All posts by M.J.

#285: An Expression of Gratitude

This is mark Joseph “young” blog entry #285, on the subject of An Expression of Gratitude.

I need to thank a lot of people.

The complications include that I do not know who you all are, and I’m not sure of the propriety either of naming those whose names I have or contacting you personally.

Thus I am thanking you all, however many of you there are, through this web log post.

This arises from the fact that I recently had a myocardial infarction–a heart attack–which put me in the hospital.  I posted that in this Facebook post, and somewhere about twenty responses down I posted again with news of the Friday and Monday procedures, and my Tuesday discharge and such.

Many of you sent what I guess would be called “good wishes”, that is, comments, messages, whatever, hoping that I would get better.  Thank you.  I have done so to a significant degree, although I am still a bit weak and officially convalescing (and my wife has already scolded me for overworking once she knew how much I did yesterday, the day after my discharge, but someone had to get the boys to work and someone had to pick up my prescriptions, and more often than not I find that someone is me, particularly when she is working a string of night shifts, driving herself for the first time since her broken hip, and needing to sleep during the day).  So I am not fully recovered, but I am back at work.

Many of you prayed, and for this I am particularly grateful.  You have, of course, obligated me to let you know about the answers to your prayers so that many of you can give thanks to God for the grace extended through the prayers of many of you (cf. II Corinthians 1:11).  I have largely done that in the Facebook post.  I am not out of the woods entirely–I have a bag of new medications (and of all things the pharmacy couldn’t fill the “aspirin” prescription (chewable baby aspirin–how could they not have that?), so someone has to go back for it today), and I have two appointments for a cardiac stress test and a followup to decide what the test results mean.  Those are in the second week of March.

At least two of you made a point of spreading the word of my debilitation, and of encouraging people who at least know who I am to support me financially during this time.  That has resulted in a few gifts of significant amounts through my PayPal.me account–the first real activity there since it opened, and enough to pay for this bag of prescriptions and a bit more.  I have not seen any new Patreon patrons yet, but Patreon’s notification system is sometimes wonky so I’m going to include mention of that–because I am grateful to those of you who have made an effort to keep me going, and thankful to God that you are there, to those who contributed and to those who encouraged others to do so.

I’ll extend these thanks to those who have been meaning to send a bit of help my direction and simply haven’t yet done so; I know what that’s like, as there are often times when I have something I need to do soon that goes for days or weeks or even months before I manage it.  So thank you for the prayers and support you are going to send in the future.  You really do make a difference.

As the picture says, thank you.

#284: Versers React

This is mark Joseph “young” blog entry #284, on the subject of Versers React.

With permission of Valdron Inc I have previously completed publishing my first four novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, and Spy Verses,  in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I have posted the fifth, Garden of Versers,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

This is the fourth mark Joseph “young” web log post covering this book, covering chapters 37 through 48.  Previous web log posts covering this book include:

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in those earlier posts, and won’t be repeated here.

Chapter 37, Brown 166

This came together in my mind in several pieces.  I had created the notion that there were bandit raiders on the eastern border, and decided that the nation beyond the eastern wilderness supported them, hoping to wear down the Caliph’s defenses in preparation for conquest.  That would be the major event in the next book, and the new James Beam character would land on the other side of that war.  Kyler and I had also talked about having the efriit working with that country, and connecting Beam to the efriit before he arrived in this world.

In contemplating what would happen in this Brown chapter, I had begun with the idea that Derek would attend the briefing, but then I wanted something with a bit more tension, and I decided that the Caliph wasn’t going to tell Slade everything.  That meant I had to have something the Caliph wouldn’t tell, and I had to have some way for Slade’s people to learn it and know it had been known.  I recalled that Derek had clairaudience and could listen to a distant conversation, but then I remembered, too, that he had used the sensory presence ability to explore the human city in For Better or Verse, and that would give me more impact.

At some point I had also decided that the Caliph and his people would not expect any of Slade’s people to speak Arabic or Farsi, but that Derek had studied both as a spy in Spy Verses and had never used them.  I had decided he would overhear a conversation in one of those languages, and not reveal that he understood it, so I incorporated that here.  It also enabled me to limit what he understood.

The creature that is named that he does not understand is a dragon, but the point is that it is not as big as a dragon.  I have a number of elemental fire spirits listed somewhere, but it won’t be necessary to give them names at this point.

The burns are dreadful, and make for a compelling scene, and also perhaps explain why the Caliph wouldn’t mention them.


Chapter 38, Kondor 143

I had originally envisioned the briefing as being seen through Kondor’s eyes, but now I had a new wrinkle with Derek’s contribution, and brought Slade’s perspective into it.  They would be preparing for their mission in their next chapter.


Chapter 39, Beam 10

It had been two months since Kyler had written anything, and I was getting antsy.  I discussed it with him, and he said it wasn’t coalescing into chapters and he didn’t know when it would, so I should go ahead and write it.  I immediately produced this chapter.

Along the way we had discussed the plot ahead, and put together quite a bit of what he thought should happen, all of which I had puzzled into an outline.  Of this chapter, I had written “I see two threads here, one following the murder of the reeve, in which the king sends troops and the situation escalates as Beam and Dawn take out the troops, leading to an ongoing stalemate; the other in which Beam starts learning to be a blacksmith.”  I chose to follow the blacksmithing thread first, and was considering whether to stretch the response of the king another chapter.


Chapter 40, Hastings 147

I dreaded writing this chapter for a while, because I was moving into unfamiliar territory–not that I didn’t know how Lauren would react, but that I wasn’t certain how her female fans would feel about this.


Chapter 41, Slade 142

When I diverted from the last Kondor chapter to write the Hastings chapter, I made a note for myself that read “Next Slade chapter focus on his anticipation and excitement.”  As I came to the chapter, I realized I also had to move the story forward and get them on the edge of action.  That meant breezing through a lot of preparation, and not spending too much time on introspection.


Chapter 42, Brown 167

It took me several days and a consultation with Kyler to finish this chapter.  I early worked out that Derek had to see something, and that the best shot was that he would see charred patches from the fire beast; from there I needed him to talk with Kondor, and that reminded me that he had never contacted Kondor telepathically but had read his mind, so I could use that.  I was having trouble making it gel, though, until Kyler suggested that the burned patches were attacks on villages.  There wouldn’t be villages in the wilderness, I thought, but there would be herdsmen with goats, moving their camps around.  From there it was figuring out what kind of pattern Derek might see that would be informative to Joe, and that came together as I thought about it.


Chapter 43, Beam 11

The outline entry for this chapter originally read “At some point Beam has to become aware of Bron’s meager magical abilities.  We’ll need to give him a few useful skills.”  Since I had not launched the conflict with the king in Beam 10 I did so here.

I had some trouble thinking of what sort of spell Beam would see Bron using, and had given consideration to one that enabled him to put a sharper edge on an axe.  Kyler suggested that Bron would be blessing his hammer before use.  At first I thought this not a good choice, because he would have been doing it all along and Beam would have seen it quite early, but then I decided that just because Beam saw it didn’t mean he would have asked about it immediately.


Chapter 44, Hastings 148

I thought about this for a day or so.  I had intended it to focus on the question of putting Lauren in restraints, to set up the next scene, but it had to begin with the doctor asking about the attack.  It also seemed necessary to suggest Lauren was a bit rattled by the attack, despite her success at repelling it.  She should begin to see her vulnerability here.


