give it distance.

I have always been fond of the opening of Quest for the Vorgo, in which the verser arrives on the table on the dais during the ceremony to summon a supernatural deliverer.  No one has ever been able to answer whether the magic brought him there, or whether it was something else.


Interest in these “behind the writings” continues, so I’m still thinking they’re worth producing.  Feedback is always welcome, of course.  Your Patreon support is also needed to maintain this.

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#38: Multiverser Magic

This is mark Joseph “young” blog entry #38, on the subject of Multiverser Magic.

In a thread on Facebook on a completely different issue (an article I encountered on an effective non-lethal weapon) posters made some comments about the complexity of the Multiverser game system.  I don’t happen to think it that complex, really, but they did tackle two of the more complicated areas:  the spell system and the way to calculate cover value for armor.  I promised to provide answers, and since I no longer have the Gaming Outpost forum for such things, the answers are going to land here.  This entry will deal with the magic.

From Multiverser: The Game: Referee's Rules, (c)Valdron Inc, by Jim Denaxas

Harry Lambrianou (wow–I spelled that correctly on the first try without looking) raised the issue, and said in significant part:

My biggest problem – and the thing I houseruled away most frequently – is that MV’s magic system, as written, insists that /any change/ no matter how minute results in a completely new spell.

So if I have a “Battle Blessing” spell that normally takes 1 minute to cast, and I decide that today I need to rush it and cast my “Battle Blessing” in 10 seconds… normally you would think that this is my normal “Battle Blessing” spell, albeit with a skill penalty for rushing, right? That’s intuitive… No, it’s an /entirely new/, but /otherwise identical in every way/ spell… that does not inherit the Skill Ability Level for the spell its based on. So if I was 2@8 on the original Battle Blessing… maybe I’m 1@3 on the /identical/ rushed version…. and both need to be leveled up separately.

At one point I think my actual Verser self had something upwards of four different copies of this same spell, the only difference being one was a shorter casting time, or one affected three people instead of five, or something like that. It got out of hand very quickly.

I hated this from the first time I saw it happen, and consequently have never enforced it on the handful of players I ever ran for.

It’s a valid point:  if you know how to perform some kind of magic, shouldn’t you be able to perform it more quickly if you’re in a situation in which you need to get it done fast?  However, I have two answers for this.

The first has to do with “game balance” in mechanics.  That was always a big deal before Vincent Baker’s Lumpley Principle and Ron Edward’s Model, and it’s still a big deal in complex game design.  It means, among other things, that every power has limits so that it won’t dominate the game.

Magic, in Multiverser, has essentially two limits.  One is the same limit that applies to technology, psionics, and even to body skills:  bias, which determines what is possible or impossible in a given universe, and how difficult it is to do.  It’s a relatively simple system given the complexity of issues it addresses, but it’s not at issue here.  For any given magic outcome, either it is or is not possible in the present world, and it can be more or less difficult.

The other limitation is the one at issue.  In Multiverser, you can design your own magic skills.  You can say that you want to achieve this result–create fire or lightning, charm an enemy, pass unnoticed through the midst of a crowd, fly–and that you are going to take these steps to achieve it.  The simple form of the rule is that the power you get from a “spell” is proportional to the effort you put into it.  That effort can take the form of sacrificing objects of greater or lesser value, speaking loudly or gesticulating wildly in ways that call attention to yourself, saying words that broadcast what you are attempting to do so the target can take countermeasures, and, almost always, how much time it takes to cast it.  The battle blessing in particular is significant in this regard:  a two-minute spell to enhance your combat abilities means that for two minutes you have to stay out of the fray, which might not even be possible; the same spell in twelve seconds is going to be very nearly something you can do while drawing your weapon.  Obviously, though, if we assume that the battle blessing does exactly the same thing to the same degree at the same probability of success, no character in his right mind would take two minutes of valuable combat time to cast a spell he can cast in twelve seconds.  Thus part of the solution to prevent that is that the probability of success on the twelve-second version is considerably lower than that on the two-minute version.  Assuming everything else to be the same, the longer spell is probably about thirty percentage points more likely to be successful than the short one.  That can impact whether or not it works, of course, and also because of Multiverser’s relative success rules it can also impact how well it works, because a higher successful roll normally delivers a better outcome.

Understand, too, that I believe in running an equitable game.  If when you create this spell you get this bonus for shouting, everyone should get that bonus for including “shouting” in any spell design; it becomes the “shouting bonus”.  I have a list of standard bonuses for standard “spell components”, and when someone comes up with some new component I had not previously considered I compare it to my list and then attempt to make note of what I decided so that if they do it again, or someone else at the table does it, I will treat it consistently.  When you create a spell, I look at everything you’re investing in success, and crunch the numbers, and I give you a number, a “situation modifier”, to record with the spell description that says that this spell is this percentage more or less likely to work than the baseline.  You get that bonus–or penalty–whenever you use that specific spell.  But if you modify that spell in any way, you’ve changed the bonus or penalty.

Of course, I could let you change the spell for a specific casting–but that means that when you do that, I have to recalculate the chance of success anyway.  And in doing so, I’m probably going to have to look up the baseline for the spell, figure out what elements you are using and what value I gave each of them originally, and work out the new chance of success pretty much as if it were a new spell–and seriously, how much of a two-minute ritual can you cram into a twelve-second rush casting?  And does it make sense to say that because you have done this two-minute ritual before a couple times you will be just as good at doing the same ritual in twelve seconds?  I think of the fast talker competition, where someone holds the record for the fastest delivery of a particular Shakespearean sililoquy (I cannot now recall whether it is from Hamlet or MacBeth).  Does the fact that you recited that sililoquy a couple times mean you can now challenge the record?  You can deliver such a speech at a reasonable pace and allow yourself time to think of the next line without looking as if you don’t know what you’re doing; you can’t spit it out at record time if you have to think of the words.  Believe me, I’ve sung a few songs that have incredibly rapid-fire lyrics, and you had better know them cold if you expect them to make it to your lips.  So I have to recalculate, and I probably don’t have the original calculation handy (why clutter your character paper with the detailed numbers, particularly when that’s not character knowledge?) so I’m starting from scratch.

And if you’re forcing me to start from scratch to recalculate your chance of success for what is necessarily a different ritual (because it runs a different length of time) that feels to me like you’re doing a completely different spell, and I want it on your sheet for the next time you decide you want to do it in twelve seconds instead of two minutes.  It really is not the same spell just because it has the same outcome, any more than striking a match, using a cigarette lighter, and rubbing two sticks together are the same skill even though they all produce fire.  You are attempting to achieve the same outcome a different way, and the simple fact that you want it to happen more quickly proves that this is the case.

Of course, it does make sense that if you’ve done the same skill enough times you would be able to do it in less time.  That’s true when I cook, certainly, as once I know the recipe I’m not stopping at each step to check it.  And that leads to the second answer.  It’s built into the system that when you have used or practiced a skill long enough/enough times to be good at it, your “skill ability level” crosses the line from amateur to professional, and whenever you perform that skill you do it in half the time.  Your two minute skill takes only sixty seconds.  Continue at it and eventually you will be an expert at that skill, and it will take only one third as long as it took when you were an amateur–in this case, forty seconds.  No, that’s not twelve seconds; but if your ritual requires singing four verses of Onward, Christian Soldiers at thirty seconds per verse (sorry, Harry, it was the first decent example that came to mind), you’re going to have a lot of trouble getting it as fast as ten seconds per verse.  So “faster” is built into the system, but only after a lot of practice.  If you want the same outcome in less time, you really are trying to figure out a “faster” way to do it.  There is a saying in business, something like “Fast, good, cheap, pick two.” If you’re trying to get fast, you have to trade something for it–you’re doing it a different way, and a different way means a different skill, even if it’s a choice between the American Crawl and the Breast Stroke.  Keep doing it the same way and you get better at it; change the skill, and you’re learning more skills.

