#110: Character Redirects

This is mark Joseph “young” blog entry #110, on the subject of Character Redirects.

With permission of Valdron Inc I am publishing my second novel, Old Verses New, in serialized form on the web (that link will take you to the table of contents).  If you missed the first one, you can find the table of contents for it at Verse Three, Chapter One:  The First Multiverser Novel.  There was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; the last of those for the first novel is #71:  Footnotes on Verse Three, Chapter One, which indexes all the others and catches a lot of material from an earlier collection of behind-the-writings reflections that had been misplaced for a decade.  Now as the second is being posted I am again offering a set of “behind the writings” insights.  This “behind the writings” look definitely contains spoilers, and perhaps in a more serious way than those for the previous novel, because it sometimes talks about what I was planning to do later in the book or how this book connects to events yet to come in the third (For Better or Verse)–although it sometimes raises ideas that were never pursued.  You might want to read the referenced chapters before reading this look at them, or even put off reading these insights until the book has finished.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

These were the previous mark Joseph “young” web log posts covering this book:

  1. #74:  Another Novel (which provided this kind of insight into the first nine chapters along with some background material on the book as a whole),
  2. #78:  Novel Fears (which continued with coverage of chapters 10 through 18),
  3. #82:  Novel Developments (which continued with coverage of chapters 19 through 27),
  4. #86:  Novel Conflicts (coverage of chapters 28 through 36),
  5. #89:  Novel Confrontations (coverage of chapters 37 through 45),
  6. #91:  Novel Mysteries (chapters 46 through 54),
  7. #94:  Novel Meetings (chapters 55 through 63),
  8. #100:  Novel Settling (64 through 72),
  9. #104:  Novel Learning (73 through 81).

This picks up from there, and I expect to continue with additional posts after every ninth chapter in the series.

img0110Village

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in those earlier posts, and won’t be repeated here.


Chapter 82, Hastings 70

I brought Lauren to stage three at this point, although I didn’t get into details.  That is, she realizes that she is awake; she has been awake but didn’t know it.  Also, I’m going to step her backwards in a future world—that can happen, but it’s unusual, but I need to do it for the beginning of the fifth novel.  But the idea of becoming accustomed to dying seemed significant at this point.

Again we have the idea that she has to choose a direction, and even with only two directions she is opening some possibilities and closing others with the choice.  She resolves her concerns by making as rational a decision as she can—keeping the sun out of her eyes for a while—and trusting that God will get her where He wants her to be.

Once she confronts the familiar place name, she needs a way to identify whether it is the right place in the right universe.  Getting to her cave is the easy way; it stands a good chance of being pretty much the same after only a few centuries.


Chapter 83, Brown 28

It becomes a pattern for Lauren, that she gathers people around her, gets them working together with her toward some goal, and then she gets killed but they keep going.  She thus changes worlds by creating something self-perpetuating before she leaves them.

The word Derek uses for the head of the school is of course “principal” and not “dean” because he went to schools that had principals.


Chapter 84, Kondor 70

We have reached the reveal:  Joe has solved the mystery.

Kondor starts talking before he knows what he’s going to say, honestly because at this point I wasn’t sure what he was going to say.  I’d written myself into a bit of a box here, following the logic of the conversation, and now I had to find a way out of it.

Both of my adversaries here were good, each trying to outmaneuver the other.  It was difficult to get it to come out with Kondor as the winner, because Krannitz really was a smart illusionist expert in misdirection.


Chapter 85, Hastings 71

Figuring out what would change and what would be the same in a wood that stood undisturbed for some unknown number of centuries took a bit of thought and some tapping into my experience.

The idea that the woods would be a terrible waste of space if no one lived in them is in one sense a bit silly, but it really is in another sense perceptive.  The woods must be there for a reason; the best reason is to be a place for someone or something to live.  Extrapolating the existence of forest people doesn’t necessarily follow, but a good case can be made for it—and in that universe, it happens to be correct.

I knew, and perhaps the reader knew or should have known, that this was the time when Lauren would meet and begin teaching Bethany.  However, it was important to me that it happen naturally, that is, Lauren is not looking for Bethany and not really expecting to find Bethany; she finds a young girl who impresses her with her insight, her intelligence, and offers to teach her something, and then discovers that this is the girl she met in the future.


Chapter 86, Brown 29

I wanted time to pass without spending a lot of the book talking about it, and leaping in with the idea that everyone else had aged ten years and Derek looked the same covered that adequately.  It would include however long Lauren was there, which was maybe three or four years, but would give Derek plenty of time to become quite proficient at his interests.

The explanation about Lauren and Derek being versers is not really necessary for the reader, who already understands it, but helps in giving some form to Derek’s own understanding of it.

I eventually would need to move Derek to another world, and barring another classroom incident I was either going to have to have him kill himself on a botch, probably with some kind of high-tech equipment, or get him to move out of the compound into the more dangerous world.  The latter had more interesting story possibilities.


Chapter 87, Kondor 71

With the arrest, I needed to make it seem like a modern world without making it the same as our world.  I had some advantage in having watched British television, particularly A Touch of Frost, and so had heard the different version of what in America are called “Miranda Rights” (after the defendant in the case in which the Supreme Court affirmed them), but I didn’t want them to be the British version, either.  So I thought about what might be said in my other world, and came up with a plausible statement.

Kondor’s problem was my problem.  I had envisioned a continuation of the game in which he worked as a magician’s apprentice (and later when I ran this part of the game for Graeme Comyn, he did exactly that).  I didn’t have another next step for him, and having Merrick suggest he come by to discuss a possibility was a stall on my part—I had nothing in mind in that direction.


Chapter 88, Hastings 72

As I came into this scene, I wondered how Lauren proves her identity to people who only know her legend.  The answer presented itself:  she knows the name of the wolf whom she taught to walk the twilight, who is the ancestor of the present pack mother.  Since Garla was not the pack mother at the time, there is no other reason why Lauren should know the name but that she was the teacher.


Chapter 89, Brown 30

One of the problems with versing is that even people who believe it have trouble understanding it.  Dorelle asks obvious questions that completely misunderstand the problem.

I’m beginning to work on an adventure, but I don’t know how I’m going to do it—which is fine, because it makes the feeling of uncertainty all the more palpable in the character discussions.  They don’t know how to find a place to explore, either.


Chapter 90, Kondor 72

I had set myself up for the possibility that Merrick would have an idea to help Kondor figure out what to do next, but I didn’t have any such idea.  So I took Merrick away for a few days, figuring I could fill in story details and maybe have something else by the time he returned.


I hope these “behind the writings” posts continue to be of interest, and perhaps some value, to those of you who have been reading the novel.  If there is any positive feedback, they will continue.

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