Chapter 45, Kondor 144

The decision to break camp and follow Derek was abrupt, and cut the chapter short–so short, in fact, that I decided I needed more to happen, and brought in the second message from Derek.


Chapter 46, Slade 143

I pondered this chapter for a couple days.  Fairly early I decided that it should tell of the travel retrospectively, and that they should be camping about a mile from the wadi but still not know where the camp was.  Most of the strategic issues were developed as I ran the conversation, figuring out the issues as I went, and abruptly I hit upon a solution that Derek could suggest, but I didn’t want him to have it all together as quickly as I did or it would look too simple, so he’s thinking about it.

I also rather abruptly decided that Zeke should propose the watch arrangements, and constructed them on the fly.  However, I made a mistake in having him say everyone got six hours of sleep because he only got four, so I went back to fix it.


Chapter 47, Beam 12

The original outline for this chapter read “We have to move into the princess story, and it’s going to take a chapter to transition to the beginning of it.  Since Beam isn’t going to volunteer, the king is going to have to send a delegation seeking his help, probably offering pardon for all crimes.”  Unfortunately, I had not yet resolved the matter of the rebellion against the king, and I wasn’t sure how to handle it all.  I’m still not completely certain, but I think there won’t be a fight this time, because I need to get to the rescue of the princesses.


Chapter 48, Hastings 149

I came at this awkwardly, because the previous chapter meeting with the doctor was very good and I didn’t know what else I could do.  I invented the Philman Act to suggest that there were things Lauren didn’t know about this world.  I’ve a rough notion that it is a law giving rape victims some benefits or rights, but at present don’t need more information than that.


This has been the fourth behind the writings look at Garden of Versers.  If there is interest and continued support from readers we will endeavor to continue publishing the novel and these behind the writings posts for it.

#283: Keith Green Crashing

This is mark Joseph “young” blog entry #283, on the subject of Keith Green Crashing.

As we already covered (in web log post #281:  Keith Green Launching, linked below), Keith Green had two excellent and successful Christian albums without a weak song on them.  Now he produced So You Wanna Go Back to Egypt, of which the somewhat goofy title song was an instant hit.  There were several other excellent songs on this album as well, such as Pledge My Head to Heaven, Oh Lord, You’re Beautiful, and Grace By Which I Stand.  However, whether it was because they weren’t quite as good or because by the early eighties the Christian music field was starting to get more crowded, it was not the music on this album that made it significant.

When Keith delivered the masters to his company Sparrow Records, he told them he did not want them to sell it–he wanted it to be given away, to anyone who requested it, for whatever they chose to give, even if it was nothing at all.  He thought it more important to get the music into the ears of people than to worry about paying bills, and was confident that the contributions would cover all the costs of the record.

Sparrow didn’t see it quite the same way.  They were certain that donations would cover the costs of Keith’s record, but that’s not how the music industry worked, even in the Christian field.  The problem wasn’t whether those donations would cover the costs of distributing Keith’s record but whether there would be what we would call profits–a dirty word for some, but an essential facet of the way the system worked.  You see, when Keith made his first album, Sparrow Records took a chance, advancing a considerable sum of money to pay for professional level production of an album by an unknown artist which might be completely lost.  Sparrow was still in the business of finding and funding new artists, paid for from the profits from the established artists, and a new album from Keith Green was a guaranteed best seller which would provide a lot of money for that purpose.  Keith was taking that away from them, on the grounds that he thought he should be able to give away his record free if he paid them the cost of producing it.

A compromise was reached.  In the United States, Egypt was released by Pretty Good Records; Sparrow handed the standard distribution channels–record stores, radio promotion–and all overseas releases.  Keith and and his wife Melody set up an organization to mail copies to anyone who wrote to them requesting one, putting the donations toward costs and future recordings.  In a sense, he had cut himself off from helping any other Christian artists; in another sense, he had focused his ministry on reaching the listeners.

Two years later he released Songs for the Shepherd, which was a good but not remarkable recording, again through Pretty Good Records with Sparrow’s assistance.  Several other Keith Green albums would be released in the years to come, but this was the last one he would see.  That year, 1982, he had visitors at the ranch where they ran everything, and wanting to show them all they were doing he took them up in his private airplane.  The plane was already heavily loaded with records and literature that went to concerts with him, and the number of passengers exceeded recommendations, and it crashed killing all on board.  Melody was not on that plane.

Many in the Christian music world were upset; many said that apparently God had decided to take Keith home.  That was not the unanimous opinion.  At least one Evangelical author at the time wrote to say that Keith died because he broke God’s law–in this case, God’s Laws of Aerodynamics, trying to fly a plane that was overloaded.  If, he argued, you violate the laws of God, the end is death, and sometimes it comes swiftly, as it did here.  This is on some level a bit ironic, because Keith often veered toward legalism–his The Sheep and the Goats misses the point of that parable, and Glen Kaiser (of Resurrection Band) informs me that more than once others in ministry felt it necessary to admonish him on that point.

I cannot begin to guess who is right.  I know Keith has been missed since, and that he would have continued as a popular and successful artist, but it seems likely that, as with quite a few of those we have already covered and will cover yet who were huge then but are barely recognized now, he was probably past the zenith of his career and on the slow decline.  Those first two albums are still among the best Christian music has ever produced, and it is doubtful that even he could have surpassed them.

*****

The series to this point has included:

  1. #232:  Larry Norman, Visitor;
  2. #234:  Flip Sides of Ralph Carmichael;
  3. #236:  Reign of the Imperials;
  4. #238:  Love Song by Love Song.
  5. #240:  Should Have Been a Friend of Paul Clark.
  6. #242:  Disciple Andraé Crouch.
  7. #244: Missed The Archers.
  8. #246: The Secular Radio Hits.
  9. #248:  The Hawkins Family.
  10. #250:  Original Worship Leader Ted Sandquist.
  11. #252:  Petra Means Rock.
  12. #254:  Miscellaneous Early Christian Bands.
  13. #256:  Harry Thomas’ Creations Come Alive.
  14. #258:  British Invaders Malcolm and Alwyn.
  15. #260:  Lamb and Jews for Jesus.
  16. #262: First Lady Honeytree of Jesus Music.
  17. #264:  How About Danny Taylor.
  18. #266:  Minstrel Barry McGuire.
  19. #268:  Voice of the Second Chapter of Acts.
  20. #272:  To the Bride Live.
  21. #276:  Best Guitarist Phil Keaggy.
  22. #281:  Keith Green Launching.

#282: The Fragility of Unborn Life Argument

This is mark Joseph “young” blog entry #282, on the subject of The Fragility of Unborn Life Argument.

Sometime during the explosion of legal news surrounding the Supreme Court session (much of which still awaits my attention) I somewhere encountered the notion that aborting the unborn is permissible because so many of them die anyway.  Unborn children have such a high mortality rate, why would killing one be a big deal?

Talk about kicking a man when he’s down, this seems so wrong on so many levels.

I certainly recognize the fragility of unborn life.  We went through enough miscarriages that pregnancies became an occasion more for dread than hope.  Yet the fact that someone might die, even has a good chance of dying, is not ordinarily a good argument for killing him.

Consider baby seals.  People get all upset about other people killing them, when it is obvious that baby seals are a primary food source for sharks.  Seriously, what is the life expectancy of a baby seal?  O.K., part of the objection is that the methods used by seal hunters are perceived as particularly cruel, so maybe that’s not the best example.  I don’t know that being clubbed to death is more painful than being torn apart by a shark, but I understand the objection.