There’s nothing wrong with learning more skills–if one fails, you can use another.  In fact, if you botch on a skill you’re not permitted to retry it again immediately, but you are permitted to try a different skill that does the same thing, so having multiple versions of a skill can be useful in a pinch.

Anyway, that’s how it works and why.  I know it frustrated you; it frustrated me that you couldn’t see that to be the same skill it had to be done the same way.

Eric does all of this by the seat of his pants, and you can do it that way.  I don’t, because I am not good enough to keep the playing field level if I don’t keep track of the rules–but Eric is more like Ed in that regard, and doesn’t much care whether the playing field is level as long as it tells a good story.  It’s harder for a good player to play in a world like that, though, because things are not predictable–a spell that should be easy winds up being hard, because the same standards aren’t maintained from one to the next.  Part of play is learning what works, and what makes it work better.  If the standards shift, you can’t learn that.  It can still be fun, but it’s not quite the game we designed.

I also sympathize with your feeling, Harry, that you were trapped in the same world for a long time.  It’s not entirely my fault–people who stay with the ship take risks of being versed out in a lot of ways, and people who settle into city life, even taking a job with the city watch and starting a fire department, are not taking the same risks.  My second world was a modern vampire setting, and before long Ed was becoming frustrated trying to find ways to get me out of it, because I kept playing smart enough to beat his killer monsters.  Eventually he stopped running the game, and I was never really out of there; two other referees tried to pick it up, but they couldn’t see how to get me out, either, and both gave up on it.  Kyler was stuck in NagaWorld so long that he had to dream up something plausible but truly dangerous to try to get himself out of there.  Being stuck in a world in Multiverser seems to be proof that you’re a good careful player who knows how to stay alive.  It’s a compliment.  Reckless players jump from universe to universe.  You were never that.

I’ll address the cover value thing in a couple days, probably.

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#37: Character Diversity

This is mark Joseph “young” blog entry #37, on the subject of Character Diversity.

This is about the creation of my book Verse Three, Chapter One:  The First Multiverser Novel, now being posted to the web site in serialized form.  This “behind the writings” look definitely contains spoilers, so you might want to read the referenced chapters before reading this look at them.  That link will take you to the table of contents for the book; links below (the section headings) will take you to the specific individual chapters, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.  There were also five similar previous mark Joseph “young” web log posts:

  1. #18:  A Novel Comic Milestone (which provided this kind of insight into the first six chapters),
  2. #20:  Becoming Novel (covering chapters seven through twelve),
  3. #22:  Getting Into Characters (for chapters thirteen through eighteen),
  4. #25:  Novel Changes (chapters 19 through 24),
  5. #27:  Novel Continuation (chapters 25 through 30),
  6. #30:  Novel Directions (chapters 31 through 36),
  7. #33:  Novel Struggles (chapters 37 through 42), and
  8. #35:  Quiet on the Novel Front (chapters 43 through 48).

This picks up from there.  Our three characters are defining themselves very differently from each other, and in some ways differently from the way they began.

img0037cabin

There is some essential background to the book as a whole in that first post, which I will not repeat here.


Chapter 49, Slade 16

At this point, Shella is the girl Slade can’t possibly marry.  I knew they were going to be close, that I was going to play with this flirtation, but also that he would verse out and be gone leaving her behind.

Torrence is the better fighter, because he has been training all his life to become a knight, where Slade has been approaching it with considerably less devotion despite his religious views.  Slade doesn’t really grasp what it is to be dedicated to anything in particular.

I decided that Slade was going to have to explain who he was and what was going to happen to him to Torrence at some point, because Torrence would eventually face the problem that Slade was gone and there was no body to show to prove his death.

The death of Omigger was at that point tossed into the mix in part so I would have something different to do with Slade’s story, in part because I wanted the sense of the years rolling past, and in part because I had decided that Slade was going to have to pick up a bit more magic at this point.  I figured that Omigger was now out of the story; it was never my intention or expectation that any of these characters would be seen again (other than, of course, Slade), but it turned out that I had come to like them too much and had to bring some of them back later.

Filp is not literally Torrence’ uncle; he’s a distant cousin.  Slade, though, uses such words in the inaccurate way most Americans do, basing them more on relative ages than actual biological relationships.


Chapter 50, Hastings 18

In-game, when Ed introduced me to my self, he was a nationally syndicated religious broadcaster—picking up on the five years I had been in Christian radio and suggesting that I became one of the program creators.  I didn’t want to make the other Lauren an on-air Bible teacher or evangelist, so I shifted it slightly.  I also made her single.  Ed had not dealt at all with the fact that I was married before I was in radio, but I had not had that much contact with my other self.  Also, in game I discovered that I was on the radio, and holding meetings in town, so I went to find myself; here I thought a chance meeting a better approach, as I could not think of a reason for Lauren to seek her other self otherwise.

I prefer not to drink coffee without something on my stomach, and am fond of corn muffins, so that’s what Lauren ordered.

The places in Lauren’s bio are all real.  They are not connected to me in the ways I describe for Lauren.


Chapter 51, Kondor 17

I did not yet know where I was going with the Kondor story, but decided that this was not yet the end of his time in Sherwood, and that the soldier was seeking medical treatment for a child.  That worked well, opening new directions for me.

I think Jim Denaxas gave me the Kondor name, and I  always knew it was the name of a bird, but I only mentioned it here.

I saw potential complications with the soldier, the one being that Kondor had no housing for family members of his patient, the other being that he would be a threat to the freedom of some of those who visited the clinic.  I used both.


Chapter 52, Slade 17

I gave Slade the books to push him in the direction of wizardry, but he really did not want to go that way so he never learned much.  Still, it introduced the other option.

I have Slade improving on his combat skills, now more nearly equal to Torrence.  I need him to become a hero soon, and I need his skill to be credible.

I had decided most of what was in the letter when I wrote of it, although I’m not sure whether I had already thought through the part about Shella.


Chapter 53, Hastings 19

Creating alternate life paths is an interesting aspect of play when you introduce divergent selves.  Here, though, Lauren has to introduce her duplicate to the nature of the world, mostly to set up the encounter with Bob the Ghoul.

I think, if memory serves, I had Lauren Meyers rush out of the first meeting so I could split the discussion into two parts, and think a bit about how I wanted to handle the second.


Chapter 54, Kondor 18

Even in our time people won’t finish taking their antibiotics once they feel better.  The result is the creation of superbugs, virulent bacteria that are resistant to the medicines, and frequently relapsing into illness that is more difficult to cure the second time.  For Kondor, the problem is multiplied by the lack of understanding of the time.

At times the speech of the Nottingham people seems stilted.  It was intended to, and I achieved it in part by avoiding all contractions.  Thus when Tuck says, “You are right, of course.  But I really do not like it.”  It sounds archaic because we would say “You’re right” and “don’t like it”.  So I think it had its desired effect.


Interest in these “behind the writings” continues, so I’m still thinking they’re worth producing.  Feedback is always welcome, of course.  Your Patreon support is also needed to maintain this.

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#36: Ligation Litigation

This is mark Joseph “young” blog entry #36, on the subject of Ligation Litigation.

Let me begin with ideas that might not seem immediately on-topic.

You are certainly welcome to stay for supper.  You’re in luck–we do not often have a roast, but someone gave us this boneless pork loin, and it’s almost finished roasting…what’s that, you don’t eat pork?  Well, I’m very sorry.  Unfortunately, I roasted the carrots and potatoes and onions in the same pan, so if that’s a problem, I’m not sure what to say.

Maybe I could scrounge something up for my unexpected guest, but really, my extended hospitality is to share what I have, not what I don’t have.

Just relax, we’ll reach the hospital in a few minutes.  What?  Yes, I have morphine.  No, I can’t give you morphine; it would be illegal, for one thing.  A doctor has to say that you should have it.  Of course I care that you’re in pain, but I’m not going to risk my job to give you something that quite possibly you shouldn’t have.

Of course, I could give the morphine–I am certainly physically able to do so–but there are good reasons for me not to do so.

No, I’m not going to go deer hunting with you.  I know it’s legal; I know it’s even considered necessary:  in a world in which we have decimated the predator population we must also kill the prey animals or they will overpopulate and starve themselves.  Kill them if you wish, but please don’t ask me to be part of it.  I don’t really enjoy killing animals, and I do not want to become the kind of person who does.

I’ll have to think about whether I’ll eat your venison, and obviously I know that someone kills the meat I do eat, but it doesn’t have to be me.

Mercy Medical Center in Redding, California
Mercy Medical Center in Redding, California

Rebecca Chamorro, mother of a third child, is suing Mercy Medical Center in Redding, California, a two hundred sixty-seven bed hospital sponsored by the Sisters of Mercy of Auburn.  She claims that the hospital violated her rights by refusing to permit her doctor to perform a tubal ligation while delivering her third child by caesarean section.

The hospital claims that such an operation violates the “ERDs”, that is, the Ethical and Religious Directives for Catholic Health Care Services, a document of health care directives established by the United States Conference of Catholic Bishops.  The document bans abortions; I presume it also bans euthanasia, although I have not read it (being neither Catholic nor employed in a medical facility).  It lists these things as “intrinsically immoral”, and includes on that list direct sterilizations, certain prenatal genetic tests, and most forms of contraception.  The Catholic Church maintains that children are a gift from God, and participation in sexual relations is an open invitation to God to give that gift; therefore refusing the gift or misusing sex for something other than reproduction is an affront to God.

Obviously, you may disagree with the Roman Catholic Church.  Even many Christians of other denominations, including many (but not all) conservative Christians among the Evangelicals, the conservative Lutherans, and the Eastern Orthodox churches, allow many forms of birth control while remaining adamantly opposed to abortions and abortofacients.  That, though, is not the point.  The point is whether a Roman Catholic hospital should be forced to permit the use of its facilities and equipment for procedures it regards immoral.

The plaintiff’s primary argument is that the refusal to perform legal medical procedures is discriminatory.  There is a sense in which it is not–the same restrictions against tubal ligation also apply to vasectomies–but the argument is that pregnancies are unevenly discriminatory (much more of a burden on women than on men) and thus the refusal to assist in their prevention is unevenly discriminatory.  This, though, is founded on the premise that the hospital is a public institution offering a commercial service–and that’s not exactly true.

At one time all, or nearly all, hospitals were run by religious orders, most of them Roman Catholic.  The nursing staff of such hospitals were nuns–volunteers who devoted their lives to the service of others through the church, tending the sick, compensated essentially with room, board, and basic necessities.  Priests served as doctors, in a time when only a few went to university and those who did were doctors, lawyers, or priests, with some overlap.  People supported the hospitals with their gifts; patients were treated based on need.

Certainly the world has changed.  Hospital staff now includes many employees, most of them paid and not all of them Catholic, although many Catholic hospitals are still staffed in part by nuns and other volunteers.  Medicine is overseen by licensed physicians, because laws forbid the practice by those who do not have such licenses.  However, the mission has not changed, nor the motivation:  to help sick people heal.  These are non-profit hospitals, and the church runs them voluntarily to help the sick.

If you complained that I did not make something special for you as an unexpected dinner guest when you did not want to eat my roast pork, I would politely suggest you find somewhere else to eat.  If you complained that I did not give you morphine on the way to the hospital, I would tell you to talk to my lawyer.  If you complained that I was unwilling to go deer hunting with you, I would tell you to go–well, I wouldn’t, because I’m not like that, but it would put a serious damper on our friendship.

The Roman Catholic Church, of its own volition, offers medical care to persons in need.  They offer more charity care than most hospitals, although they welcome paying patients and insurance programs.  However, they are specific about what care they do–and do not–offer.  If you don’t like it, there are other hospitals.  If it is inconvenient for you to travel to a hospital that is willing to provide the services you desire–and note that this is in no sense an emergency situation here, it is not as if the hospital is refusing life-saving treatment to a patient brought in to the emergency room–then it is apparently inconvenient for you to get the elective procedure you desire.  That seems fairly straightforward to me.

I am concerned that any other answer ultimately becomes an imposition on the faith of the Roman Catholic Church, and indeed on other religiously-affiliated medical facilities (and many churches support these).  It is a small step from asserting that the hospital must permit sterilization procedures it find immoral to asserting the same about abortions; and if (or more likely when) it becomes legal, it is a small step beyond that to requiring hospitals to permit euthanasia in their facilities.

If that happens, I am fairly certain the Roman Catholic Church will close its many hospitals and look for some other way to help needy people.  A two hundred sixty-seven bed homeless shelter might be a great help.

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#35: Quiet on the Novel Front

This is mark Joseph “young” blog entry #35, on the subject of Quiet on the Novel Front.

This is about the creation of my book Verse Three, Chapter One:  The First Multiverser Novel, now being posted to the web site in serialized form.  This “behind the writings” look definitely contains spoilers, so you might want to read the referenced chapters before reading this look at them.  That link will take you to the table of contents for the book; links below (the section headings) will take you to the specific individual chapters, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.  There were also five similar previous mark Joseph “young” web log posts:

  1. #18:  A Novel Comic Milestone (which provided this kind of insight into the first six chapters),
  2. #20:  Becoming Novel (covering chapters seven through twelve),
  3. #22:  Getting Into Characters (for chapters thirteen through eighteen),
  4. #25:  Novel Changes (chapters 19 through 24),
  5. #27:  Novel Continuation (chapters 25 through 30),
  6. #30:  Novel Directions (chapters 31 through 36), and
  7. #33:  Novel Struggles (chapters 37 through 42).

This picks up from there.  All the character stories have slowed a bit during this stretch.

SONY DSC
SONY DSC

There is some essential background to the book as a whole in that first post, which I will not repeat here.


Chapter 43, Slade 14

Omigger’s search for immortality was barely mentioned, and Slade made a point of avoiding him; but when I later decided to bring the wizard back into play the fact that he had tried to study Slade gave me just enough of a point of contact to get the basis I wanted.

The count of twenty-three years is based on the fact that it was a year after the adventure that Torelle married, and the following year that the baby was born, and the traditional age for a squire to become a knight was twenty-one.


Chapter 44, Hastings 16

It occurs to me that my character’s robe was royal blue, trimmed with scarlet.  I made Lauren’s crimson trimmed with gold because I’d read something recently about how women preferred to wear purple but men generally thought women looked better in red.

I could see that robes were easily destroyed in combat, and wanted Lauren to have enough that she could use them until such time as she could use some means of repairing or duplicating them.

I could not remember the word Ed had used for the insane vampires, but I suspect it was something taken from the White Wolf game system.  I took mine from a South or Central American deity I had gotten from a Dungeons & Dragons™ sourcebook, but never looked it up to see how close I was to what was there, as I just wanted a name that would sound ancient and foreign.

My editor thought I was harsh on humanism, so I had to find ways to express the problem that would make sense within the context of the world:  you needed faith in God to fight vampires.

Cherry Hill was regarded as one of the wealthier Philadelphia suburbs, and since this had echoes of scientology it made sense for it to be headquartered somewhere wealthy.  I had also driven around the place a number of times, so I had something of a feel for some of the neighborhoods.

The Speedline, a train that becomes a subway in the city, does not run through Cherry Hill, actually, but south of it through Audubon and Voorhees.  However, Camden County has a fairly decent public transit bus system, so from Philadelphia you could reasonably take the train and transfer to a bus to reach most of the shopping areas out there.

I enjoyed writing the dialogue about Lauren riding in a taxi driven by a werewolf.  The overlap of her words against Father James was fun, and I can hear it as I read it.