However, children also have a high mortality rate.  We have lowered the rates of infant mortality significantly in western countries, but they are still high in third world countries.  Should we say that the killing of children in undeveloped nations is not a big deal because they were likely to die anyway?  Indeed, how likely to die would be enough to put someone in this category?  Obviously unborn children do not all die, and apart from abortion a great number of them survive to be born–more now than ever before, again because we have improved our ability to keep people alive.

After all, fragility is relative.  People die all the time.  Many die suddenly of heart attacks, anaphylactic shock, strokes, traumatic accidents, often with no warning.  If a person is having a heart attack and can’t get medical attention, there is a high probability that he will die.  Does that make it O.K. to kill him?  If a person is struggling to escape from a burning vehicle and not likely to succeed, can I shoot him?

Seriously, what chance of death meets the minimum requirement for killing someone?  Is it thirty percent?  Is it sixty percent?  I am sure that the mortality rate of unborn children does not reach eighty percent, but would that be high enough?

It is one hundred percent likely that you will die.  After all, everyone does, eventually.  It probably won’t happen for a while–many years, if you’re lucky, but is that a long time?  You are unlikely to live to one hundred years.  Does that mean that killing you is not a big deal, because you were going to die soon enough anyway?  If the world were run by artificially intelligent machines, we mere humans would be short-lived beings probably perceived as wastes of resources–we die, and everything we have learned is lost.  To them, we are not better than insects, brief lives of limited ability who are going to die.  They might as well kill us now, because we are likely to die fairly soon anyway.

Why should that argument apply to the unborn, and not to you?

My Judeo-Christian scriptures tell me to protect the weak.  I see none weaker than these.  If someone wants to kill the weak, I am obligated to defend them.  Yet apart from this, I see that it is in my own self-interest to do so.  Dietrich Bonhoeffer, Lutheran minister and writer arrested by Adolph Hitler in World War II, said (perhaps paraphrasing–I cannot find the original quote),

When they came for the Federalists, I didn’t speak up because I wasn’t a Federalist.  When they came for the Jews, I didn’t speak up because I was not a Jew.  When they came for the Catholics, I didn’t speak up because I was not a Catholic.  When they came for me, there was no one left to speak up.

You are also among the weak who are likely to die anyway, so why should society not be able to kill you?

Be careful of your judgements.

#281: Keith Green Launching

This is mark Joseph “young” blog entry #281, on the subject of Keith Green Launching.

We come to someone whose perhaps brief footprint in the Christian contemporary music world was huge, so big in fact that we’re going to cover him in two articles.  Keith Green might have been a footnote in the history of contemporary music, a one-hit wonder in the 60s who recorded a few singles for Decca and one for ERA, one of which charted at some point.  Then, as he was facing the frustration of already being a has-been in a field in which maybe he never was, the Christian musicians of the area met him and brought the young Jewish boy to faith in Christ.

He embraced his new faith strongly, and became something of a prophetic voice in contemporary Christian music, challenging believers to live the lives they claimed in words.  In 1977 he released his first album, several of the songs co-written with his wife Melody, For Him Who Has Ears to Hear, packed with powerful, challenging, and excellent songs, beginning with You Put This Love In My Heart, continuing with I Can’t Believe It, Because of You, and When I Hear the Praises Start, and as the first side ends with the playful He’ll Take Care of the Rest, things get even better.

Side two opened with Your Love Broke Through, the song he co-wrote with Phil Keaggy and Randy Stonehill, and then the genuinely fun song No One Believes In Me Anymore (Satan’s Lament), which is not a lament at all but the devil’s boast that he can work without being recognized.  This is followed by the heart-breaking Song to My Parents (I Only Want to See You There), then Trials Turned to Gold, and the album concludes with his rousing rendition of Annie Herring’s famed Easter Song (the only version of which I am aware that has the second verse lyrics he sings).

This was only the beginning, but every song on that first album was a classic–and he would follow it in the next year with No Compromise.  This opened with the soft rock Soften Your Heart, then the heart-rending Make My Life a Prayer to You, written by his wife Melody.  This is followed by the album’s fun song, Dear John Letter (To the Devil), then back to the heart-rending How Can They Live Without Jesus?.

The flip side opens with the tearful and demanding Asleep in the Light, which on the original segued electronically into My Eyes are Dry, which faded in over the fadeout of the other, and then faded out.  I am persuaded that it was a mistake in later releases to separate these two songs, as Keith clearly intended them to be heard together that way.  After this heavy opening, it lightens with the rocky You!, and then another heart-felt song, I Don’t Wanna Fall Away From You (interestingly covered by Petra on their Keith Green tribute album).  The bouncy Stained Glass gives a bit of relief before the intensely challenging To Obey Is Better Than Sacrifice.  He then does a cover of the Jamie Owens (Collins) The Victor, which was her break into the Christian music field as the song gained popularity and was also picked up by The Second Chapter of Acts, who along with Phil Keaggy were part of Keith’s recording, and wraps the album with Altar Call, a closing call to salvation.

There wasn’t a weak song on two albums, and Keith was one of the stars of Christian music, but things were about to change significantly.

*****

The series to this point has included:

  1. #232:  Larry Norman, Visitor;
  2. #234:  Flip Sides of Ralph Carmichael;
  3. #236:  Reign of the Imperials;
  4. #238:  Love Song by Love Song.
  5. #240:  Should Have Been a Friend of Paul Clark.
  6. #242:  Disciple Andraé Crouch.
  7. #244: Missed The Archers.
  8. #246: The Secular Radio Hits.
  9. #248:  The Hawkins Family.
  10. #250:  Original Worship Leader Ted Sandquist.
  11. #252:  Petra Means Rock.
  12. #254:  Miscellaneous Early Christian Bands.
  13. #256:  Harry Thomas’ Creations Come Alive.
  14. #258:  British Invaders Malcolm and Alwyn.
  15. #260:  Lamb and Jews for Jesus.
  16. #262: First Lady Honeytree of Jesus Music.
  17. #264:  How About Danny Taylor.
  18. #266:  Minstrel Barry McGuire.
  19. #268:  Voice of the Second Chapter of Acts.
  20. #272:  To the Bride Live.
  21. #276:  Best Guitarist Phil Keaggy

#280: Versers Reveal

This is mark Joseph “young” blog entry #280, on the subject of Versers Reveal.

With permission of Valdron Inc I have previously completed publishing my first four novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, and Spy Verses,  in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I have posted the fifth, Garden of Versers,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

This is the third mark Joseph “young” web log post covering this book, covering chapters 25 through 36.  Previous web log posts covering this book include:

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in those earlier posts, and won’t be repeated here.

Chapter 25, Brown 164

The moment I launched the hawk, I knew this scene had become inevitable.  Therefore I had a couple of chapters of time to let the scene coalesce in the back of my mind.

This was chapter 19 before we added James Beam.

The grammatical error “a friend of Joe’s” was added in the edit to replace “a friend of Joe”, because I thought it was more like what Slade would actually say, and Kyler agreed.


Chapter 26, Kondor 141

This discussion of Clarke’s Third Law fell into place because I needed an aftermath from the meeting with the Caliph before I returned to Lauren.  Zeke is proving quite useful as a staging tool, as I can get Kondor’s thoughts into the open and challenge them to force him to explain them considerably more naturally.