Versers have to be mindful that they are going to be living somewhere else quite unexpectedly at some moment, so one of the things to keep in mind is to get things you might want when you can get them.

I was moving toward a major assault on The Pit, something that came from the game, and needed to bring the priest into the notion of working with the wolves, so it started here.


Chapter 45, Kondor 15

It was at this point that I decided Kondor’s adventure would be much more interesting as a doctor than as a highway bandit, and changed direction.

“Bias” is a tricky thing in Multiverser, as it makes things work better or worse or not at all.  The “technology” or “tech” bias is relatively low in Sherwood, so some of Kondor’s high-tech devices won’t work well.  It was tricky getting that into the story without making it seem artificial.

I had not realized how very American Lincoln Logs were; my Australian editor had no idea what they were, and equated them to Lego Blocks, which he said he was certain could not have taught anyone how to build a real building.  I did not exactly ignore him, but I provided more description of how the toy worked.  I actually have seen a real log cabin, and its construction is not all that different from Lincoln Logs.

Chimneys and smokestacks had not yet been invented; generally houses were heated by a large firepit in the middle of the ground floor and holes up through the roof for the smoke to escape.  Kondor couldn’t get a stonemason to build a chimney, but he could get a pipe that would work as a flue.

When I was young enough to use Lincoln Logs, roofs were constructed by putting triangular blocks with notches at the bottoms on each end and then filling with planking.  These often slid off when jarred, and could be frustrating.  Kondor, though, was from the next generation, when planking had been replaced by one-piece angled plastic roofs.  These were clearly more stable, but less instructive.

I think I got the concept of a sod roof from watching a documentary that included descriptions of sod houses used on the American prairie.


Chapter 46, Slade 16

“Vesting” is a legal term for the moment when someone’s inheritance officially becomes irrevocable.  In feudal times it did not happen before a child was twenty-one, partly because children were so frail and could die before that, and partly because they were not often wise—a boy who chose to marry before he was of age could be disowned to prevent his bride from claiming his inheritance.  Today the term is mostly used in relation to trusts, and the determination of when the trust attaches to the beneficiary in such a way that the benefactor cannot alter it.

There is a connection between vesting and bar-mitzvah, in that both are rites of passage into adulthood; however, vesting only applies to the heir of the estate.

At this point, Shella is nineteen, getting past marriageable age.  It would not seem so to Slade, but Torelle would have been seeking a match for her for several years.


Chapter 47, Hastings 17

I had placed Lauren in Philadelphia because I knew something of the area; the newspapers that were commonly read was one item that I got from that.

Riding in the back seat of a cab, you don’t always see where you are or how you’re getting somewhere.  Werewolves in this world had the ability to move out of normal space into some other space and back again somewhere else, and one of the conceits of the driver Ed gave me was that he was particularly good at this.  It wasn’t something I remembered having explained to me in character, so I was looking for a way for Lauren to notice it.  The absence of crossing a bridge (the Philadelphia bridges are quite noticeable when you are on them) seemed the simplest way.

I’ve long been intrigued by the fact that for all of us, we are our own baseline—whatever we can do, we assume everyone else can do as well as we can.  What others can do which we cannot is special, particularly when we are talking about abilities animals have that we do not, such as flying, or breathing underwater.  Thus if someone asked you what humans can do that makes them different, you might be hard-pressed to come up with a good list, and particularly if that someone were an intelligent humanoid, such as a werewolf or elf or alien.  Knowing that, I turned it around, giving Raal the task of trying to figure out how he is different from humans.

In-game I attacked The Pit during a lunar eclipse.  It just conveniently happened that there was one.  This was not in-game, and I wanted an eclipse, so I searched an online almanac and discovered that there was one not too far in the future from the dates I had used, and not another for quite a long time thereafter.  This meant I would have to scramble to get Lauren and company ready for the attack, but that was good, because it made it feel a bit more real, more like she was timing her efforts to match the eclipse instead of that I was planning the eclipse to correspond with her attack.  Incidentally, the eclipse was not total in Philadelphia, but I figured I could stretch it slightly, since this was a different universe.


Chapter 48, Kondor 16

I wanted to keep Kondor’s medical practice credible, which meant limiting the medicines to things I knew could be gotten in the world in which he was living, if you knew what to seek.

At the moment that I ended the chapter with the soldier at the door, I did not know what was going to happen next.  I simply needed a cliffhanger, and had long been wondering both how to keep Kondor’s rather routine story interesting and whether the shire reeve was going to find him.


Interest in these “behind the writings” continues, so I’m still thinking they’re worth producing.  Feedback is always welcome, of course.  Your Patreon support is also needed to maintain this.

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#34: Happy Old Year

This is mark Joseph “young” blog entry #34, on the subject of Happy Old Year.

At this time of year, readers are bombarded with “year in review” pieces, part of the media’s need to have news even when there is no news, to make news out of nonsense and trivia–the reason Time Magazine first created its “Man of the Year” issue (the first was Adolph Hitler).  When I was at The Examiner, I began doing something of the same thing, creating indices of articles from the year for readers who missed something or who vaguely remember something.  Quite a bit has been published this year, and it might help to have a bit of a review of it all, as some of you might have missed some of it.  We have articles in quite a few categories.

The web log is of course self-sorting, and you can find articles in its various categories by following the category links, or in subjects by following tag links; still, it will be worth touching on those pieces here, and there are also quite a few “static pages”, that is, regular web pages added to the site, that you might have missed.

At the beginning of the year we were still writing for The Examiner; all of that has been republished here, much of it which was originally done in serialized format consolidated into larger articles.  My reasons for that are explained here on the blog in #8:  Open Letter to the Editors of The Examiner, if you missed them.  It is still hoped that the Patreon campaign will pick up the slack and pay the bills needed to support continuing the efforts here at M. J. Young Net.

img0034MJYNet

Let’s start with the law and politics pieces.  This is a good place to start, because when at the beginning of the year we moved everything from The Examiner, we included a final New Jersey Political Buzz Index Early 2015, with articles on Coalition Government, Broadcasting, Marriage Law Articles, Judiciary, Internet Law, Congress, Discrimination, Election Law, Search and Seizure, Presidential, Health Care, and Insurrection, most subjects covering several articles consolidated with other articles, along with links to earlier indices.  There was also a new main law/politics index page, appropriately Articles on Law and Politics, covering the old and the new, and we added a static page to that, continuing a series on tax we had begun previously, What’s Wrong with the Flat Tax?.

We’ve also had a number of law and politics posts on this blog, including

We also covered New Jersey’s 2015 off-year election with a couple posts, #12:  The 2015 Election, and #15:  The 2015 Election Results.

There were a few web log posts that were on Bible/theology subjects, particularly last week’s #32:  Celebrating Christmas, about why we celebrate, and why this particular day; plus some that were both political and theological, including #3:  Reality versus Experience, #23:  Armageddon and Presidential Politics, and #24:  Religious Liberty and Gay Rights:  A Definitive Problem.

Then there was the time travel material.  This also included some that were originally published at The Examiner and moved here, sometimes consolidated into single pieces.  We started the year with a serialized (and now consolidated) analysis of Predestination, followed by one of Project Almanac.  We also gave a nod to (Some of) The Best Time Travel Comedies and (Some of) The Best Time Travel Thrillers, before moving here.

Once here, we began our temporal insights with a couple of web log posts, the first #6:  Terminator Genisys Quick Temporal Survey, and then #17:  Interstellar Quick Temporal Survey, both thanks to the generosity of readers who provided for us to see these films.  We eventually managed to add a new analysis to the web site, Terminator Genisys, one of the longest and most complicated analyses we have yet done–but we were not done.  Remembering that our original analysis of the first two films in the franchise made some suggestions concerning a future direction for the series, and having commented on the problems with continuing it after the latest installment, we wrote #28:  A Terminator Vision, giving some ideas for a next film.  Then in response to a reply to the analysis, we added #31:  A Genisys Multiverse, explaining why we don’t think a multiverse-type solution resolves the problems of the film.

The site was expanded on another long-neglected front, the Stories from the Verse section:  the directors of Valdron Inc gave me permission to serialize Verse Three, Chapter One:  The First Multiverser Novel; as of today, the first forty-seven of one hundred twenty-six chapters (they’re mostly short chapters) have been published; there is an index which conveniently lists all the chapters from the first to the most recent published in the left column and from the most recent to the first in the right, so that you can begin at the beginning if you have not read it at all, or find where you left off going backwards if you’ve read most of it.  The chapters also link to each other for convenient page turning.

I don’t know whether it makes it more interesting or takes away some of the magic, but I also began running a set of “behind the writings” blog posts to accompany the novel.  These are my recollections of the process that brought the pages to life–where I got some of the ideas, my interactions with the editor and other pre-publication readers,, changes that were made, and how it all came to be.  There are now seven of them in print–

  1. #18:  A Novel Comic Milestone,

  2. #20:  Becoming Novel,
  3. #22:  Getting Into Characters,
  4. #25:  Novel Changes,
  5. #27:  A Novel Continuation,
  6. #30:  Novel Directions,
  7. #33:  Novel Struggles,

–and I expect to publish another tomorrow for the next six chapters.

Looking at the few posts that have not yet fit in one of these categories, whether logic or trivia or something else, one, #29:  Saving the Elite, was really advice for writing a certain kind of story.  Our first post in the blog, #1:  Probabilities and Solitaire, was a bit of a lesson in probabilities in card games, and #26:  The Cream in My Coffee applied physics to how you lighten and sweeten your hot beverages.

So that’s what we’ve been doing this year, or at least, that’s the part that sticks above the water.  We’ve answered questions by e-mail, posted to Facebook (and PInterest and Twitter and LinkedIn and MySpace and Google+ and IMDB and GoodReads and who knows where else), kept the Bible study going, worked on the novels, and tried to keep the home fires burning at the same time.  That’s all important, but somewhat ephemeral–it passes with time faster than that which is published.  Here’s hoping that you’ve benefited in some way from something I wrote this year, and that you’ll continue encouraging me in the year ahead.

Happy old year.

Happy new year.

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#33: Novel Struggles

This is mark Joseph “young” blog entry #33, on the subject of Novel Struggles.

This is about the creation of my book Verse Three, Chapter One:  The First Multiverser Novel, now being posted to the web site in serialized form.  This “behind the writings” look definitely contains spoilers, so you might want to read the referenced chapters before reading this look at them.  That link will take you to the table of contents for the book; links below (the section headings) will take you to the specific individual chapters, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.  There were also five similar previous mark Joseph “young” web log posts:

  1. #18:  A Novel Comic Milestone (which provided this kind of insight into the first six chapters),
  2. #20:  Becoming Novel (covering chapters seven through twelve),
  3. #22:  Getting Into Characters (for chapters thirteen through eighteen),
  4. #25:  Novel Changes (chapters 19 through 24)
  5. #27:  Novel Continuation (chapters 25 through 30), and
  6. #30:  Novel Directions (chapters 31 through 36).

This picks up from there.  Half of these chapters are set in Philadelphia, covering Lauren Hastings’ stories.

img0033Philly

There is some essential background to the book as a whole in that first post, which I will not repeat here.


Chapter 37, Hastings 13

I avoided identifying which verses Lauren was memorizing, partly because I knew that combat was going to have me repeating them and I did not want to overwhelm the readers with them, and partly because if I did not identify them here I could pick which ones I wanted to use when I needed them.

I particularly liked the idea of using a “Payday” candy bar wrapper to mark the target spot under the safe.  It’s a white wrapper with bright orange lettering, but would otherwise appear a bit of trash, and the name was just too appropriate to ignore.

The glance at the fire escape is Lauren’s mistake.  She could have and should have pushed that safe without looking at it, and her glance cost her the shot because he saw her look and so had time to dodge partially.

Jake is using his “offensive driving” techniques, a name I chose for it although the actions were used by the other players before I joined them.  I think they called it “combat driving”.

I’m not sure whether the Super Soakers were my idea, but I had given them the holy water.  Since none of the players were either High Church or theologically educated, they did not realize that the priest could create as much holy water as he wished pretty much at will, simply by filling a container with water and blessing it.  That gave them ample holy water for their guns, and they didn’t have to purchase it.

Lauren starts using her “holy magic” here, by quoting scripture in faith.

I remember suggesting to the player who ran the priest on whom Father James was based that he should get the words to the requiem mass, because it had quite a few passages in it that would be potent as weapons against the undead.  I don’t know that he ever did, as after a couple sessions we wound up playing the same game separately.

The disintegrator rod didn’t really work quite as it appears in the story; it was easier to use.  I needed a reason why Lauren would not have made more use of it, and it made sense that it required more effort than the other devices, so I went with that.  I also needed to avoid making it a one-shot kill weapon (although that is what it was) so there wouldn’t be a lot of questions about why she bothered with the other weapons in the future.  In game, the rods had a repeat factor of one use every two minutes, and this logically expressed itself by making it harder to perform psionics for a minute after using it.

Gavin had blindsided me in the game.  The player who played the priest character later commented that it had never occurred to him that they would have had a link, despite the fact that he knew vampires in that world could.  I was unaware of that, but that was certainly appropriate since I was not native to that world.  Thus my efforts to prevent Gavin from knowing what I did to Jackson were futile—he always knew what was happening with Jackson.


Chapter 38, Kondor 13

Kondor is teaching himself to track.  I had some lessons in this, but never did it, so I was struggling with my memories to make it realistic; but I knew about blazing trails and following the blazes, and about using landmarks and existing trails, so I wasn’t too concerned with getting it wrong.

Arthur C. Clarke is famed for his law that any sufficiently advanced technology is indistinguishable from magic, but the fact is that any sufficiently advanced anything is indistinguishable from any sufficiently advanced anything else—that is, if you can’t figure out how they did it, one theory is as good as another.

The old fire pit was a place I never really explained to myself.  At first I was thinking of it as a recent location, that the men had packed and moved to another; but then, the extent of work that constituted their hidden village was too much for this to have been an earlier incarnation, and enough that moving would not have been done more than a couple times a year.  So I took this to be a once-used campsite, and never really explained it.


Chapter 39, Hastings 14

I delayed Slade’s chapter partly because I was not sure, still, what he would do next, and partly because I wanted the feeling of elapsed time for him.

The disintegrator was the obvious weapon, and I needed to eliminate it quickly to get the fight I wanted, so I had her miss the target.  In game I would simply have said that the skill failed, and maybe decided whether it missed Gavin or simply did not fire, but here it made more sense for it to fire.

One weakness of magic is that it takes time.  I have to imagine Lauren spitting words out very fast to account for why Gavin does not hit her sooner.

My editor thought Lauren was too cruel in the way she killed Gavin.  It was the way I had done it in-game, and on one level it was partly because he was such a tough adversary that I had to shoot him multiple times to finish him.  It is more difficult in a story for the reader to imagine someone being shot several times at point blank range and not die immediately, but easier to accept that shots which hit appendages are less likely to be fatal, so I focused on that aspect.


Chapter 40, Slade 13

I needed Filp’s marriage to be different from Torelle’s, and since it did not seem likely that he would have been out meeting the daughters of other nobles (who still probably did not like or trust him) having him elevate the one girl with the good sense to treat him well when no one did to become lady of the castle was the best option I could find.

When I wrote of Torelle’s wedding, I was putting a lot of my understanding of medieval marriages into it—particularly the aspect that you are to love the one you marry, making a conscious choice to do so.  I’ve made that point in modern situations, that love is a choice, and if you are married you should choose to love your spouse, and my wife finds that terribly unromantic and hates that about me.  The brief description of Filp and Wen’s very different marriage surprised her, as if she thought I did not understand that kind of relationship as also love.