I started this chapter and was interrupted by a twelve-day hospital stay, second in two months, so somewhere in the middle I had to pick up where I left it and finish it.

This was chapter 20 before we added James Beam.


Chapter 27, Beam 7

Originally Kyler wrote a chapter in which he introduced the idea that Beam was afraid of snakes.  He scrapped the idea and deleted the chapter, because he realized the character already had some challenging weaknesses with the addictions and substance use.

Bron was an important character in Kyler’s version of the scenario, the blacksmith who dabbled in magic who would create the ring.  The ring struck me as a very challenging piece for the story, but he had done it in play and thought he knew how to make it work.

Kyler had made the distance one hundred paces, not being aware that a pace was a double stride measuring about five feet and making the length around a hundred sixty-five yards.  We discussed the size of the interior at length, and agreed that one hundred steps long and half as wide could be two hundred by one hundred feet, a large two thousand square foot interior; internet research suggested that that much table space comfortably seats one hundred sixty patrons in a decent restaurant, which this is not, and so a couple hundred could crowd into it.


Chapter 28, Hastings 144

I was working my way up the skills I had listed for Lauren, mindful of several points.  One was that she wouldn’t clearly know what was easier and what was harder, what was more likely to be biased in or biased out, and so her track couldn’t perfectly match her paper.  Another was that she couldn’t always succeed at everything that was possible, despite the fact that for many of these skills she had put in decades of practice (not reflected in the numbers on the sheet from which I was working).  This chapter let me include a failure and explore other skills in an order in which they might occur to her without prejudicing what she might be able to do.

It keeps occurring to me that I’m working from character sheets updated to the end of the second novel, and need to push those forward through the end of the fourth, but I’m currently moving forward well with the storylines and don’t want to disrupt that.

This was chapter 21 before we added James Beam.


Chapter 29, Slade 140

Obviously credit goes to the first Star Wars prequel, The Phantom Menace, which used something very like this (the princess is surrounded by other girls one of whom is dressed as the princess while she poses as one of her own bodyguards).  My fourth son Evan brought to me the fact that this could make for some really complicated storylines connected to a kidnapping–do they grab the fake princess, and what does the palace do in response to this?  If they grab the real princess, did they know which one she was, or was it an accident?  Do they know who they really have?  I decided I wanted to do one of those scenarios in this book, but I honestly had not yet decided which one.

It is also the case that with this chapter I had adequately created the setup for that, but it was much too soon to launch it so I was going to have to develop a diversion, something for these characters to do that would be interesting and worthwhile, before we moved into that mystery.

This was chapter 22 before we added James Beam.


Chapter 30, Brown 165

This became mostly a way to slow the story a bit and focus on the idea that Derek was using the time to practice.  It started mostly because I’d established a pattern, and Derek was next in line, and as I considered what to write about him it occurred to me that between fighting vampires and being a spy he had not really had the opportunity just to be Morach since he had lived in Morach’s world, and that his aerobatics were not only useful but fun, so I started with him playing, and being noticed playing, and then stretched it into practice in his other bodies which needed to be explored a bit, and then extended it to the psionics.

This was chapter 23 before we added James Beam.


Chapter 31, Beam 8

Kyler warned me that this chapter was graphic before I saw it, and it is, but not I think over the line.  We already know that Turbirb’durpa cracks open skulls and eats the brains, so it’s not a shock when he does it.


Chapter 32, Hastings 145

I had by this point decided that Lauren was going to be assaulted by the large orderly, and would injure him defending herself; but because she will have already been tentatively diagnosed as delusional she would wind up in restraints.  He would return for another attempt, and she would have to use her limited psionics to stop him, primarily her force shield, probably also the telekinetic pulse.  I’ll have to consider what else she might be able to do.

This was chapter 24, and as far as I had written; I was looking at a heading for Kondor 142, chapter 25, and had several things cooking in my head, and finally managed to do something I had been wanting to do for more than a decade:  I got my number two son, Kyler, to agree to collaborate with me.  As part of that, I proposed creating a character under the name James Beam and modeling him significantly after player John Walker.  Kyler liked the idea of creating a verser character who would wind up an antagonist, and so we put together the notion of beginning the character in this book with his own solo worlds and then bringing him into the Twin Rivers in the next book, along with Lauren, for a significant confrontation of some sort.  We agreed that he would draft a first chapter introducing the character, and we’d go over it and integrate it into this book so that the character would be established by the beginning of the next one.

This was chapter 24, and the last chapter written before we added the James Beam character.

We debated whether to leave the mangled Hamlet quote as is or correct it, but the connection to heaven and hell was significant in the dialogue, and she did admit she didn’t know the quote well, so we left it as it was.


Chapter 33, Kondor 142

While I was trying to figure out what to write in this chapter, Kyler produced five chapters of the James Beam story–the entire first world.

I knew I was heading into an adventure that would take the characters out of the city, but wasn’t certain how I would get there–but that it would have to be Slade who led that transition, because the Sheik viewed him as the leader of the group, whatever they thought of themselves.  Ultimately, I decided that Kondor had to think about their situation and recognize that they were threatening to abuse the extended hospitality.


Chapter 34, Slade 141

I had decided that there would be a short adventure involving a battle against bandit raiders before my main story here, and this was the launch point.

I made something of a hierarchy mistake, casually using the word “sheik” with reference to the Caliph, and almost immediately knew that was wrong.  I had some Dungeons & Dragons™ reference materials on hierarchies, and looked up how “caliph” fit.  It was at this point that I came up with the other titles, notably Amir and Amira and Calipha, for the other characters, but we retained “Princess” for convenience on the theory that it was a reasonable translation for the English-speaking guests.


Chapter 35, Beam 9

By the time this chapter was written and in place, all the other characters had been drafted through the end of the book.  I was pressing Kyler to produce written versions of the stories he had spun verbally.

The introduction of Miralla threw me, because I was anticipating something else that this was going to complicate.  Kyler explained that Miralla was not going to be part of Beam’s troop in the present book, but would be scriff-infected as an independent verser, borrowing a trope from another player character who has women stalking him through the verse to exact vengeance for infecting them.

The player on whom Beam is based at some point decided to introduce himself by the name of a character in a movie, who masterfully demonstrates that people only know what you reveal about yourself.  The character used the name “Kaiser”.  In this chapter, the shire reeve entered and said he was looking for someone called “Chiser”, and it took me several minutes to make the connection.  We discussed whether to backwrite the story to include the name, but in the end just dropped it.


Chapter 36, Hastings 146

I had been so busy with the Beam chapters that I lost track of where I was in the other stories.  I had a mental note that this was the chapter in which Lauren would be attacked, but when I went to write it I thought there wasn’t enough foundation for the subsequent claim that she was delusional.  I had completely forgotten that she had brought up the multiple worlds theory in her previous chapter, and so felt that I had to bring that to the fore.  Then when I’d finished writing the chapter, I went to put the summary in the book outline I keep to help me find things, and saw the entry for the other chapter and realized I’d just duplicated my effort.  However, I was very pleased with what I’d written, and it only took a few tweaks to make it seem as if it were more on the same subject.  From that position, I decided that it would strengthen the case for the doctor concluding she was delusional, and give me the narrative basis I needed for what was to come.


This has been the third behind the writings look at Garden of Versers.  If there is interest and continued support from readers we will endeavor to continue publishing the novel and these behind the writings posts for it.