Chapter 41, Hastings 15

The prayer for open eyes to find home from the sky was something I did, and the result was quite similar, but in retrospect it must have been a botch:  Multiverser magic works based on expectations, so the user should not be surprised by the outcome.

Bethany posed several problems for me.  First, in the original game she was a guy, a young wizard who was really very strange in a lot of ways.  Second, he insisted that I was Merlin, and at some point gave me Merlin’s pointed hat, insisting that I had given it to him—but Lauren could not be Merlin.  I decided that Bethany’s former student should be a girl, and should mistake her for someone else.  At this point I knew that Lauren was going to travel to Camelot and become Merlin’s student, and that she was going to take a student later, but now I had to start creating the details.

I seem to recall in game the young wizard was too excited not to identify me, but then apologetic about it.  I don’t remember whether I used the quotation to pull his confession from him.

Trying to fill the gaps on who Lauren would be, I grabbed a copy of the roleplaying game Pendragon, I think 4th edition, which had been lent to me to attempt to review.  I was looking for somewhere I could place her, and stumbled on the city Wandborough, apparently something that was around during the time of Camelot.  I then did a web search and discovered that the city was still there, so I was fairly confident that it had been there continuously through the intervening centuries.  “Wandborough” seemed a particularly appropriate name for a city that hosted a wizardess, so I was immediately happy with it.  But then, “Lauren” struck me as a modern name.  I don’t know whether that is true, and I never actually checked its pedigree, but I decided it was probably a shortened form of “Laurel Lynn” or “Laurelyn”, and that it would work for an ancient name to have that shape.  She thus became Laurelyn of Wandborough, and since the map showed Wandborough in western England somewhat north of Camelot, I added “Mystic of the Western Woods”.  It seemed a good name altogether.

I was now playing time games, and I knew that I had to make good on what Lauren told Bethany in the past when she got to that point.  Complicating it, that’s in the second book.

I was still not certain how to handle telepathy, and in this case I did not mark it at all, which is as much a mistake as using quotes.

The bag that I was given by my apprentice contained the coin and the heads from four dolls.  I never figured out what they did, and did not understand what they did even after Ed told me.  I needed that coin for the direction I expected to take the story, but I also needed there to be several other objects in the bag.  Thus at this moment I knew what the bag did and that it contained the coin and several other objects, but I also knew I was going to have to figure out what they were pretty quickly.

The paper towel was an obvious precaution, a way for Lauren to manipulate the objects without touching them.

One of the game tricks I learned from watching Ed was the notion “I can do something with that.”  The objects were all relatively ordinary objects which could be given magic properties of some sort, and could really be anything at all but might be fun to work with.  I had no idea what any of them were or did at this point.  In fact, although the acorn becomes a very significant object that ties the three-book arc together when it is revealed in the third book, I had no expectation that it would be special and no idea what it was until the first book was in print and I was writing the second.  The questions Lauren asked trying to unravel what they were were very much the same questions I was asking trying to give them function.

The discourse on magic is one of my first efforts to get Lauren thinking in this direction.  If she is to be a wizardess and Merlin’s student, she is going to have to accept the concept of magic as a neutral power that she can use without violating her faith.  I had covered some of that in the Faith and Gaming series, but obviously she had never read any of that.

Of the last five chapters, three have been Hastings.  Things were happening fast in her story, and moving slowly in the others, and I thought this would support that.


Chapter 42, Kondor 14

It seemed to me obvious that this was Robin Hood; I thought it would seem obvious to Kondor, too.  Who else would it be?

Kondor sees this as a civil rights issue, tinged with the racial oppression of the Normans over the Saxons, although he never says so outright.  It is inherent in his comment about fighting for the rights of the poor.

That “freedom and justice are everybody’s war” becomes something of a theme in Kondor’s philosophy.

This is the end of the twelfth century, and the time in which both magic and science are in their infancy as ways of manipulating reality.  Both were feared by the church, but the use of natural medicines was readily accepted.

I vaguely recall my editor objecting that a disease had to be either bacterial or viral, but he overlooked other possibilities, the big one being parasitic, but of course there are others including allergic, genetic, and organ failure.  I did not revise the text.

This was the beginning of the notion that Kondor would establish himself as a medical doctor in Nottingham.  I had not really thought of going that direction, even at this point, but it came naturally from the situation.  It is probably an example of one of those situations of which authors speak, in which their characters insisted on taking the story in an unanticipated direction.

It would not at all be difficult for Kondor to find his camp—his equipment was there, so he could follow the scriff sense, but I did not mention that, and was more interested in suggesting that he was becoming more familiar with forest life.


Interest in these “behind the writings” continues, so I’m still thinking they’re worth producing.  Feedback is always welcome, of course.  Your Patreon support is also needed to maintain this.

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#32: Celebrating Christmas

This is mark Joseph “young” blog entry #32, on the subject of Celebrating Christmas.

I can remember wondering whether Jesus was born on Christmas Eve or on Christmas Night.  After all, it is obvious from the accounts that he was born during the night, and if he was born on Christmas, by our way of reckoning, that would be Christmas Night.  But it always seemed that Christmas Eve was the time that was celebrated, so maybe he was actually born on Christmas Eve, but after midnight, so it was already Christmas Day.  It all made more sense when I learned that the Jewish way of identifying days started them at sunset (nice to think that you start your day by getting some sleep), and thus what we call Christmas Eve would have been the night that is part of Christmas Day, and what we call Christmas Night would have been the beginning of the day after Christmas, what is variously called Boxing Day or the Feast of St. Steven (yes, mentioned in the carol “Good King Wenceslas”, which is actually a Boxing Day Carol, not a Christmas Carol).  So that would suggest that He was born on Christmas Day during the nighttime hours that came before sunrise.

Of course, he wasn’t.  Our Jehovah’s Witnesses friends are correct in their assertion that Christmas is not a biblical holy day.  The Bible does not specify when He was born, but we know that shepherds don’t tend their flocks in fields in late December in Palestine, and they do do that in our spring, say, April.  So if we know that our date for Jesus’ birth is entirely wrong, why do we celebrate it?  And particularly, why do we sing all those silly songs about snow lying on the ground on Christmas night when Jesus was born?

img0032Winter

If we mean why do we celebrate it on December 25th, the answer is simple:  for a couple of very pragmatic reasons.

The first any pagan can tell you:  it was already a holiday.  For the Romans, it was Saturnalia, but since it was the winter solstice nearly every culture in the world had a holiday marking the astronomical event of the sun reaching its southernmost point and starting to return north.  For some, this is a fatal accusation:  we are celebrating a pagan holiday and trying to Christianize it.  However, this was actually pretty smart of the church.  People want their celebrations.  If you say, “don’t celebrate because this day has been set aside to celebrate something that Christians should not celebrate,” you wind up with a lot of people celebrating whatever-it-is anyway (a problem with the objections to Halloween, which even has a Christianized name).  The better answer is to give them something else to celebrate at the same time.  We don’t celebrate an astronomical event or a supposed tie between that event and a pagan god (nor even, really, between the astronomical event and God–in that sense, the astronomical event is incidental).  We celebrate something about which Christians can rejoice, while others are celebrating whatever they choose.

The second pragmatic reason has to do with the church calendar.  After all, we are given something like a date for Easter–not exactly a date, but a connection to Passover, which is fixed to the Jewish calendar.  We don’t really celebrate it on the right date because we’ve disconnected it from both calendars and connected it to astronomical events and a specific day of the week, but we do retain the fact that Easter is celebrated in the Spring, and it would be a bit of a crowded calendar to put the birth, death, and resurrection of Jesus all within a few days of each other.  We also have a pretty well established date for Pentecost, and so to put everything in some kind of orderly fashion it makes good sense to celebrate the birth of Jesus a few months before the celebration of his death, so we have time for other things like Lent, and for some time that is not really connected to a holiday.  Besides, there is a poetic benefit to having this joyous holiday mark the winter solstice, in the notion of the best thing to come to humanity coming at the darkest time of the year.  (It doesn’t work that way in Australia, of course, but it’s only an incidental.)  It’s a good time to celebrate it.