#279: My Journey to Becoming a Writer

This is mark Joseph “young” blog entry #279, on the subject of My Journey to Becoming a Writer.

This is a response to a question asked by Georgia Bester on the Christian Music Network Musician’s Corner at Facebook, which reads:

Hello [emoticon omitted]
For those of you in writing ministry. I would love to hear about your journey. How did you know for sure that this is where the Lord wanted you?

That link probably does not work if you do not belong to that group, as it is a closed group, but that is her entire post.

Uncertain exactly what she meant, I asked for clarification, specifically whether she was talking about songwriting or bookwriting, and she answered:

Christian Author+-songwriter

–which I take to mean both books and music.  I write both, and there have been separate but connected paths that brought me to them.

By the time I was twelve I had settled in my mind that I would be a professional musician, in the popular vein.  I already played piano, clarinet, oboe, saxophone, ukulele, and I think fife and recorder, and my singing was noteworthy–my kindergarten teacher had identified me as her “little songbird”.  I could hold a part in a choir, and had a significant range for a boy.  I had even tried writing music, but none of it was any good, and it was frustrating.

I was introduced to another boy my age (John “Jay” Fedigan) who played the guitar, sang, and wrote songs.  Working with him I learned how he wrote songs, and started doing so myself.  Because in order to play keyboards with him I was going to need to know what he was playing on the guitar (and he was clueless when it came to notes and chords) I learned to play the guitar.  Before I’d finished high school I’d added bass guitar, tuba, flute, and several other instruments to the list, but I got good on playing the guitar, singing, and writing my own songs.  This was the late sixties/early seventies, so these songs were all love songs, usually sad, or protest songs.

The Jesus Movement hit our town in a big way.  I actually had become a Christian when I was thirteen, in 1968, but it hadn’t had a lot of impact on my life because I’d always been a reasonably decent churchgoing kid.  The Jesus Movement was something different, people for whom faith was the center of their lives in a real way.  I got dragged along the edge of this, and became more involved, and realized that the songs I was writing weren’t really worth singing, in a message sense, so I started to shift more toward writing Christian songs, and by 1972 (middle of junior year high school) that’s pretty much all I wrote and all I sang.  (I did write a piece for my high school band, and a setting of the Lord’s Prayer which my high school chorus performed, and of course performing with school groups I did the music chosen by the directors.)  The band that had been a precision rock band called BLT Down became an evangelistic Christian vocal rock band called The Last Psalm, and for a couple years made a splash in coffeehouses and colleges in northern New Jersey.

I went to college and decided to major in Biblical Studies (rather than music) because I thought having that degree would open more doors for music ministry than the other.  I did take a music theory class, but I also took a creative writing fiction class, mostly because it sounded interesting and I imagined that I might one day write the next major Christian fantasy novel, akin to Tolkien’s work.  I played in a couple of bands, including Jacob’s Well and Aurora, which sometimes included some of my songs in the repertoire.

Coming out of college I mostly spun my wheels for years trying to get some traction.  My wife’s theory was that I would get a good paying job with my college degree and pursue music on the side until it reached the point that it paid for itself.  That never happened.  Instead, the Lord worked some strange circumstances to land me on the air at a small but important Christian radio station (it had been the twelfth most important Contemporary Christian/Rock radio station in the country shortly before I arrived, despite being in the sticks and reaching part of northern Delaware as its primary audience–no offense to people in Delaware, but it’s not one of the top markets in the country).  I did some solo concerts with teaching included and continued to write songs for them.  I met a lot of people in the Christian music world, but by this point my recording equipment had died and I had no recordings to give them and no spare money with which to repair the recorders.

During this time I headed up a project to launch a radio station news letter, and wrote much of the content for it.  We had it printed by a local newspaper, who traded printing costs for advertising time, and so I became acquainted with the associate editor of The Elmer Times.  In our chatting we hit an idea by which I would write a few pieces of political satire for his paper, under the byline M. Joseph Young, so that it wouldn’t be obvious that this was written by the DJ on the local Christian radio station.  I think two were published, and I might have copies of them buried somewhere.

After five years I parted ways with the radio station; God had in essence told me it was time to go, and I was so burnt from the struggle I didn’t ask where I was going.  That turned out to be nowhere fast.  I was asked at this time to head a band called TerraNova, which I did for a couple years, but a guitarist who came to us very humbly then made himself indispensable then fell apart and quit pretty much put an end to that.  I was going through jobs fairly quickly, four jobs in two years none of them going anywhere, and my wife, who finished her nursing degree, said I should go back to school.  I could tell you about the very strange search for continuing education and how I wound up going to law school, but suffice it that I did, and graduated with a Juris Doctore and a mountain of debt, only to be denied admission to the New Jersey Bar because of the debt.

While I was trying to resolve this problem, I was asked to help a friend of a friend who was trying to write a role playing game.  I was good at role playing games and good at writing; he was quite creative and had a core of excellent ideas for the game, but he was a terrible writer, had no head for game mechanics, and was very disorganized.  We collaborated, and after five years of work and personal tension he dropped out and left me to publish Multiverser:  The Game.  I kept the nom de plume M. Joseph Young for that project, and for most of what came from that.

I attempted to launch another band, Cardiac Output, which played a bit locally before the pressures and problems of my family life created by the combination of the debt and the fact that getting a law degree wasn’t solving anything was too much and the band collapsed.

In order to promote the game I started writing web pages, first as my own sites.  I wrote on multiple topics–Bible materials, but also role playing game stuff, time travel pages, some stuff on law and politics.  My own originally several web sites grew (eventually I consolidated them into one huge site, M. J. Young Net) and I was invited to write material for other web sites, most of it role playing game stuff, but some on other subjects.  I was occasionally paid small amounts for these.

The company that published Multiverser got a crazy idea to create a comic book based on the concept, and it fell to me as the company’s chief writer to create the characters and stories.  I had written enough for three issues (six stories, two for each of three characters who would rotate) when the tiny company’s art department said it couldn’t be done without increasing the size of the department sixfold, so the stories got shelved for a few months–and then I suggested that they could be turned into the beginning of a novel.  The company agreed, and eventually published Verse Three, Chapter One.  A lot of what brought that about is discussed elsewhere.

Something had been nagging at me ever since TerraNova had dissolved:  a lot of Christians had come to Christ and were never told what to do next.  I felt that a need existed, and in very short order wrote What Does God Expect?  A Gospel-based Approach to Christian Conduct.  The company that published the novel did not want to get the image of being a “Christian” book publisher, so I talked to a lot of people about it, and wound up self-publishing it.  This was followed by two more short books.

Laced into this, when I was at the radio station I became aware that one of the most Christian games I had ever played was being attacked by Christians, and so I spoke in defense of the game on the air, and put together notes for what might be an article.  A few years later I wrote that article, and tried to find a magazine interested in publishing it, but I’ve never been good at self-promotion so it didn’t go anywhere.  When I started putting things on the web I finished that article as Confessions of a Dungeons & Dragons(tm) Addict, and it caught the attention of Reverend Jim Aubuchon, who was co-founding an online group then called the Christian Role Playing Game Association.  He invited me, I wasn’t interested, again circumstances intervened and I was just about forced to join.  I was then asked to head a committee, and from that told that put me on the board of directors.  The group changed its name to Christian Gamers Guild, and the Vice President and the President both resigned in short order, the Chaplain decided that that made him President, and we needed a Chaplain, so he asked me to fill the slot just until we could finish the group’s constitution and hold elections.  I’d never won an election for anything in my life, and as far as I could see the Chaplain didn’t really do anything, so I figured I could wear the title for a couple months and then someone would replace me.

After those couple months there was an election, and I was nominated and elected to continue in the position.  After wearing the title for a couple years I decided that I ought to do something, so I started writing a monthly column entitled Faith and Gaming.  (I had also simultaneously started writing a weekly column for one of the role playing game web sites, Gaming Outpost, entitled Game Ideas Unlimited.)  I wrote this series for four years, disrupted by a computer crash.  People occasionally asked me if I was going to write more, or if I was going to put the material in a more accessible format, so I self-published Faith and Gaming.  A few years later a publisher in the industry approached me with the suggestion that they could republish an expanded edition with a few other articles I’d written on the subject in other venues, and I agreed.

In the end, I write and I compose because it’s what I do.  Much of what I write and all of what I compose is Christian, but then, that’s because I am Christian, and even when I’m writing about law or politics or role playing games there is a degree to which my Christianity is part of that–C. S. Lewis once commented that the world did not need more Christian books, but more books by Christians.  I’m not persuaded that he was right, as Christians need Christian books, but I think he was onto something with the notion that if the best books on secular subjects are written by Christians, unbelieving readers are going to find traces of the faith reflected in those books, undermining their unbelief.

So Georgia, if you’re asking how I knew God had called me to write, I don’t know that I ever really gave it much thought.  Writing is not one of the ministries; it’s one of the tools of ministry, and if you’re called to ministry and you can write, you’ll probably find yourself using writing as one of the tools of that ministry.  I write because I cannot help writing, and I sing and compose because I cannot help doing so, just as I teach and explain because it is innately part of me to do so.  If you are called to something, you will find yourself doing it, or doing something like it, without thinking about it.

I know this has been long, but I’m going to close with a few links to other articles you might find helpful on the issue:

#278: The 2018 Recap

This is mark Joseph “young” blog entry #278, on the subject of The 2018 Recap.

A year ago I continued a tradition of recapitulating in the most sketchy of fashions everything I had published over the previous year, in mark Joseph “young” web log post #219:  A 2017 Retrospective.  I am back to continue that tradition, as briefly as reasonable.  Some of that brevity will be achieved by referencing index pages, other collections of links to articles and installments.

For example, on the second of January, the same day I published that retrospective here, I also posted another chapter in the series of Multiverser novels, at which point we were at the twenty-third chapter of the fourth book, Spy Verses (which contains one hundred forty-seven short chapters).  We had just published the first of seven behind-the-writings web log posts looking at the writing process, but all of that is indexed at that link.  Also on that same day the Christian Gamers Guild released the second installment of the new series Faith in Play, but all of those articles along with all the articles in the RPG-ology series are listed, briefly described, and linked (along with other excellent articles from other members of the guild) in the just-published Thirteen Months in Review on their site.  That saves recapping here two dozen more titles in the realms of Bible/theology and gaming, many of them excellent.  It should also be mentioned that six days a week I post to the Chaplain’s Bible study list, finishing Revelation probably early next week, and posting “Musings” on Fridays.

Spy Verses wrapped up in October, and was followed by the release of an expansion of Multiverser Novel Support Pages, updated character sheets through the end of that book, and by the end of that month we had begun publishing, several chapters per week, Garden of Versers, which is still going as I write this.

Now would probably be a good time to mention that all of that writing is free to read, supported by reader contributions–that means you–through Patreon or PayPal Me.  If you’ve been following and enjoying any of those series, your encouragement and support through those means goes a long way to keeping them going, along with much else that has been written–and although that may be the bulk of what was written, there is still much else.

Since on January 10th the first of the year’s web log posts on law and politics appeared, we’ll cover those next.

#220:  The Right to Repair presents the new New Jersey law requiring manufacturers of consumer electronics to provide schematics, parts, and tools to owners at reasonable prices, so that those with some knowledge in the field can troubleshoot and repair their own cell phones and other electronics, and none of us need be at the mercy of price-gouging company stores.

#221:  Silence on the Lesbian Front addressed the ramifications of a Supreme Court decision not to hear a case against a Mississippi law permitting merchants to decline wedding services to homosexual weddings.

#222:  The Range War Explodes:  Interstate Water Rights arose at the Supreme Court level when Florida claimed Georgia was using too much of the water that should flow downstream to it.

#225:  Give Me Your Poor talks about our immigrant history, the illusion that it was entirely altruistic, and the question of what we do going forward.

#229:  A Challenge to Winner-Take-All in the Electoral College looks at a federal lawsuit claiming that the standard electoral college election system violates the one-person-one-vote rule.

#230:  No Womb No Say? challenges the notion that men should not have a say in abortion law.

#231:  Benefits of Free-Range Parenting discusses the recent idea that parents who do not closely monitor their kids are not being negligent.

#241:  Deportation of Dangerous Felons considers the Supreme Court case which decided that the law permitting deportation of immigrants for “aggravated felonies” is too vague.

#247:  The Homosexual Wedding Cake Case examines in some detail the decision that protected a baker from legal action against him for refusing service to a homosexual couple, based primarily on the prejudicial language of the lower court decision.

#251:  Voter Unregistration Law examined a somewhat complicated case upholding a law that permits removal of non-responsive voters from the registration lists.

#253:  Political Messages at Polling Places presented the decision that non-specific political clothing and such cannot be banned from polling places.

#255:  On Sveen:  Divorcees, Check Your Beneficiaries examined a convoluted probate case in which a law passed subsequent to a divorce dictated how life insurance policy assets should be distributed.

#259:  Saying No to Public Employee Union Agency Fees is the case the unions feared, in which they were stripped of their ability to charge non-members fees for representation.

#261:  A Small Victory for Pro-Life Advocates hinged on free speech and a California law compelling crisis pregnancy centers to post notices that the state provides free and low-cost abortions.

#270:  New Jersey’s 2018 Election Ballot was the first of two parts on the election in our state, #271:  New Jersey’s 2018 Election Results providing the second part.

#274:  Close Races and Third Parties arose in part from the fact that one of our congressional districts was undecided for several days, and in part from the fact that Maine has enacted a new experimental system which benefits third parties by having voters rank all candidates in order of preference.

One post that not only bridges the space between religion and politics but explains why the two cannot really be separated should be mentioned, #224:  Religious Politics.

My practice of late has been to put my book reviews on Goodreads, and you’ll find quite a few there, but for several reasons I included #223:  In re:  Full Moon Rising, by T. M. Becker as a web log post.  I also copied information from a series of Facebook posts about books I recommended into #263:  The Ten Book Cover Challenge.

There were a few entries in time travel, mostly posted to the Temporal Anomalies section of the site, including Temporal Anomalies in Synchronicity, which is pretty good once you understand what it really is; Temporal Anomalies in Paradox, which is a remarkably convoluted action-packed time travel story; Temporal Anomalies in O Homen Do Futuro a.k.a. The Man From the Future, a wonderfully clever Brazilian film in which the time traveler has to fix what he tried to fix, interacting with himself in the past; and Temporal Anomalies in Abby Sen, an Indian film that is ultimately pretty dull but not without some interesting ideas.