But the more fundamental question is why we celebrate the event at all.  It is clear that our first century predecessors did not do so; if they knew the date they chose not to record it, and only two of the four biographers give us any information about that birth at all.  The day that God became man was not particularly important to them.

However, the fact that God became man was of paramount importance.  John’s Gospel does not tell us anything about the birth of Jesus, but this:  “The Word became flesh, and dwelt among us, and we beheld His glory, glory as of the only begotten of the Father.”  God became man–a turning point in all that God was doing for man–and that was something to celebrate every single day.

We, however, are not all that good at celebrating something every single day.  The very concept of a “celebration” to us requires that it be a divergence from the norm.  Many of us celebrate a Sabbath, even if we have moved the Sabbath to the day after the Sabbath, in part because we need the reminder that our time is God’s time, in part because having that moment of specific devotion helps to refocus us on the ordinary devotion that should permeate the rest of our lives.  In something of the same way, celebrating the coming of God into the world on a specific day brings it forward afresh, so that we are a bit better able to celebrate it every day.

The snow and the cold?  Well, that’s just because these are the conditions which accompany our celebration.  It reminds us that Jesus came into our lives–there might never have been snow in Palestine during His entire life, but there is snow in our lives, and He comes into those lives where we are, as we celebrate where we are, in the midst of our own situations and conditions.  I live in the snow and the cold, and Jesus came into my life, which I am celebrating.  If I lived in Australia, I’m sure I’d sing Christmas carols about shrimp on the barbee and swimming in the billabong, because those would be my life situations during the celebration.  Jesus joins us in our lives, as he did in Bethlehem two millennia ago.  That is what we celebrate; that is why.

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#31: A Genisys Multiverse

This is mark Joseph “young” blog entry #31, on the subject of A Genisys Multiverse.

A Temporal Anomalies reader using the handle “Sanddragon939” at the Internet Movie Database (IMDb) has there posted a response to the recent Terminator Genisys analysis.  You can read it there; I am responding to it here, partly because IMDB periodically deletes old posts (I do not know how old) and partly because I am aware that one letter represents–well, a lot of people (in radio, we said a hundred) who agree but did not write, and they are more likely to find my response here than there.

First, let me say thank you for reading, and for your comments, particularly the positive ones.  I would not wish to appear unappreciative, since I do appreciate your comments.  Most of Sand Dragon’s comments were positive, agreeing with or at least commending points made in the article, and that’s actually unusual–people usually write to criticize more than to critique, and it always encourages me to read that something I wrote benefited someone.

With that said, there are apparently some points of disagreement, which actually all connect to each other, so let’s see if we can connect them and make sense of them.

img0031Genisys

They begin with his point #1, where he says,

But Genisys appears to be a ‘reboot’ of sorts, which acknowledges only the continuity of the first film (while using elements from the second). The world we are presented with at the start of Genisys appears to be a 2029 extrapolated from the events of T1 in 1984 and T1 alone…with Judgement Day having occurred in 1997….what we see in the film clearly appears to be the future of the original film which has been disrupted by the T-5000.

I certainly agree, with the caveat that the T-5000 has to have originated somewhere, and it certainly is not original to that 2029 arising solely from the events of the first film.  Given its abilities, it evidently post-dates the creation of the T-X, which in turn post-dates the creation of the T-1000, and if Skynet had a T-1000 in 2029 it would not have sent a T-800 to do what a T-1000 could do more reliably.  It has had time to anticipate this moment, and to prepare for it.

That means that the future has to advance without the intervention of the T-5000 before the T-5000 can arrive to change things.  We thus have every reason to believe that the events of the previous films must have happened, even if the arrival of the T-5000 then causes them to “unhappen”.

Also, it must be noted that at some point someone sent Pops back to protect Sarah and someone sent a T-1000 back to kill her, and there is a T-1000 trying to kill Kyle Reese, all of which make no sense once Skynet compromises John Conner–Skynet needs him now, so it needs Sarah and Kyle alive.  The alternative is that the roles are reversed, the T-1000(s) trying to kill Kyle and Sarah come from the resistance and Pops was sent by Skynet–which theory falls apart when Pops opposes T-John.  Thus there must be a period after 2029 in which John is still a problem to Skynet and a benefit to the resistance.

Sand Dragon has an answer to that, but it is in point #6, where he begins,

Ultimately though, I feel that this film really doesn’t work under anything remotely resembling your particular ‘replacement theory’ of time….

–a point with which I am in agreement.  It also does not work under fixed time, and I’m inclined to say that it does not work under standard parallel or divergent dimension theories.  (Anyone who is lost is referred to the theory section of the site, and particularly to Theory 102, which covers much of this and links to related articles.)  The fundamental evidence for that conclusion is that under those types of multiple dimension theories anyone or anything sent to “the past” winds up in a different universe, and those who did the sending logically conclude that time travel does not work so they do not attempt it again.  A significant point in our article is that the film does things which don’t work under any theory of time.  However, here Sand Dragon disagrees:

…it best works under some variant of the divergent timeline/Multiverse model (indeed, personally, I feel the Terminator films have always worked on such a model).

Here we are speaking of something like Dr. Manhattan’s multiverse (from the film The Watchmen, discussed in some detail there).

Sand Dragon gives three points in support of this:

  1. “The film itself suggests this with John’s argument that as an ‘exile in time’, he is no longer causally dependent on Kyle and Sarah.”  Of course, John could be–and I maintain is–mistaken about this, but it does support that concept if it is correct.
  2. “The only way Kyle can ‘see into’ an alternate timeline is if that timeline exists in some form alongside the timeline he started from”, which is the point we are going to have to address below.
  3. “…the filmmakers have suggested the T-5000 may have originated in ‘another dimension’ and not just the future past 2029”, which is what we call “parole evidence”, a legal term that means it is not within the document itself and therefore is not relevant unless the document itself cannot be understood without it.  It has always been this site’s practice to exclude such evidence–what the actors said, what happened in the original book or the novelization, what happens in the director’s cut–and there is no compelling reason to change that rule in the present instance.  It is sufficient that such a theory is plausible; that the filmmakers cite it as their model is only valuable if the film actually works under that model and not otherwise.

I maintain it does not work under that model, or at least does not work better.

The multiverse model in question is one that is dear to my heart–as author of Multiverser:  The Game, I relied very much on that sort of Sliders/sideways time concept I first saw in a John Pertwee Doctor Who episode decades ago:  the notion that any possible (or indeed, any conceivable) universe must exist, because random differences between universes would create divergences.  Since I joined the Multiverser creative process in 1992 and published it in 1997, I’ve had over two decades and some serious motivation to consider the idea.  I find it severely inadequate, for reasons already addressed in the theory pages.  However, it is specifically inadequate in the present case, because it requires the existence of a universe predicated on a sequence of events which appear themselves to be impossible.

The critical event is that just before his thirteenth birthday, when something called Genisys was about to be activated, Kyle Reese was told by someone, “Remember, Genisys is Skynet.  When Genisys comes online judgment day begins.  You can kill Skynet before it’s born.”  At issue for us is what has to have happened for that to follow.

It is certainly possible that some sort of cloud-based operating system named Genisys could come online in 2017; Google might be working on something like that even now as it unseats MicroSoft from the title of Evil Cyber Empire.  However, in order for it to become Skynet in 2017, it has to have been tweaked by the emmissary sent from the future–who is identified as John Conner, whom we have distinguished as “T-John” because he has been converted into a type of terminator.  That, though, requires that John Conner was born, and he was born in 1984 as son of Sarah Conner and Kyle Reese.  Kyle will only be sent to the past if Skynet sends a terminator to kill Sarah, and if that happens we have the 1997 launch.  We cannot have a universe in which T-John travels to 2014 that did not include his birth in 1984 and the earlier launches.