In the miscellaneous realm, we had #227:  Toward Better Subtitles suggesting how to improve the closed captioning on television shows; #228:  Applying the Rules of Grammar encourages writers to understand the rules and the reasons for them before breaking them; and #273:  Maintaining Fictional Character Records gives some details of my way of keeping character information consistent from book to book.

This year we also began a subseries on the roots of Christian Contemporary and Rock Music, starting with #232:  Larry Norman, Visitor in March, and continuing with

  1. #234:  Flip Sides of Ralph Carmichael
  2. #236:  Reign of The Imperials
  3. #238:  Love Song by Love Song
  4. #240:  Should Have Been a Friend of Paul Clark
  5. #242:  Disciple Andraé Crouch
  6. #244:  Missed the Archers
  7. #246:  The Secular Radio Hits
  8. #248:  The Hawkins Family
  9. #250:  Original Worship Leader Ted Sandquist
  10. #252:  Petra Means Rock
  11. #254:  Miscellaneous Early Christian Bands
  12. #256:  Harry Thomas’ Creations Come Alive
  13. #258:  British Invaders Malcolm and Alwyn
  14. #260:  Lamb and Jews for Jesus
  15. #262:  First Lady Honeytree of Christian Music
  16. #264:  How About Danny Taylor?
  17. #266:  Minstrel Barry McGuire
  18. #268:  Voice of the Second Chapter of Acts
  19. #272:  To the Bride Live
  20. #276:  Best Guitarist Phil Keaggy.

Looking at our Bible and Theology posts, the first of the year landed in the end of March, as #233:  Does Hell Exist? attempts to explore how the modern conception of hell compares with the Biblical one; #245:  Unspoken Prayer Requests finds theological problems with asking people to pray without telling them what to pray; and #267:  A Mass Revival Meeting explains what is really necessary to bring about a revival.

There were also a couple of entries related to gaming, including the republication of a lost article as #237:  Morality and Consequences:  Overlooked Roleplay Essentials–the first article I ever wrote to be published on someone else’s web site.  There was also a response to some comments made by #239:  A Departing Member of the Christian Gamers Guild, and a sort of review of a convention appearance, #249:  A 2018 AnimeNEXT Adventure.

A couple previously published pieces appeared in translation in the French edition of Places to Go, People to Be, which you can find indexed under my name there.

So that is a look at what was published online under my name this past year–a couple hundred articles, when you count all the chapters of the books (and more if you count all the Bible study posts).  In the future, well, I have a lot more to write about Christian music, I’m only getting started with Garden of Versers and have another novel, Versers Versus Versers, set up and ready to run, several Faith in Play and RPG-ology articles are in the queue (one publishes today), and there’s a study of the Gospel According to John ready to post and the Gospel According to Mark being prepared to follow it, plus some preliminary notes on Supreme Court cases, an analysis of a time travel movie that’s taking too long to finish, and more.

Again, your support through Patreon or PayPal.me helps make all of it possible.  Thank you for your support and encouragement.

#277: Versers Resettle

This is mark Joseph “young” blog entry #277, on the subject of Versers Resettle.

With permission of Valdron Inc I have previously completed publishing my first four novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, and Spy Verses,  in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I have posted the fifth, Garden of Versers,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

This is the second mark Joseph “young” web log post covering this book, covering chapters 13 through 24.  Previous web log posts covering this book include:

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in those earlier posts, and won’t be repeated here.

Chapter 13, Brown 162

The flyover recon was actually inspired by the fact that I did not expect the windows to close in fair weather, so it was an obvious entry and exit for Morach.

It occurred to me that Bob had told Joe about Derek’s ability to change form, but Joe had not yet actually seen it.  He would not want to appear too interested, but he would be interested, and Zeke gives him the opportunity to tag along and watch.

This was chapter 10 before James Beam was added.


Chapter 14, Kondor 139

“Magic missile” is of course one of the most popular or best known Dungeons & Dragons™ magic-user spells, but it was also the obvious description of the force ball fired by the kinetic blaster.  I immediately realized it was unlike a D&D™ magic missile, and more like a blunt instrument, so I wrote “invisible hammer” and then decided to tease my audience by changing it to “spiritual hammer”, one of the popular low-level cleric spells.

I was trying to work out the pace for the stories here.  In Spy Verses I often had two characters in one world and one in another, and so I alternated stories, Joe-Derek-Bob-Derek-Joe-Derek.  Now I had three and one, and I was uncertain how to split them—whether to have Lauren every other chapter, or give everyone an equal number of chapters.  At this point my thoughts were that I would do two chapters of the Arabian story and one of Lauren, shifting which of my Arabian story characters to follow.  That arrangement became the framework when I started integrating the new James Beam story.

This was chapter 11 before James Beam was added.  Beam made the character shifts a bit more complicated, but I attempted generally to include a Lauren and a Beam for every two chapters of the other three.


Chapter 15, Beam 4

The Pyronics 2000 was my invention for the Mary Piper space ship scenario.  A lot of players like the devastating one-shot weapon, and Kyler included it in this world.  Beam takes it with him, but has to figure out how to recharge it.  Kyler’s version does things that the original version specifically did not do.

The cigarettes were important, because Beam has a couple of addictive habits, and cigarettes are a big one, so having them matters.

It is not established exactly what Dawn is.  I take her to be some kind of genetically created organism, but Kyler has never given me his view, and she’s his invention.


Chapter 16, Hastings 141

I’m not really old enough to remember hospitals in the 1960s, but this is less a hospital and more an asylum, so I was creating what I thought plausible.  (I was actually in a hospital for an extended stay–acute nephritis–sometime between 1958 and 1960, but my memories of it are all actually of recurring dreams I had of my stay there.)

This was chapter 12 before we added James Beam.


Chapter 17, Slade 138

To have Slade do recon also would be overly redundant, but there was a problem for him to consider in why they were expected.  It was something only he could address, because it involved his relationships with elemental spirits.  I thus opened the question here.

This was chapter 13 before we added James Beam


Chapter 18, Brown 163

I was fleshing out the city, many of these details devised as I did so.

The idea of the hawk attacking came to me as something to work in at some point, but as I considered it I decided that now was the best time, and it would liven up the book and create a new question:  the guards are looking for some magical creature that invaded the castle, and Derek is that creature.

This was chapter 14 before we added James Beam.


Chapter 19, Beam 5

Turbirb’durpa demonstrates several psionic abilities which will become important to his character as the story progresses, even though they won’t always work and he won’t understand why not.

The original description of this entry into the depths of the compound was unclear, and I had to ask Kyler to explain it.  The rewrite attempts to convey the impression that it is damage from an impact of some sort.

I was also confused as to whether Beam’s ears blew because he was using a sonic weapon without hearing protection (which would have long-term ramifications) or because the pressure dropped abruptly.  It was the latter, which a rewrite clarified.


Chapter 20, Hastings 142

The date of birth problem had been lurking in the background all along, but I wasn’t entirely certain how Lauren was going to handle it until now.

It took several days to complete this chapter, only partly because I was still recuperating from my surgery.

This was chapter 15 before we added James Beam.

On the edit I realized that in the previous chapter (Hastings 141) Conway had said he would be back that afternoon, but everything about this made it the next day.  We added the discussion explaining that; Kyler said it demonstrated Lauren’s sanity, that she was aware of this.


Chapter 21, Kondor 140

I thought I had two problems coming into this chapter.  One was that I needed to bring Joe back into the frame but had nothing really for him to be doing, the other was that I needed to show that the palace had gone on chaotic alert without disrupting the discussions in Slade’s room.  I realized that the first problem was the solution to the second, and made it work.

The gong was added in editing.  We discussed whether drums or trumpets or something would be better, but decided that my first impulse, a gong, was consistent with the setting.

This was chapter 16 before we added James Beam.


Chapter 22, Slade 139

This was the obvious conversation.  Having Zeke offer the simple solution to how to get an audience with the Caliph was I suppose an inspiration–I’d started writing the answer, thinking Slade was going to say it, but then changed my mind and made it Zeke before I’d gotten as far as who said it.

This was chapter 17 before we added James Beam.


Chapter 23, Beam 6

I waited quite a while for this chapter, and wrote the other characters through Hastings 150/chapter 50 before getting this, bundled with Beam 7 and 8.  For all that time I had only the first two sentences, but I knew from discussions what Kyler was intending at this point.


Chapter 24, Hastings 143

I had made this a Hastings chapter, but did not want to go back into one of the psychiatric sessions yet so I changed it to a Brown chapter.  But then I wanted to hold the suspense of the meeting with the Caliph, so I thought about what I could do with Lauren and realized that by now she should be “testing the biases”, seeing what skills worked.

This was chapter 18 before we added James Beam.


This has been the second behind the writings look at Garden of Versers.  If there is interest and continued support from readers we will endeavor to continue publishing the novel and these behind the writings posts for it.

#276: Best Guitarist Phil Keaggy

This is mark Joseph “young” blog entry #276, on the subject of Best Guitarist Phil Keaggy.

The rumor was always that Jimi Hendrix claimed Phil Keaggy was the best guitarist in the world.

The way I eventually heard the story, Hendrix was being interviewed and was asked what it was like to be the best guitarist in the world, and he replied, “I don’t know, ask Phil Keaggy.”

Keaggy always maintained that Hendrix never said he was the best in the world, and I suppose you could take that version of the story in a way which doesn’t say that.  On the other hand, Keaggy was and still is an amazing musician.

He began with a band called Glass Harp, and they were a more than moderately successful ensemble–they recorded a live album in Carnegie Hall sometime in the early 1970s, but it wasn’t released until the late 90s, after Keaggy was more than established.  For most aficionados his first Christian album was the breakthrough, and the title song What a Day put him on the map, showcasing his lead stylings.

It was again the title song of his next album, Love Broke Thru, which caught the ear; it was also recorded by its co-writer, still ahead on our survey, and although people still debate which version is better, the song propelled both of them into the spotlight.  It led to a tour and concert album with 2nd Chapter of Acts, under the title How the West Was Won, a good album which never achieved the greatness of To the Bride.

This was followed by a more fusion-styled album, The Master and the Musician, from which the only track I remember was the instrumental Agora (The Marketplace).

Not long after I arrived at the radio station, Ph’lip Side landed on our desk.  It was a much-played album, from the rocky opening A Royal Commandment to the gentle mostly acoustic closing I Belong to You, but the big cut for us, coming out when a major movement was bringing a Crisis Pregnancy Center to our local city, was Little Ones, still one of the most powerful songs in defense of the unborn.

I don’t recall ever having seen, let alone heard, the album Town to Town, but somewhere I still have a vinyl copy of Play Through Me, and whenever I think of Keaggy the first song that comes to my mind is probably the opener of that album, Happy, which is instrumental for probably four-fifths of its run.  Obviously, if I owned the album I heard it, probably many times, and would probably recognize any of the cuts from it, but the only other title that rings a bell is Nobody’s Playgirl Now.

Keaggy is still recording, so there’s a lot of his stuff I’ve never heard; but there was one more album he released in that last year before I left, and as 1983 came to an end I put it on a list of the ten most significant Christian albums of the year.  The album was double-titled, The Private Collection Volume I (there doesn’t appear to have been a Volume II) and Underground.  I recognize one track title from it, What a Love, but the quality of the music or the memorability of the songs was not what was significant with this.  It was the way it was produced.

TEAC, one of the leaders in recording equipment of the era, had released an all-in-one recording studio that used two cassettes–that’s right, cassettes, those tiny little tapes that were always getting chewed up inside the players but which abruptly produced a remarkable audio quality with the development of “metal tape”–to record four tracks on each and permit mixing from one tape to the other.  Keaggy sat at home and laid track upon track, drums, guitars, bass, multiple vocals, all using this gadget, and came up with an album that was at least passable by the standards of the day.

I say passable, but in a sense it wasn’t.  Sparrow Records, which at the time was contracted as Keaggy’s label, felt it was below their production standards, and if you listen to the album on good equipment and attend to the background tracks, you can hear the kind of distortion one gets from copying one tape to another repeatedly (I’ve done it, using a pair of TEAC 3340 reel-to-reel decks and a Tascam 3 mixer; alas my children destroyed those tapes).  Sparrow found itself in a bind, because the music was excellent but the production was below par, so they created a new label, Nissi Records, for the purpose.  I understand the label eventually carried more of Keaggy and several other artists, but I was no longer in touch with the industry so I don’t know the details.

To me, though, this was significant.  In the late 50s and very early 60s it was still possible to record a song in your garage on a small reel-to-reel recorder and have it break through to be a national hit.  By the early 80s hourly rates for studio time for the quality required to make a major label record ran six digits.  Keaggy’s record was the first glimmer of the possibility that it was still possible to make good recordings of good music at home at a not completely unreasonable cost.  It was well outside my budget as a barely-above-minimum-wage Christian radio DJ and PD, but it was not impossible to imagine being able to afford such a thing, even though I never could.

To wrap up, in college I knew someone who said that Keaggy was technically brilliant and undoubtedly impressed other musicians with his skill, but he found the music boring.  He did impress other musicians.  I attended a live solo concert of his in the early 70s, and he would perform these incredibly difficult pieces, and then give an embarrassed laugh and comment that he should have practiced that one.  However, I recently encountered evidence that Phil might just be the best guitarist in the world, in his live rendition of True Believers (video begins with an extended spoken intro).  He is obviously using some fancy equipment on his acoustic guitar, such as one or more ditto boxes, but even so the performance is technically brilliant, and the audience recognizes it.  He does things I’m not sure I could even tell you how to do, and I’ve been playing for almost as long as he has.

*****

The series to this point has included:

  1. #232:  Larry Norman, Visitor;
  2. #234:  Flip Sides of Ralph Carmichael;
  3. #236:  Reign of the Imperials;
  4. #238:  Love Song by Love Song.
  5. #240:  Should Have Been a Friend of Paul Clark.
  6. #242:  Disciple Andraé Crouch.
  7. #244: Missed The Archers.
  8. #246: The Secular Radio Hits.
  9. #248:  The Hawkins Family.
  10. #250:  Original Worship Leader Ted Sandquist.
  11. #252:  Petra Means Rock.
  12. #254:  Miscellaneous Early Christian Bands.
  13. #256:  Harry Thomas’ Creations Come Alive.
  14. #258:  British Invaders Malcolm and Alwyn.
  15. #260:  Lamb and Jews for Jesus.
  16. #262: First Lady Honeytree of Jesus Music.
  17. #264:  How About Danny Taylor.
  18. #266:  Minstrel Barry McGuire.
  19. #268:  Voice of the Second Chapter of Acts.
  20. #272:  To the Bride Live.