The alternative here is that Genisys would become Skynet eventually–not in 2017, but perhaps by 2020, in the same way that we were told it took most of a month for the 1997 version of Skynet to become sentient and launch its attacks but the 2004 version did it in minutes.  Young Kyle then comes from a world in which that happened at some point–but then, who told him it was going to happen?  We might guess that at some future moment someone–perhaps even his older self–comes from the future to deliver that message, but where is that person in the new timeline?  Perhaps the point is that having gone to the past to warn his younger self, this Kyle unmade his older self, and had to be replaced by the Kyle from the other dimension–but we’ve got several consistency problems happening here.  Why should that future Kyle land in his own past, but our Kyle land in someone else’s past?  If the original messenger came from a different future, why wouldn’t he still arrive from that future?

And behind it all is still the problem of how the message given to that Kyle in that universe wound up in the mind of our Kyle in a different universe.

Ultimately, the problem is a predestination paradox.  Multiverse theory believers think that their notion of “every possible universe exists” makes them immune to this, but it only makes the problem more complicated:  in order for any version of Kyle in any universe to have been told by any version of Kyle from any universe that Genisys is Skynet, he must have remembered that he was so told, and thus he will only be told if he was told, and whatever only happens if it happens does not happen.  It does not actually matter that the Kyle who tells is in one universe and the Kyle who is told is in another:  before Kyle in our universe can tell the Kyle in some other universe that Genisys is Skynet, he must receive that memory from the Kyle he is going to tell, and that means he must already have told him before–sequentially–he knew, which he clearly cannot have done.

So I think even under this multiverse theory, Terminator Genisys fails.

As they say, your mileage may vary.

Footnote:  Sand Dragon also said, “I dare say the possibility exists that some version of Kate may have been introduced in the Genisys sequel (which I doubt will happen now).”  I’m not sure whether he means that there won’t be a sequel or that Kate won’t be in it, but whatever he means he apparently knows something I do not know–not really surprising, but I’ll have to see what I can learn.  Add a comment below (the second response block) or send me an e-mail (the first block) if you know something.  Thanks for reading, and for your encouragement and support.

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#30: Novel Directions

This is mark Joseph “young” blog entry #30, on the subject of Novel Directions.

This is about the creation of my book Verse Three, Chapter One:  The First Multiverser Novel, now being posted to the web site in serialized form.  This “behind the writings” look definitely contains spoilers, so you might want to read the referenced chapters before reading this look at them.  That link will take you to the table of contents for the book; links below (the section headings) will take you to the specific individual chapters, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.  There were also five similar previous mark Joseph “young” web log posts:

  1. #18:  A Novel Comic Milestone (which provided this kind of insight into the first six chapters),
  2. #20:  Becoming Novel (covering chapters seven through twelve),
  3. #22:  Getting Into Characters (for chapters thirteen through eighteen),
  4. #25:  Novel Changes (chapters 19 through 24), and
  5. #27:  Novel Continuation (chapters 25 through 30).

This picks up from there.  In these chapters, all three characters pick up some new idea or direction, a sort of turning point in their worlds.

img0030Leaves

There is some essential background to the book as a whole in that first post, which I will not repeat here.


Chapter 31, Hastings 11

Making raingear from trashbags is an old Boy Scout trick.

Jackson was the first vampire my character fought, and it went very like the story here.

In the original text, Lauren leapt more quickly to the suggestion that it was The Book of Journeys; my editor thought it foolish to suggest that there would be only one old dangerous book in the world, although that was how it went in play. I expanded it, allowing the possibility that she was mistaken–but of course she was not.

I added the Internet research to Raiden’s work. His story in the original always concerned me–if the vampires knew that the pages were in the library, they would already have come for them (university libraries are not holy ground), but there was no way they could have known he had found them if he did not reach beyond the library.


Chapter 32, Kondor 11

I spent some time trying to figure out how Kondor could find the Merry Men again; the task was not simple.

Although much of what I wrote about the Merry Men was from memories of stories, I did take some time to study a map of the area, to get a clear image of where the forest and the road were relative to the city.


Chapter 33, Slade 11

From the moment Slade faced the three adventurers at the entrance to the Dungeon of Coriander (before it got its name changed to Corlander), I knew that I wanted him to learn a lot of fighting but also a bit of magic and a bit of thieving. The fighting part was simple, as fighters always taught potential fighters then; the magic part was not too difficult, as Omigger took something of a fatherly fondness for Slade and would gladly share his knowledge. Thieves, though, are not so forthcoming, and so it took some work to devise a reasonable scenario through which Filp would start teaching him. This was my solution.

As I started the part about breaking into the castle, I was working on the assumption that they were breaking into someone else’s castle. I did not think to make it Filp’s castle (which makes more sense on a lot of levels) until I’d written them into the place where they were caught.

I have always been fond of the “construction delays” joke.

Hiding the rope and grapple with the catapult equipment was an abrupt inspiration, a sort of “Huckle-Buckle-Beanstalk” hidden in plain site solution to what you do with that much rope while trying to sneak around a castle without revealing that you’re there.

The tricks and problems come mostly from years of running AD&D games, but also from trying not to awaken family late at night as a teen.

The guard’s line is the same as the line used by Will Scarlet in Sherwood, and intentionally so. I liked the line, but I thought the effect of repeating it was also interesting.


Chapter 34, Hastings 12

There were two traditions related to vampires entering places. One holds that they cannot enter holy ground at all; another holds that they cannot enter any private building without the invitation of the owner. On reflection I suspect the latter was an attempt to secularize the former, to explain why vampires could not enter churches without giving the church itself any special power. Somehow, though, it seemed that in World of Darkness (at least as Ed ran it) vampires could enter any place that was not holy ground, but could not enter holy ground without invitation from someone with an inherent right to give the invitation, such as a priest or pastor. This confused my editor, who I think did not grasp that the home of the priest is actually part of the church property. I attempted to clarify that here.

I also made a point of dealing with the differences in faith as real differences, that Raiden could not casually accept Father James’ invitation without violating his own faith, and Father James could not risk opening the gate to someone who could not pass his test.


Chapter 35, Kondor 12

Kondor’s concern for the frail lives of those who are not versers becomes a liability at this point, as he won’t shoot those who are attacking him. I don’t think I realized at the time, though, that this would begin pointing him in the direction of being the local physician. I was still working from the assumption that he was going to learn to use bows and swords and staves and tracking and stalking skills from the locals. He was my chance to have a character taught the bow by Robin Hood and the staff by Little John, and I still thought I was headed that direction.

I had woods behind our house when I was a boy, and spent a fair amount of time camping with the Scouts as well as learning a very little bit from my great uncles Felix and Peter, who were hunters. I understood something about feeling a trail under your feet, and looking for faint game trails, that small animals could pass under the brambles, and my descriptions of Kondor’s actions as he fled into the woods are based on trying to figure out the best way to move in such an environ.

“An ounce of prevention is worth a pound of cure” must be an American expression; my Australian editor did not recognize it.

I kept running into the problem that Kondor needed to find the Merry Men, but they were notorious particularly because of how difficult it was to find them. Kondor was going to have to teach himself how to do this.


Chapter 36, Slade 12

I figured out how to resolve the problem Slade and Filp faced right here as I started writing it: it is not as the reader has supposed. But then, I had reasonably set up this outcome with the talk of testing their readiness, so I didn’t feel bad about springing it.

Slade wonders what he is going to do the next summer, but I was wondering the same thing.


Interest in these “behind the writings” continues, so I’m still thinking they’re worth producing.  Feedback is always welcome, of course.  Your Patreon support is also needed to maintain this.

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